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A beautifully illustrated showcase of the rich and varied ceramic tradition of Iran Featuring a broad selection of objects from one of the most distinguished collections of Iranian art, this volume brings together over 1,000 years of Persian Islamic pottery. With more than 500 illustrations, authoritative technical treatises, and insightful commentary, Ceramics of Iran assembles a collection of rarely seen treasures from the Persian world and presents a collective history of its renowned ceramic tradition. Included among its comprehensive catalogue entries are numerous translations of the object’s inscriptions, providing readers with a richer and more detailed understanding of the cultural heritage from which these items are derived. In addition, the book contains new research and material from previously unknown sites. Featuring all new photography of nearly 250 objects, Ceramics of Iran brings the extraordinary contributions of Persian art into a wider historical context, along with a wealth of images to demonstrate the full scope of its intricate beauty.
This comprehensive and richly detailed study by renowned scholar Willem Floor is the culmination of what is known about domestic glass and ceramic production—location, quality, craftsmen—in Iran from 1500 until the end of the Qajar period in 1925. Because of increasing imports, the Qajar government tried to improve domestic glass and ceramic techniques through transfer of technology, (once through direct foreign investment). The reasons for these failed attempts are discussed as well as the development of the import of glass and ceramic products. Over time, there was not only a change in the places of origin of glass and ceramic imports, but also in their volume and composition, which, during the Qajar period, included a large variety of cheap articles for mass consumption. There is an appendix for each chapter giving a market assessment for glass and ceramic production in Iran, written in French by Belgian consultants in 1891. The Belgian assessments offer a detailed chemical analysis of glass and ceramics made in Iran, as well as an inventory of the types of glassware and ceramics made by domestic craftsmen. It concludes with proposals for the establishment of a modern glass and ceramic factory in Iran. This superb body of research will not only be of great interest to Iranian scholars inside and outside the country, but also to everyone interested in the story of glass and ceramics throughout the world.
This volume includes new findings on Tell Minis Ware, a hitherto unrecognized class of 12th-century Syrian pottery; glazed ceramics in medieval Iran; and ceramics excavated at the site of medieval Sirjan in Kirman province.
The city of Nishapur, located in eastern Iran, was a place of political importance in medieval times and a flourishing center of art, crafts, and trade. This publication studies the pottery found at the site at Nishapur excavated by the Iranian Expedition of the Metropolitan Museum in 1935–40 and again in 1947. -- Metropolitan Museum of Art website.
Persian Pottery in the First Global Age: the Sixteenth and Seventeeth Centuries studies the ceramic industry of Iran in the Safavid period (1501–1732) and the impact which the influx of Chinese blue-and-white porcelain, heightened by the activities of the English and Dutch East Indies Companies after c. 1700, had on local production. The multidisciplinary approach of the authors (Lisa Golombek, Robert B. Mason, Patricia Proctor, Eileen Reilly) leads to a reconstruction of the narrative about Safavid pottery and revises commonly accepted notions. The book includes easily accessible reference charts to assist in dating and provenancing Safavid pottery on the basis of diagnostic motifs, potters’ marks, petrofabrics, shapes, and Chinese models.
In this richly illustrated volume, Oliver Watson presents a comprehensive history of ceramics from Islamic lands. Clear and informative essays examine the art, archaeology and collecting of Islamic pottery, ceramic families and technical traditions, and Islamic pottery over five centuries. This is an important book that provides a whole new framework for the understanding and study of Islamic ceramics, and will be of great interest to the general reader as well as being an invaluable reference work for the student and specialist.
The cultures of pre-Islamic Iran gave birth to a distinctive tradition of fine ceramics that spanned at least 5000 years, from the Neolithic period to the time of Roman activity in the Near East. This is a study of that remarkable tradition.
188 pieces of glazed and unglazed pottery from The University Museum of Islamic Art are studied and grouped into categories of surface treatment. The collection?s asset is its wide range of medieval material, geographically spreading from Iran through the today Central Asian republics as far as Afghanistan. 0The chapters are preceded by a short introduction by the category treated and, if the material allows, completed by a thorough discussion and analysis of the group. As such, the spheroconical vessels for example are comprehensively treated including a discussion of the archaeological and textual sources that for the first time allow a convincing interpretation of this particular group. 0As far as possible attributions, comparisons and references also to unknown collections and finds even from remote sites top off the entry of each object and make it available for further study. To make the study complete, each object is described and thoroughly documented with a profile drawing and several colour photographs. Furthermore, the integration of the relevant bibliography including the Russian works that are inaccessible for most of the readers, but essential for the understanding of the material, gives new insights into the scholarly approach to Islamic ceramics from Central Asia. 0The Collection was assembled by the late Manfred Bumiller (1928-2018) from 1981 on, originally planned as a collection of Iranian medieval metalwork, but soon completed by a considerable number of ceramics of different qualities.