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Chetna is an initiative of Prama Jyoti Foundation to recognise, appreciate, support and collectively reward those, who have chosen goodness as their way of life. This is a movement to identify and present stories of those larger-than-life heroes amongst us, who give selflessly to the world at large. These selfless souls are honoured as ‘Chetna Hero’—the individuals working selflessly to awaken the conscience of society by ‘Spreading Goodness’ silently. We hope that their stories will motivate you, others and many. At the same time, we endeavour to create an environment of support for their cause and others who wish to pursue their heart’s desire to contribute to the society or those who would simply want to follow someone else’s idea. We are trying to help in enhancing the lives of those following goodness and thus set an example for others to follow goodness as their first option! It is an endeavour to honour the many altruists amongst us and thank them on behalf of their many beneficiaries and for the vision they have projected. Chetna promises and provides life long emotional, moral, professional, financial and organizational support to the Chetna Heroes so that they never deviate from the path of goodness. The only return promise Chetna takes from Chetna Heroes is that they shall create 5 people like themselves in 10 years so that the ‘Chain of Goodness’ keeps expanding and goodness keeps spreading more and more. The next objective of Chetna is to inspire at least ten lakh people in five years so that they choose goodness as way of life.
If there was one thing that Inaaya took pride in, it was the immense love that she had been blessed with. After her parents' tragic death in a road accident, she spends a long time in self-denial. Gathering the scattered pieces of her life, she decides to begin life afresh and starts up the Urban Greens venture. Agasthya is the young and enterprising director of the Lifeline Hospital. He decides to give Urban Greens a chance, but is unable to resist the charm of Inaaya’s disarming smile and cozy snuggles with ailing children in the paediatric ward. Caught in a vortex of emotions and challenges at life’s crossroads, will their love win through? Dive into the whirlpool of feelings in deeply guarded hearts, with larger-than-life characters painted simply, yet honestly.
About the Book Every success story has its price to pay. So did Shatrughan Sinha (SS) who achieved the impossible twice over. The youngest and the most pampered in a family of academics and doctors where four sons were named after the four brothers of the Ramayan, SS stood out defiantly different. He was born for applause and the limelight; he was besotted with Raj Kapoor and cinema. In the face of stiff opposition from disciplinarian father Bhuvaneshwar Prasad Sinha, mother Shyama Devi’s chhutka bauwa (little darling) set out for the Film Institute of India (now FTII) in Poona. Bombay was the next logical destination. Without Kapoorian good looks or any connection with the Hindi film industry, the unknown scarface from Patna went on to create history on celluloid. In politics too, with no known surname or family to power his entry, he set a record as the first film star from India to be sworn-in as a Cabinet Minister. Quotes Anything But Khamosh: The Shatrughan SinhaBiography, is a rivetingly honest read that retraces the hurrahs and heartaches of India’s most popular BihariBabu. “Do not attempt to change him. Of the 1.25 crore people of India, he stands out as unique” – Amitabh Bachchan, superstar, Hindi cinema “They used to call me the Shatrughan Sinha of the South” – Rajinikanth, superstar, Tamil Nadu “I became an actor because of Shatrughan Sinha” – Chiranjeevi, superstar & Congress-I leader, Andhra Pradesh “Ours is an Eklavya-Dronacharya story. He is my guru” – Ambareesh, superstar & Minister for Housing, Karnataka “A person who joined the Jan Sangh or the BJP when it was in the Opposition, had to be gutsy. Shatrughan is” – LK Advani, Senior Leader, BJP “I would give him sanyam ki salaah (advice on patience)” – Sushma Swaraj, Minister for External Affairs “I find there’s no chaploosi (sycophancy) in him. Our doors are open 24/7 to him” – Lalu Prasad Yadav, Leader, RJD “If the Bihari Babu is hurt, the whole of Bihar is hurt” – Nitish Kumar, Chief Minister, Bihar “If we had Shatrusaab on our side, we wouldn’t need anybody else on our team” – Nawaz Sharif, Prime Minister, Pakistan About the Author Renowned columnist, critic and author Bharathi S Pradhan has written both fiction and non-fiction. Mr Bidi – the life story of an industrialist; Heartfelt: The inspirational story of Medha Jalota; Colas, Cars & Communal Harmony on secularism and Valentine Lover, an adult novel, are some of her well-received books. She scripted a documentary on Mughal-e-Azam and ideated for Balaji Telefilms. She has been Chairperson, National Awards (for best writing on cinema), and has been on the jury of diverse awards committees. She was also on the jury of the Indian Panorama of IFFI 2015. Bharathi has edited a variety of magazines and contributed to several publications that include Reader’s Digest, Mid-day, Savvy, Femina and Movie. She continues to be a Sunday columnist with The Telegraph. She lives in Mumbai with Sanjaya, her Chartered Accountant husband and Siddhesh, her son who is currently studying Law.
This volume focuses on the life and times of the ‘star of the millennium’, Amitabh Bachchan, and goes on to describe his contemporaries such as Shashi Kapoor, Dharmendra and Vinod Khanna, and also the next generation of heroes, including the Khans, Govinda, Hrithik Roshan and others who have followed. Ashok Raj is a research coordinator based in New Delhi. An alumnus of the Indian Institute of Technology, New Delhi, he has served as a consultant to several national and international organizations and NGOs in various spheres such as science, culture and the media. His significant work is a sixteen-part series on cinema, which was published in Screen (in 1988).
A Father is more than just the sum of his parts. He is the very soul of the family his love is eternal and without end. So every effort to thank him is just like a drop of water in an ocean. We realize that we children owe an enormous debt towards these hidden rost heroes. "Father: The Hero of Life" is not only an anthology where all the co-authors have penned down few poems, this is a collection of beautiful poems based on father's love, care, concern, and so on. We writers have showcased our love and gratitude towards our darling fathers.
Growing up with the country's favourite sport! In Devgarh, a fictional town, the boys of the Star Eleven cricket team are the good and bad boys of the Holy Mission School. Captained by Ajay but led by Aakash, the team, both individually and together, get into one scrape after another with only one goal in sight—being the best cricketing school side in Devgarh. The R P Memorial Trophy is the most prestigious tournament in the district and the boys have a number of obstacles to overcome, not the least of which is finding a coach. Follow their antics and pranks as they go through a gamut of experiences from learning the value of money and honesty, first love, examination blues, victory and perseverance and transform into the Champs of Devgarh! Full of action and fun, this book is a charming and hugely exciting coming-of-age tale.
The life of a common Indian woman is full of struggles, dilemmas, pressures and conflicts. Family's pressure to plan kids, explanations for opting night shift jobs, scolding about going alone to eating places and movies, reservation of seats in public transport, reaching out to diet and cosmetic industries to attain size zero and ultra-fair faces to get her boyfriend’s attention back.Where does 21st century Indian society stand on such issues? Also, what role does mass media, especially advertising plays in influencing public mindset about women ? This work acknowledged the need of examining it with reference to a wider context of the hard core issues faced by women in their bedrooms, kitchens, offices, streets and living rooms. Therefore, a sincere effort was put in reaching out to the people and mapping their minds through a set of questions (hidden form) about the control over a woman's body, the concept of her beauty, aspects of her occupation and mobility, her role in decision-making and in division of labor in the households. The book goes one step ahead of the typical impact studies or analysis of stereotypes in advertisements. For those interested in women studies, the book contains facts about women's movement in India till 2016 and a complete list of issues affecting a woman from her bedroom to her workplace.Those interested in advertising and cultural studies can find a full-length discussion on basic aspects of advertising as a format and as an institution .For the scholars of media studies or sociology, the work contains self-constructed Likert scales and codes. Further, the research has attempted to directly compare the advertisements and society on common parameters. The study draws its basic concepts and critical perspective from the works of Richard W Polay, John Fiske, John Hartley, Daniel Schandler, Lewis Hedwig, Kamla Bhasin, Nivedita Menon, Naomi Wolf, Radha Kumar, Foucault, Erving Goffman and Laura Mulvey. The issue has been examined thoroughly in the light of contemporary events and factors which make it more relevant to the present stage of globalized Indian society.
This study explores how Dalits in north India have used literature as a means of protest against caste oppression. Including fresh ethnographic research and interviews, it traces the trajectory of modern Dalit writing in Hindi and its pivotal role in the creation, rise and reinforcement of a distinctive Dalit identity. The book challenges the existing impression of Hindi Dalit literature as stemming from the Dalit political assertion of the 1980s and as being chiefly imitative of the Marathi Dalit literature model. Arguing that Hindi Dalit literature has a much longer history in north India, it examines two differing strands that have taken root in Dalit expression — the early ‘popular’ production of smaller literary pamphlets and journals at the beginning of the 20th century and more contemporary modes such as autobiographies, short stories and literary criticism. The author highlights the ways in which such various forms of literary works have supported the proliferation of an all-encompassing identity for the so-called ‘untouchable’ castes. She also underscores how these have contributed to their evolving political consciousness and consolidation of newer heterogeneous identities, making a departure from their long-perceived image. The work will be important for those in Dalit studies, subaltern history, Hindi literature, postcolonial studies, political science and sociology as well as the informed general reader.