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First published in 1997. This book provides an extremely detailed analysis of the national decision-making processes of two of the principal players in the Maastricht negotiations, and a comprehensive discussion of the national, subnational and transnational actors central to the negotiating process.
This antiquarian book contains a detailed treatise on English heraldry, with information on its history, development, and popularity. Heraldry is the profession, study, or art of creating, granting, and blazoning arms and ruling on questions of rank or protocol, as exercised by an officer of the army; and also comprises the practice of designing, displaying, describing, and recording coats of arms and heraldic badges. Illustrated by nine plates and nearly three hundred designs, this volume is a comprehensive treatment of the subject that will greatly appeal to those with an interest in heraldry. The chapters of this volume include: 'The Origin of Armory', 'The Status and the Meaning of a Coat of Arms in Great Britain', 'The Heralds and Officers of Arms', 'Heraldic Brasses', 'The Component Parts of an Achievement', 'The Shield', 'The Field of a Shield and the Heraldic Tinctures', 'The Rules of Blazon', et cetera. We are republishing this vintage text now complete with a new prefatory biography of the author.
Paying particular attention to the issue of how to read Nietzsche, this book presents a series of accessible essays on the work of this influential German philosopher. The contributions include many of the leading Nietzsche scholars in the United States today - Frithjof Bergmann, Arthur Danto, Bernd Magnus, Christopher Middleton, Lars Gustaffson, Alexander Nehamas, Richard Schacht, Gary Shapiro, and Ivan Soll - and the majority of the essays have never been published. Works discussed include On the Genealogy of Morals, Beyond Good and Evil, Thus Spoke Zarathustra, Twilight of the Idols, and The Will to Power.
"This book is the result of a doctoral thesis defended at Goldsmith's College, University of London"--Acknowledgements.
The name of Francis Poulenc (1899-1963) was first brought to prominence in the 1920s as a member of Les Six, a group of young French composers encouraged by Satie and Cocteau. His subsequent fame spread well beyond France, and he is coming to be regarded as one of this century's most significant composers. His compositions are heard constantly in concert halls the world over, and numerous recordings, including complete sets of songs and piano music, have been released. Books, articles and more than a dozen doctoral dissertations have discussed his music. Carl Schmidt's catalogue of Poulenc's works represents the first comprehensive attempt to list an oeuvre which numbers approximately 185 compositions written from his teenage years until his death at the age of 63. The Catalogue indentifies a number of unpublished works, and adds a small group of compositions to his musical canon for the first time. Each work, whether complete or unfinished, published or unpublished, is described fully. Catalogue entries list and describe all known printed editions (including reprints) and manuscript copies of each work. In addition, they provide detailed compositional histories based on numerous letters, documents, and press accounts, many of which have not been published previously. Russian interest in Poulenc's music, manifested in press runs exceeding one million copies, is also revealed for the first time.