Malcolm Scougale
Published: 2015-08-04
Total Pages: 184
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Excerpt from Challenge Shorthand Manual: Pitman-Graphic 1. Write on ruled paper with fine pointed pen, or with pencil kept well sharpened. 2. "If Phonographic strokes were inclined in a uniform direction, as in the common longhand, it would be better to hold the pen or pencil in the usual manner." - Manual of Phonography, Ben Pitman, 1871. Challenge Shorthand follows so nearly the movement of longhand that the student and writer will find the longhand movement much the best, and a student best trained in longhand will write the best and most rapid Challenge Shorthand. The movements of a rapid longhand writer are much more rapid than the movements of the best stenographer can possibly be. 3. Write always with care, endeavoring to write smooth, accurate notes. Writing too slowly, the hand will tremble; too rapidly, the lines will be imperfect in length, slant, shade and position. Find your best movement and accelerate it very gradually, but surely. 4. Pronounce each character-name, or word, as you write it in shorthand. 5. Never indulge in the slow process of copying shorthand characters or words one by one, or sentence after sentence, constantly interrupting your work to find the next character, word, or sentence; but - 6. Practice writing, repeatedly, as many characters or words as you can readily hold in mind. 7. Do not seek to hurry impatiently forward. Confine all hurry work to repeated and careful review. Matters For Future Reference. 8. Vowels. - The familiar statement that "the vowels are a, e, i, o, u, and sometimes w and y," is not the statement of a phonetic writer, and has no application to phonetic shorthand. The word vowel is used in speaking of the vowel sound, and also of the sign for the sound. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
