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From the author of the Mike Shayne Mysteries: A man’s obsessive affair with his wife’s teenage sister takes him down a dark and dangerous path. A quiet construction engineer in Denver, Colorado, Charlie Dell doesn’t need any complications in his life. But his wife, Irma, insists they take in her younger sister, Lois, as a matter of duty. Charlie bristles at the thought of having a seventeen-year-old girl around . . . until he gets one look at Lois. She’s a far cry from the buck-toothed kid Dell remembers, and more than willing to indulge in a little sin with her sister’s husband. Insane with passion, Dell starts cutting corners at work in order to find time alone with her. But actions have consequences—deadly, serious ones—and the further Dell goes to cover his tracks, the darker and more dangerous his path gets. “This is a taut, matter-of-fact novel—simply and powerfully written.” —The Nashville Tennessean Praise for Brett Halliday’s Mike Shayne Mysteries “[Mike Shayne is] one of the best of the tough sleuths.” —The New York Times “Unlike anything else in the genre.” —L. J. Washburn, author of For Whom the Funeral Bell Tolls “Raw, ingenious storytelling . . . Pure pleasure.” —Shane Black, creator of Lethal Weapon and writer/director of Kiss Kiss Bang Bang, on Murder Is My Business
This is the fifth volume of what is now known as The Notational Quintet, a collection of acerbic and penetrating views of our contemporary society. The author tends toward pessimism but there are occasional bright rays that engender some hope. In reading these pieces you may be disturbedoccasionally outragedbut not bored. Good for deck reading on SS Titanic
To some this collection of commentary and observationsfourth in what now must be called The Notational Quartetmight seem as remote as the proverbial Man in the Moon. But the reader will find it very relevant to the changing and troubled times that we find ourselves in. The author has steered the reader and vessel to a distant and little known shore, where hope for return to point of origin is very much in doubt. The boats that left from the same harbor have rowed away from one another
Haughty Bengals, faithful Maine coons, and feral strays: These are the haunting familiars that animate Nina De Gramont's critically acclaimed debut collection of short fiction. Prowling through every story, these enigmatic creatures expose the hidden fears and passions of the female heart, and illuminate the profound truths of men and love. A young woman finds two dark surprises in her home: a magpie dismembered by her mischievous cat, and an unsettling glimpse of her fiancé’s secret inclinations... A pregnant housewife quietly suffers a visit from her troubled brother-in-law while her hidden anger comes to life in the suddenly hostile behavior of her docile house cat... A frustrated newlywed clings to the last vestige of her well-appointed upbringing--a pampered Himalayan high point--until a rangy stray cat shows her the true meaning of marriage... As clever, finessed, and keen as the feline disposition it celebrates, Of Cats and Men marks the arrival of an exciting new voice in fiction.
In 1965 producers Joseph E. Levine and Bill Sargent were racing to get their problem-laden biopics of Jean Harlow (both titled Harlow) into theaters first. Levine's film starred Carroll Baker in a big-budget, color production. Sargent's movie starred Carol Lynley in a quickie, black and white production shot in a new process called Electronovision. In the press the two producers conducted one of the nastiest feuds Hollywood had ever witnessed, nearly culminating in fisticuffs at the 1965 Academy Awards ceremony. In recounting the making of the two films, this book (expanded from the original self-published edition) touches on Jean Harlow's life, the failed attempts to make a Harlow biopic in the 1950s, and the reviled, bestselling 1964 biography. It details the aftermath of each movie's release, from scathing reviews to disappointing box office returns to the several lawsuits. Newly discussed are the portrayals of Jean Harlow on stage shortly after the Levine and Sargent films, and the making of the 1977 film Hughes and Harlow: Angels in Hell starring Lindsay Bloom as Jean Harlow. The book is generously illustrated and includes interviews with people associated with all three films, including Carol Lynley and Lindsay Bloom.
Diana Gael, aged twenty-two, is the youngest cub reporter on the Barling Gazette. She's met Hooky Hefferman previously at a cricket match, so when she comes to Sayle Place she is able to recommend him as a player in the village's annual cricket game. The squire of Sayle - Sir Colyn Collingford - is a miser and an unscrupulous womaniser. On the day of the great match Hooky's dual role is to make runs for the squire's team and guard the treasures of Sayle against burglars. Soon, though, Hooky has far more than would-be burglars on his hands ...
Whether rocketing to other worlds or galloping through time, science fiction television has often featured the best of the medium. The genre's broad appeal allows youngsters to enjoy fantastic premises and far out stories, while offering adults a sublime way to view the human experience in a dramatic perspective. From Alien Nation to World of Giants, this reference work provides comprehensive episode guides and cast and production credits for 62 science fiction series that were aired from 1959 through 1989. For each episode, a brief synopsis is given, along with the writer and director of the show and the guest cast. Using extensive research and interviews with writers, directors, actors, stuntmen and many of the show's creators, an essay about each of the shows is also provided, covering such issues as its genesis and its network and syndication histories.
Levels of the Game is John McPhee's astonishing account of a tennis match played by Arthur Ashe against Clark Graebner at Forest Hills in 1968. It begins with the ball rising into the air for the initial serve and ends with the final point. McPhee provides a brilliant, stroke-by-stroke description while examining the backgrounds and attitudes which have molded the players' games. "This may be the high point of American sports journalism"- Robert Lipsyte, The New York Times