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Propelled across the continent by notions of rugged individualism" and "manifest destiny," pioneer Americans soon discovered that such slogans only partly disguised the fact that building an empire meant destroying a wilderness. Through an astonishing range of media, they voiced their concern about America's westward mission. Drawing on a wide variety of evidence, Lee Clark Mitchell portrays the growing apprehensions Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
As James H. Nottage writes in the preface, "The Gerald Peters Collection of Western Art has a range that expresses many different trends, techniques and schools in the art history of the American West. Do not look at the painted canvas for images of dress and equipment as in James Walker's brilliant oil Roping Wild Horses. Observe pieces such as Thomas Moran's Green River, Wyoming and think of the painter as a visionary image maker, for the painter's realm has done much to romanticize our perceptions of the American West." These paintings were the first visual communications of the vast grandeur of the West and the wild beauty of its inhabitants. Featuring 37 artists, including John James Audubon, Albert Bierstadt, Karl Bodmer, Henry Farny, Alfred Jacob Miller, Thomas Moran, Frederick Remington, and many others.