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National architectural magazine now in its fifteenth year, covering period-inspired design 1700–1950. Commissioned photographs show real homes, inspired by the past but livable. Historical and interpretive rooms are included; new construction, additions, and new kitchens and baths take their place along with restoration work. A feature on furniture appears in every issue. Product coverage is extensive. Experts offer advice for homeowners and designers on finishing, decorating, and furnishing period homes of every era. A garden feature, essays, archival material, events and exhibitions, and book reviews round out the editorial. Many readers claim the beautiful advertising—all of it design-related, no “lifestyle” ads—is as important to them as the articles.
The first publication to focus on individual designers in ceramics over the whole 20th century. Covers all the major female designers with up to date findings. Also some male designers previously almost undocumented.
An explosion of new ceramic design in the late 1920s and early 1930s introduced vibrant colours and dramatic angular shapes to the breakfast tables of Britain and the world. This book includes information on how to identify and date ceramics at a glance and features all the major designers including Clarice Cliff, Susie Cooper and Charlotte Rhead.
Follow the sweep and style of the 1920s and 1930s through the graceful ceramics of over 40 potteries. Gorgeous color photos illustrate the works of Wedgwood, Crown Devon, Royal Doulton, and others. Get the whole picture, including back stamps, shapes, types, decorating styles, and more.
Reissue of a detailed study of domestic architecture in Australia during the 1920s and 1930s including plans, photographs and diagrams. Includes descriptions of international influences of the time, colours, soft-furnishings, furniture, household utensils, gardens and fences popular at the time as well as a study of all aspects of Australian cultural history and domestic life. With bibliography and index. First published in 1989. The author was curator of history at Sovereign Hill in Ballarat, Victoria, and currently works as a consultant on period restoration and design. He is author of several other books including 'Cottage Gardens in Australia', 'Australian Houses of the Forties & Fifties', 'Chandeliers and Billy Tea' and 'Buggies and Horse-drawn Vehicles in Australia'.
This volume, titled Proceedings of the International Materials Symposium on Ce ramic Microstructures: Control at the Atomic Level summarizes the progress that has been achieved during the past decade in understanding and controlling microstructures in ceram ics. A particular emphasis of the symposium, and therefore of this volume, is advances in the characterization, understanding, and control of micro structures at the atomic or near-atomic level. This symposium is the fourth in a series of meetings, held every ten years, devoted to ceramic microstructures. The inaugural meeting took place in 1966, and focussed on the analysis, significance, and production of microstructure; the symposium emphasized the need for, and importance of characterization in achieving a more complete understanding of the physical and chemical characteristics of ceramics. A consensus emerged at that meeting on the critical importance of characterization in achieving a more complete understanding of ceramic properties. That point of view became widely accepted in the ensuing decade. The second meeting took place in 1976 at a time of world-wide energy shortages and thus emphasized energy-related applications of ceramics, and more specifically, microstructure-property relationships of those materials. The third meeting, held in 1986, was devoted to the role that interfaces played both during processing, and in influencing the ultimate properties of single and polyphase ceramics, and ceramic-metal systems.