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Storyville, 1907: In this raucous red-light district, where two thousand scarlet women ply their trade, where cocaine is sold over the counter and rye whiskey flows freely, there's a killer loose. Someone is murdering prostitutes and marking each killing with a black rose.
Until the mid-20th century, the thylacine was the world’s largest carnivorous marsupial, and its disappearance has left many questions and contradictions. Alternately portrayed as a scourge and as a high value commodity, the thylacine’s ecology and behaviour were known only anecdotally. In recent years, its taxonomic position, ecology, behaviour and body size have all been re-examined scientifically, while advances in genetics have presented the potential for de-extinction. With 78 contributors, Thylacine: The History, Ecology and Loss of the Tasmanian Tiger presents an evidence-based profile of the thylacine, examining its ecology, evolution, encounters with humans, persecution, assumed extinction and its appearance in fiction. The final chapters explore the future for this iconic species – a symbol of extinction but also hope.
Storyville, 1907: In this raucous, bloody, red-light district, where two thousand scarlet women ply their trade in grand mansions and filthy dime-a-trick cribs, where cocaine and opium are sold over the counter, and where rye whiskey flows like an amber river, there's a killer loose. Someone is murdering Storyville prostitutes and marking each killing with a black rose. As Creole detective Valentin St. Cyr begins to unravel the murder against this extraordinary backdrop, he encounters a cast of characters drawn from history: Tom Anderson, the political boss who runs Storyville like a private kingdom; Lulu White, the district's most notorious madam; a young piano player who would come to be known as Jelly Roll Morton; and finally, Buddy Bolden, the man who all but invented jazz and is now losing his mind. No ordinary mystery, Chasing the Devil's Tail is a chilling portrait of musical genius and self-destruction, set at the very moment when jazz was born.
An examination of the practice of mummery in Newfoundland including a discussion of mummering time, groups, costumes, and behaviour. The author argues that mummery reflects cultural values and is a ritual response to a liminal state.