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"I was just a poor artist. I couldn't afford a 'C.'" This quip by Jak Smyrl, born Oscar Jackson Smyrl, Jr., in Camden, South Carolina, captures all the charm, humility, and humor of a one-of-a-kind character, beloved cartoonist, artist, and journalist who uniquely rendered his era and place with his pen, brushes, and words. In this long-overdue biography ranging from his humble beginnings to being honored by the South Carolina General Assembly "for his distinguished career as an artist" with thanks for "lightening the heart of uncounted South Carolinians," his life and legacy is honored, and his love for South Carolina is magnified. Warm and intimate, this is the story of a gentle and self-effacing man with an uncanny talent and a dry, whip-smart sense of humor that was never cruel but brought people together while enlarging their lives with pleasure. He discovered his talent while young and used it throughout his life to spotlight not only the foibles of the world around him but the goodness he found there as well. It was a good life, well lived yet not without its sorrows—but always infused with an admirable and infectious optimism, a hallmark of his character. From Smyrl's work illustrating members of his high school football team for a newspaper to his war experiences, and from his struggling-artist days as a student at the University of South Carolina and the Art Institute of Pittsburgh to landing his dream job, where he became "Jak" (without that "C"), as the first staff artist of the State newspaper in Columbia, South Carolina, Joan A. Inabinet and L. Glen Inabinet highlight excerpts from his letters and diaries that offer trenchant insights into the man and his times. Enhanced by photographs and Smyrl's illustrations, The World of Jak Smyrl presents a remarkable slice of small-town and rural southern life in the 1920s and 30s, moving on to the wider world and the turmoil of World War II through the turn of the millennium. Some artists' lives are worth chronicling because their unique vision and their works are fine-tuned to capturing the flavor of an era and its color—Jak Smyrl's life is one of these.
'Whitewashed Abode' explores how the identity of Los Angeles has evolved, particularly how the city has made cultural appropriations from Mexico over the past 150 years.
"Based on extensive primary archival materials, Faith and Action is a comprehensive history of the Catholic Archdiocese of Cincinnati over the past 175 years. Fortin paints a picture of the Catholic Church's involvement in the city's development and contextualizes the changing values and programs of the Church in the region. He characterizes the institution's history as one of both faith and action. From the time of its founding to the present, the way Catholics in the archdiocese of Cincinnati have viewed their relationship with the rest of society has changed with each major change in society. In the beginning, while espousing separation of church and state and religious liberty, they wanted the Church to adapt to the new American situation. In the mid-nineteenth century Cincinnati Catholics dealt with a dominant Protestant culture and, at times, a hostile environment, whereas a century later it had become much more a part of the American mainstream. Throughout most of the nineteenth and early twentieth centuries most Catholics saw themselves as outsiders. During the past fifty years, however, Cincinnati Catholics, like most of their counterparts in the United States, have felt more confident and viewed themselves as very much a part of American society"--Publisher's description
In this book, Lee Shai Weissbach offers the first comprehensive portrait of small-town Jewish life in America. Exploring the history of communities of 100 to 1000 Jews, the book focuses on the years from the mid-nineteenth century to World War II. Weissbach examines the dynamics of 490 communities across the United States and reveals that smaller Jewish centers were not simply miniature versions of larger communities but were instead alternative kinds of communities in many respects. The book investigates topics ranging from migration patterns to occupational choices, from Jewish education and marriage strategies to congregational organization. The story of smaller Jewish communities attests to the richness and complexity of American Jewish history and also serves to remind us of the diversity of small-town society in times past.
The charivari is a loud, late-night surprise house-visiting custom from members of a community, usually to a newlywed couple, accompanied by a quête (a request for a treat or money in exchange for the noisy performance) and/or pranks. Up to the first decades of the twentieth century, charivaris were for the most part enacted to express disapproval of the relationship that was their focus, such as those between individuals of different ages, races, or religions. While later charivaris maintained the same rituals, their meaning changed to a welcoming of the marriage. Make the Night Hideous explores this mysterious transformation using four detailed case studies from different time periods and locations across English Canada, as well as first-person accounts of more recent charivari participants. Pauline Greenhill's unique and fascinating work explores the malleability of a tradition, its continuing value, and its contestation in a variety of discourses.
In October 1891, Lordsburg College opened its doors to some 65 students in an unused, land-boom hotel in the new town of Lordsburg, California. As the decades passed, the college became one of the most prestigious institutions of Southern California. Detailed here in over 200 vintage images is the history of the University of La Verne, from its first degree granted in 1914, to the eve of its 110th anniversary. Described in its alma mater as "a dear favored spot, that shall ne'er be forgot," the University of La Verne has seen 3 name changes, 17 presidents, and over 40,000 alumni. The photographs in this volume chronicle the history of this grand institution, from the earliest buildings and dirt basketball courts of the late 19th century, to the new 2001 law school and wooden floors of the Supertents. Filled with diverse images from the University Archives, author Marlin Heckman compiles a visual heritage of the school that can be recognized by students and alumni alike, including the Women's Glee Club of the 30s, the origins of Build La Verne Day, Founders Hall, painting The Rock, and even Leo the Mascot.