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A dazzling tour of Château de Haroué, the epitome of opulent French style and one of today’s must-see examples of vibrant eighteenth-century architecture and design. Located in a remote village in the Lorraine region of northeastern France, the estate of Château de Haroué is an unrivaled treasure of Gallic culture and heritage. Built between 1720 and 1729 for Marc de Beauvau, Prince de Beauvau-Craon, constable of Lorraine and viceroy of Tuscany, his descendents have inhabited the castle and kept it going in high style ever since. Throughout the pages of this volume, readers are invited to discover the château’s impressive architecture and fashionably chic interior design. Newly commissioned photographs by leading interiors photographer Miguel Flores-Vianna alongside archival documents offer unprecedented access to 82 sumptuous rooms, which are enlivened by dynamic tapestries and family portraits, a breathtaking artwork collection, and stately antique furniture. Informative texts by Victoria Botana de Beauvau, one of France’s preeminent modern-day aristocrats and an It girl in Parisian society, paint a picture of the castle’s architectural splendors, lifestyle, notable events, and her family’s unique approach to keeping history alive—all published in an exquisitely crafted book, with creative direction by Peter Copping, worthy of this stunning property.
A dazzling tour of Château de Haroué, the epitome of opulent French style and one of today’s must-see examples of vibrant eighteenth-century architecture and design. Located in a remote village in the Lorraine region of northeastern France, the estate of Château de Haroué is an unrivaled treasure of Gallic culture and heritage. Built between 1720 and 1729 for Marc de Beauvau, Prince de Beauvau-Craon, constable of Lorraine and viceroy of Tuscany, his descendents have inhabited the castle and kept it going in high style ever since. Throughout the pages of this volume, readers are invited to discover the château’s impressive architecture and fashionably chic interior design. Newly commissioned photographs by leading interiors photographer Miguel Flores-Vianna alongside archival documents offer unprecedented access to 82 sumptuous rooms, which are enlivened by dynamic tapestries and family portraits, a breathtaking artwork collection, and stately antique furniture. Informative texts by Victoria Botana de Beauvau, one of France’s preeminent modern-day aristocrats and an It girl in Parisian society, paint a picture of the castle’s architectural splendors, lifestyle, notable events, and her family’s unique approach to keeping history alive—all published in an exquisitely crafted book, with creative direction by Peter Copping, worthy of this stunning property.
This study offers a view into the privileged world that lies within France's grand historical houses. It is a view hitherto afforded only to a selected circle of the French aristocracy and their friends.
Bursting with color and dramatic focal points, these exceptional interiors offer exclusive access into the homes of Paris’s finest art and antiques aficionados. The magic of Paris is distinctly captured in its interiors: windows are tall, and rooms have high ceilings with grand architectural details; but the real charm comes in the thoughtfully selected elements that bring those spaces to life. Paris is rife with antique collectors, art historians, architects, and interior designers who dedicate their lives to the contemplation of each element that goes into the ideal interior. Barbara and René Stoeltie invite us inside the private oases of twenty of the city’s celebrated interiors gurus, capturing in vivid photographs these havens of perfection, brimming with inspiration for the home. While each interior is distinctly unique, they all draw from a rich historical tradition of decorative arts combined with an instinctive desire to reinvent itself, mixing the best elements from different epochs with contemporary art, bold colors, or surprising pattern combinations. A foreword from Jacques Garcia, with his gracious nod to the great Madeleine Castaing, opens this handsome volume.
Complete Atlas of the World, 3rd Edition is now fully revised and updated to reflect the latest changes in world geography, including the annexation of Crimea and the new nation of South Sudan. Bringing each featured landscape to life with detailed terrain models and color schemes and offering maps of unsurpassed quality, this atlas features four sections: a world overview, the main atlas, fact files on all the countries of the world, and an easy-to-reference index of all 100,000 place names. All maps enjoy a full double-page spread, with continents broken down into 330 carefully selected maps, including 100 city plans. You will also find a stimulating series of global thematic maps that explore Earth's place in the universe, its physical forms and processes, the living world, and the human condition. From Antarctica to Zambia, discover the Earth continent-by-continent with Complete Atlas of the World, 3rd Edition.
Providing intimate insight into life in a French château, this volume takes readers on an insider’s tour of the Château du Lude, a private residence that features its original decorative interiors. Nestled in the idyllic Loire Valley, the Château du Lude is one of the most historic châteaus in France; Bluebeard besieged the castle on his way to join Joan of Arc’s crusade, and it earned the rare distinction of having survived the French Revolution intact. Today, the Lude is inhabited and impeccably maintained by the Count and Countess Louis-Jean de Nicolay, whose family has owned the property for over 250 years. They invite readers to discover the château’s well-preserved interiors and gardens, which feature a medieval kitchen, an Italian Renaissance studiolo, and exceptional horse stables, offering a glimpse into the lifestyle of the château’s inhabitants, past and present. Newly commissioned photographs offer unprecedented access into the hidden corners of the estate otherwise closed to the general public.
This comprehensive monograph is an exclusive look inside the château that inspired the design of Versailles and today continues to enchant visitors and film directors alike. Vaux-le-Vicomte’s rich history began in 1641 when infamous French finance minister Nicolas Fouquet, the original owner, surrounded himself with the most skilled and talented artisans of the time: the architect Louis Le Vau, the painter Charles Le Brun, and the garden designer André Le Nôtre, to create a perfect harmony between architecture and landscape. The Château de Vaux-le-Vicomte and its spectacular gardens fascinated Louis XIV and were the inspira­tion for Versailles. Classified as a historical monument since 1875 under the impetus of the owner at the time, the castle of Vaux-le-Vicomte quickly became a model of the artistic genius of the seventeenth century. This volume traces the château’s history from the seventeenth century through the Belle Époque, World War I, and its public opening in 1968. Exclu­sive photography and archival documents offer unprecedented access to the château, furnishings, and gardens, and illuminate the extraordinary secrets of court life and centuries of celebrations that include the enchanting candlelit tours held today.
At the heart of this stirring tale and visual delight is a group of ten extraordinary houses and castles that have survived the vicissitudes of Scotland's history with almost all of the original families who built them still in residence today. Their histories are peopled with strongwilled men and women--from the notorious General Tam Dalyell of the House of the Binns, who served not only the Stuart kings but the czar of Russia, to the first Duke of Queensberry, who built one of the most sensational castles in Britain, to a love match worthy of the "auld alliance" between the Earl of Stair and his French-born countess. Each house also represents a landmark in Scotland's architectural history, ranging from the early seventeenth to the early twentieth century. The cutting-edge classicism of William Bruce at Balcaskie, the sensational French chateau-inspired Drumlanrig, the splendor of William Adam's baroque at Arniston, and the sublime Palladianism of his sons, the Adam brothers, at Dumfries House, are a roll call of architectural genius. The Victorian passion for all things Scottish is displayed in Lochinch Castle, a bravura example of the Baronial style, bristling with turrets, bartizans, and stepped roofs. And Robert Lorimer's beautifully crafted reconstruction at Monzie at the turn of the twentieth century reveals him as a major talent who synthesized European and purely Scottish styles, expressing, like his fellow architects in this book, a uniquely Scottish sensibility. The architectural revelation is matched by the houses' sensational settings, which merge the historically designed gardens and landscape with the unparalleled wildness and vistas of Scotland. But, as author James Knox writes in his lively, insightful text, "The glory of Scottish country houses is not just their architecture but their contents, which add layers of personality to the interiors." As Knox guides the reader on an intimate tour of the houses, he recounts their fascinating histories and profi les the colorful, often eccentric, lairds, lady lairds, clan chiefs, and nobles who have called them home. And James Fennell's masterly photographs, which rely solely on natural light for effect, capture the distinctive atmosphere of each residence. The Duchess of Buccleuch's boudoir at Bowhill is a frenzy of chinoiserie, needlepoint, and silk tassels. At Ballindalloch, the Macpherson-Grant tartan carpets the entrance hall and Victorian paintings of the family's prized Aberdeen Angus herd--the oldest in Scotland--adorn many a room. The motto of the Munro clan, "Dread God," is emblazoned throughout Foulis Castle--on china, wall plaques, not to mention the clan chief 's bonnet. All of these cherished houses are chockablock with memories of the past, from swagger portraits to sporrans, from vintage photographs to ancient weaponry, from curling stones to fading chintz. Some are also treasure houses, not least Dumfries House, saved from the auction block by a consortium headed by the Prince of Wales, which boasts an unrivaled collection of documented Chippendale and Scottish rococo furniture. "The Scottish Country House" will enthrall anyone with an interest in Scotland, history, architecture, or interior decoration--all wrapped in a compelling narrative of past lives and taste. Praise for "The Scottish Country House" "If you like historic homes, this book is for you. It's filled with beautiful photos of historic Scottish castles and grand estates." -"Design*Sponge" "Who can resist a beautiful chateau set in the lush green countryside of Scotland? I, for one, cannot. In James Knox's new book, he focuses on ten standout examples of Scottish country living. With each house, he details the history of the establishment, and follows through to how it stands today." --"Home Design with Kevin Sharkey" "This book, filled with lavish photography by James Fennell, profiles ten outstanding Scottish castles and mansions, from sprawling Walter Scott
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This volume goes behind the scenes to reveal the history and metamorphosis of the Hôtel de la Marine, a treasure of Parisian heritage. The Hôtel de la Marine, an exemplary monument on Paris’s Place de la Concorde, is a superb architectural achievement constructed in the eighteenth century by Ange-Jacques Gabriel, the official architect of King Louis XV. The institution it housed was charged with choosing, purchasing, and maintaining all of the king’s furniture—from beds to the simplest chair—and the crown’s treasures were stored here until 1789, after which it became the site of the Ministry of the Navy for more than two hundred years. An extensive four-year restoration was completed in 2021; the building reopened to the public and features a museum, conserved apartments that highlight the tastes of the eighteenth and nineteenth centuries, an exhibition hall, a bookshop, and three restaurants. Previously unpublished photography captures the splendor and majesty of the monument.