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Sébastien Roch Nicolas Chamfort (1740-1794), whom Nietzsche called the "wittiest of all moralists," is now known for little more than brillian aphorisms that captivated a long line of thinkers, from Stendhal to Cioran, Schopenhauer to Camus. Yet the fascination of Chamfort's life is barely suggested by the fragments of writing that have survived him. In Claude Arnaud's captivating biography, Chamfort the libertine, playwright, journalist, and revolutionary stands revealed as the most telling emblem of his times.
"The cynic's breviary: Maxims and anecdotes from Nicolas de Chamfort" by Sébastien-Roch-Nicolas Chamfort (translated by William G. Hutchison). Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
It takes any number of forms. Epigrams. Aphorisms. Fragments. Sayings. Dicta. Sententiae. Facetiae. Pearls of wisdom. Fractions of truth. Maxims. Definitions. Jottings. Miscellaneous musings. Meditations. Ricordi. Pensées. Ephemera. Miniatures. Sketches. Vignettes. Denkbilder. Capriccios. Tiny 'fires without flames' ... In returning to these genres, Matches goes back to the drawing board of modern critique. It sets out to rekindle short-form literary-philosophical reflection, with roots in the Antiquity of Heraclitus and Hippocrates, apogee in the French moralistes (La Rochefoucauld, Pascal, Chamfort ...), and late splendour in German letters (Nietzsche, Kraus, Jünger ...). Moving from art and aesthetics to philosophies past and present, through natural and technological landscapes, beneath the constellations of politics, history and ethics, along the byways of contemporary literary culture--the slow reader with a little spare time will not fail to be struck. Here are pages to peruse and mistrust, texts to think with, a book to put down and ponder, to ponder and put down. A tome to keep handy, handle often, and strike repeatedly against the rough patches of the mind.
This “rich . . . highly enjoyable portrait of an extraordinary moment in French history” introduces us to 7 dazzling aristocrats who rose and fell during the French Revolution (Guardian). Benedetta Craveri reveals the history of the Libertine generation “whose youth coincided with the French monarchy’s final moment of grace—a moment when . . . a style of life based on privilege and the spirit of caste might acknowledge the widespread demand for change, and . . . reconcile itself with Enlightenment ideals of justice, tolerance, and citizenship.” Here we meet 7 characters who Craveri singles out not only for their “romantic character” but also for “the keenness with which they experienced this crisis . . . of the ancien régime, of which they themselves were the emblem.” • Duc de Lauzun • Vicomte de Ségur • Duc de Brissac • Comte de Narbonne • Chevalier de Boufflers • Comte de Ségur • Comte de Vaudreuil These men were at once “irreducible individualists” and true “sons of the Enlightenment”—all of them ambitious to play their part in bringing around the great changes that were in the air. But when the French Revolution came, they found themselves condemned to poverty, exile, and in some cases execution. Telling the parallel lives of these dazzling but little-remembered historical figures, Craveri brings the past to life, powerfully dramatizing a turbulent time that was at once the last act of a now-vanished world and the first act of our own.
This is a portrait of the colorful characters of late 18th-century France, and a treasure chest of poignant, satirical humor to put a smile on every cynic's face. Chamfort was a man of his time. A love child of semi-noble birth, he became a cult figure in the salons of pre-revolutionary Paris--his athleticism and charm proving irresistibly attractive to the same aristocracy which later he would grow to despise. But it was only after his death, in 1794, that he achieved the fame he had always longed for. In his room were found thousands of scraps of paper on which he had written his reflections on love, life, and society. Later published in book form by admirers, these have become a testament to the astutely perceptive wit of France's forgotten philosopher.
Frequently perceived as a characteristic of modern culture, the phenomenon of celebrity has much older roots. In this book Antoine Lilti shows that the mechanisms of celebrity were developed in Europe during the Enlightenment, well before films, yellow journalism, and television, and then flourished during the Romantic period on both sides of the Atlantic. Figures from across the arts like Voltaire, Garrick, and Liszt were all veritable celebrities in their time, arousing curiosity and passionate loyalty from their “fans.” The rise of the press, new advertising techniques, and the marketing of leisure brought a profound transformation in the visibility of celebrities: private lives were now very much on public show. Nor was politics spared this cultural upheaval: Marie-Antoinette, George Washington, and Napoleon all experienced a political world transformed by the new demands of celebrity. And when the people suddenly appeared on the revolutionary scene, it was no longer enough to be legitimate; it was crucial to be popular too. Lilti retraces the profound social upheaval precipitated by the rise of celebrity and explores the ambivalence felt toward this new phenomenon. Both sought after and denounced, celebrity evolved as the modern form of personal prestige, assuming the role that glory played in the aristocratic world in a new age of democracy and evolving forms of media. While uncovering the birth of celebrity in the eighteenth century, Lilti's perceptive history at the same time shines light on the continuing importance of this phenomenon in today’s world.
This passionate and monumental biography reassesses the life and legacy of one of the most significant cultural figures of the twentieth century Unevenly respected, easily hated, almost always suspected of being inferior to his reputation, Jean Cocteau has often been thought of as a jack-of-all-trades, master of none. In this landmark biography, Claude Arnaud thoroughly contests this characterization, as he celebrates Cocteau’s “fragile genius—a combination almost unlivable in art” but in his case so fertile. Arnaud narrates the life of this legendary French novelist, poet, playwright, director, filmmaker, and designer who, as a young man, pretended to be a sort of a god, but who died as a humble and exhausted craftsman. His moving and compassionate account examines the nature of Cocteau’s chameleon-like genius, his romantic attachments, his controversial politics, and his intimate involvement with many of the century’s leading artistic lights, including Picasso, Proust, Hemingway, Stravinsky, and Tennessee Williams. Already published to great critical acclaim in France, Arnaud’s penetrating and deeply researched work reveals a uniquely gifted artist while offering a magnificent cultural history of the twentieth century.
Sébastien-Roch Nicolas Chamfort remains one of the most enigmatic 'prompters' of the French Revolution. This study analyses his rhetorical and political programmes in tandem to reveal how Chamfort's discourse and politics inform and elucidate one another in both pre-revolutionary and revolutionary periods. It considers his key political texts - his 'Discours à l'Académie française', Des académies, the Tableaux historiques de la Révolution française and his posthumous Maximes et pensées, caractères et anecdotes - and exposes how, in each instance, Chamfort's conception of politics hinges on the adoption and subversion of prescribed discursive forms (reception speech, historical tableau, maxim). In the 'Discours' and Des académies, Chamfort opposes the implicit discursive norm of le bon usage sanctioned by the Académie française, because it represses free expression and at the same time constitutes the Académie itself into an oppressive corporation imbued with neo-feudal values. Chamfort's subsequent interpretations of revolutionary events in his Tableaux historiques, while making explicit this same radical libertarianism, frame some reservations about the insurgent peuple as a political force. In the end, many of the tensions troubling Chamfort's politics are resolved by his posthumous Maximes et pensées, whose prevailing principle of honnêteté gives them a rhetorical and political independence from both the ancien régime, centred on notions of honneur, and the revolutionary Republic, founded on a principle of vertu. Previous studies have tended either to interpret Chamfort's works from their historical or biographical context, or - by considering exclusively the Maximes et pensées - to subordinate them to an established literary tradition. This innovative reading posits Chamfort's texts as an exemplary meeting-place of literary practice and political praxis at the time of the Revolution, shedding new light on both the function of literary forms in Chamfort's politics and the role of Chamfort the writer, as an ideological subject caught up in revolutionary events.
An indispensable guide to the oeuvre of Samuel Beckett, spanning sixty years