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This book represents a new publishing venture in terms of its range of concerns with regard to English in Southeast Asia. The chapters in the volume reflect the interests and themes of the annual Conferences on English in Southeast Asia held since 1996 among participating universities from nine countries: Malaysia, Singapore, Brunei, Philippines, Australia, Hong Kong, Thailand Indonesia and New Zealand. This is believed to be the first time that such diversity and coverage has been published in a single volume. The three sections of the book cover topics which have been consistently discussed at the conferences during the last ten years. The Varieties section features chapters on phonology, dictionary making, syntax, code-switching and the communicative strategies of English speakers from ASEAN countries. The Literacies section focuses on ICT in English language teaching, Information literacy, bilingual and multilingual issues in Southeast Asia, recent developments in English language teaching and education in Thailand and questions of heritage and identity with respect to English in Malaysia. In the Literatures section the concerns are with new generation writings in English in Malaysia, the literature read by young Filipinos, the use of English in Malaysian newspapers in the context of general elections, the discourses of Asian English newspapers in relation to notions like “globalisation” and “global English” and ASEAN English on Internet websites. As a collection of work by experienced academics engaged in the issues germane to the roles and status of English in Southeast Asia this volume is an excellent resource for university students, university teaching and research staff and university library collections.
A constellation of thoughts by 25 established and emerging scholars who plot the indices of modernity and locate new coordinates within the shifting landscape of art. These newly commissioned essays are accompanied by close to 200 full-colour image plates.
Religion has featured in Anglophone literature in Malaysia from colonial times to the present. In Intimating the Sacred, Andrew Hock Soon Ng considers the practice of everyday religiosity as represented in literature, which is often starkly opposed to the impression created by religious rhetoric promoted by the government. The book's examination of intersections between (post)modernity and religion highlights links between religion and other facets of colonial and postcolonial identity such as class, gender and sexuality. It will appeal not only to scholars and specialists, but also to anyone who enjoys modern Southeast Asian literature. Andrew Hock Soon Ng is senior lecturer in literary studies at Monash University, Sunway Campus, Malaysia. He is the author of Dimensions of Monstrosity in Contemporary Narratives and Interrogating Interstices. "In Intimating the Sacred, Andrew Hock Soon Ng confirms his status as one of the most important new voices in Malaysian literary studies, moving beyond national and postcolonial frameworks to a more subtle plotting of the psychic contours of Malaysian modernity." – Philip Holden, National University of Singapore "In Malaysia, the relationships between various religions, the state ideology and the multicultural composition of the populace are fraught with tension. Ng's book, with critical insights derived from a balanced treatment of texts and theory, deals with these issues in a robust and uncompromising manner. This is a welcome contribution to Southeast Asian literary studies." – Eddie Tay, author of Colony, Nation, and Globalisation "This refreshing approach to Malaysian canonical texts combines diverse literary theories and religion. Courageous and convincing, it engages post colonialism, feminism, and theories of religion with a sophisticated focus on texts." – Gaik Cheng Khoo, Australian National University
The vast majority of existing ecocritical studies, even those which espouse the “postcolonial ecocritical” perspective, operate within a first-world sensibility, speaking on behalf of subalternized human communities and degraded landscapes without actually eliciting the voices of the impacted communities. Ecocriticism of the Global South seeks to allow scholars from (or intimately familiar with) underrepresented regions to “write back” to the world’s centers of political and military and economic power, expressing views of the intersections of nature and culture from the perspective of developing countries. This approach highlights what activist and writer Vandana Shiva has described as the relationship between “ecology and the politics of survival,” showing both commonalities and local idiosyncrasies by juxtaposing such countries as China and Northern Ireland, New Zealand and Cameroon. Much like Ecoambiguity, Community, and Development, this new book is devoted to representing diverse and innovative ecocritical voices from throughout the world, particularly from developing nations. The two volumes complement each other by pointing out the need for further cultivation of the environmental humanities in regions of the world that are, essentially, the front line of the human struggle to invent sustainable and just civilizations on an imperiled planet.
The literature of Malaysia and Singapore, the multicultural epicentre of Asia, offers a rich body of source material for appreciating the intellectual heritage of colonial and postcolonial Southeast Asia. Focusing on themes of home and belonging, Eddie Tay illuminates many aspects of identity anxiety experienced in the region, and helps construct a dialogue between postcolonial theory and the Anglophone literatures of Singapore and Malaysia. A chronologically ordered selection of texts is examined including Swettenham, Bird, Maugham, Burgess, and Thumboo. This genealogy of works includes colonial travel writings and sketches as well as contemporary diasporic novels by Malaysian and Singapore-born authors based outside their countries of origin. The premise is that home is a physical space as well as a symbolic terrain invested with social, political and cultural meanings. As discussions of politics and history augment close readings of literary works, the book should appeal not only to scholars of literature, but also to scholars of Southeast Asian politics and history.
The newest generation of leaders was raised on a steady diet of popular culture artifacts mediated through technology, such as film, television and online gaming. As technology expands access to cultural production, popular culture continues to play an important role as an egalitarian vehicle for promoting ideological dissent and social change. The chapters in this book examine works and creators of popular culture – from literature to film and music to digital culture – in order to address the ways in which popular culture shapes and is shaped by leaders around the globe as they strive to change their social systems for the better.