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In 1914, the SS Komagata Maru crossed oceans and jurisdictions to arrive at the west coast of Canada. Canadian officials, calling on legislative acts designed to limit the immigration of Indians, detained the ship for two months in Vancouver Harbour. Most of the 376 passengers were then forcibly returned to India. Unmooring the Komagata Maru challenges conventional Canadian historical accounts by drawing from multiple disciplines and fields to consider the international and colonial dimensions of the voyage. By situating the history of South Asians in Canada in a global-imperial context, this volume emphasizes the ways in which the Komagata Maru incident is related to issues of colonialism more generally. The contributors offer a critical reading of Canadian multiculturalism through past events and their commemoration. Ultimately, they caution against narratives that present the ship’s journey as a dark moment in the history of a redeemed nation. Unmooring the Komagata Maru demonstrates that, a hundred years later, the voyage of the Komagata Maru has yet to reach its conclusion.
In 1914, Canada was a very British society with anti-Asian attitudes. Although Great Britain had declared that all people from India were officially British citizens and could live anywhere in the British Commonwealth, Canada refused to accept them. This racist policy was challenged by Gurdit Singh, a Sikh businessman, who chartered a ship, the Komagata Maru, and sailed to Vancouver with over 300 fellow Indians wishing to immigrate to Canada. They were turned back, tragically. Over the years, the Canadian government gradually changed its immigration policies, first allowing entry to wives and children of Indian immigrants and later to many more immigrants from India. The Indo-Canadian community has grown throughout Canada, especially in British Columbia. Many in the community continue to celebrate their Indian heritage which enriches Canadian culture.
The Oxford Handbook of Canadian Literature provides a broad-ranging introduction to some of the key critical fields, genres, and periods in Canadian literary studies. The essays in this volume, written by prominent theorists in the field, reflect the plurality of critical perspectives, regional and historical specializations, and theoretical positions that constitute the field of Canadian literary criticism across a range of genres and historical periods. The volume provides a dynamic introduction to current areas of critical interest, including (1) attention to the links between the literary and the public sphere, encompassing such topics as neoliberalism, trauma and memory, citizenship, material culture, literary prizes, disability studies, literature and history, digital cultures, globalization studies, and environmentalism or ecocriticism; (2) interest in Indigenous literatures and settler-Indigenous relations; (3) attention to multiple diasporic and postcolonial contexts within Canada; (4) interest in the institutionalization of Canadian literature as a discipline; (5) a turn towards book history and literary history, with a renewed interest in early Canadian literature; (6) a growing interest in articulating the affective character of the "literary" - including an interest in affect theory, mourning, melancholy, haunting, memory, and autobiography. The book represents a diverse array of interests -- from the revival of early Canadian writing, to the continued interest in Indigenous, regional, and diasporic traditions, to more recent discussions of globalization, market forces, and neoliberalism. It includes a distinct section dedicated to Indigenous literatures and traditions, as well as a section that reflects on the discipline of Canadian literature as a whole.
Gao Xingjian is the leading Chinese dramatist of our time. He is also one of the most moving and literary writers for the contemporary stage. His plays have been performed all around the world, including China, Hong Kong, Taiwan, Japan, Australia, the Ivory Coast, the United States, France, Germany and other European countries. Born and educated in China, Gao studied French literature at the Beijing Foreign Languages Institute between 1957-1962. After the Cultural Revolution, he became a resident playwright at the Beijing People's Art Theatre. His works, including Bus Stop, Absolute Signal, and Wilderness Man, were trend-setting and have created many controversies and a wave of experimental drama in China. In 1987 he settled in Paris, France and continued to write in Chinese and in French. He was awarded the Chevalier de l'Ordre des Arts et des Lettres by the French Government in 1992. The present collection contains five of Gao Xingjian's most recent works: The Other Shore (1986), Between Life and Death (1991), Dialogue and Rebuttal (1992), Nocturnal Wanderer (1993), and Weekend Quartet (1995). One finds poetry, comedy as well as tragedy in the plays, which are graced by beautiful language and original imagery. Combining Zen philosophy and a modern worldview, they serve to illuminate the gritty realities of life, death, sex, loneliness, and exile, all essential concerns in Gao's understanding of the existence of modern man. The plays are also manifestations of the dramatist's idea of the tripartite actor, a process by which the actor neutralizes himself and achieves a disinterested observation of his self in performance.
“Sexton grapples with the Trump campaign from the perspective of the crowds reveling in the candidate’s presence and message. It is a useful vantage point given the increasingly blatant bigotry in the months since the election.” —The Washington Post The People Are Going to Rise Like the Waters Upon Your Shore is a firsthand account of the events that shaped the 2016 presidential election and the cultural forces that powered Donald Trump into the White House. Includes an all new afterword that details the first year of the Trump presidency. “With a novelist’s flair for the dramatic scene and evocative detail, Sexton expertly marries the quotidian tedium of the campaign trail (so many hotel room beers) and the outlandish circumstances of this particular election season with his astute observations about our polarized national condition.” —Salon “This is the post–campaign book I was waiting for. Essential reading for understanding this country now and going forward.” —Alexander Chee, author of The Queen of the Night
Fiction. Asian Studies. Set in the romantic Himalayan valleys, amidst breathtaking mountain snowmelts and the monsoon rainstorms, these beautifully told and haunting stories explore the lives and the longins and memories of the Lohar people of Kotli. Now, so much has changed in the Lohar village, and there is a story and a secret to every person, every family. In one story, a man's wife turns out to be a stranger, and his house is not quite his own, when two strangers appear and dig out their past from its earth; in another, a boy contemplates the mystery behind an old picture. Tariq Malik was born and raised in Pakistan, and lives in Vancouver.
When Biloxi, Mississippi's wealthiest belle moves in with the town's most handsome widower, gossip flies and fierce. Since she's merely filling in as governess of Captain Quade Cameron's three children, Meredith Stanfield pays the busybodies no mind. But why does her heart pound every time the Captain comes near? And why does she feel faint whenever her gaze meets the emerald depths of his eyes?