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The CENSUS OF MODERN GREEK LITERATURE aims at presenting, to English speakers, references to the works of Greek authors translated into English & to the critical essays written in English on modern Greek literature within the period 1824-1987. The literature included in the check-list ranges from approximately the eleventh century to the present day. This accords in scope & outline with the HISTORY OF MODERN GREEK LITERATURE by Linos Politis (Oxford University Press, 1973). The check-list includes all the appropriate material that the compiler was able to find in libraries & bibliographies from several countries. It is divided into seven chapters: Bibliographical Sources, Journals (regularly containing material in English from modern Greek literature), Special Issues of Journals (dedicated for a single time to modern Greek literature), Anthologies, Books of Collected Essays, Literary History (containing general histories of modern Greek literature, most of the literary material preceding the nineteenth century, & critical essays referring to more than a single author), Authors (listing the authors of the nineteenth & twentieth centuries alphabetically by their last names). "Philippides' book will be an indispensable guide for all English-speaking teachers & students of modern Greek literature."--(Peter Mackridge, Oxford University).
The book highlights those writers and works which have enjoyed critical or popular acclaim, and emphasizes the relationships which link one work with another and with its historical context. It moves from the varying responses to European Romanticism which defined Greek literature in the nineteenth century, culminating in the work of Palamas and Cavafy in the first decades of this century, to the Modernist influenced work of the years from the 1920s to 1945.
Hellenism is the living culture of the Greek-speaking peoples and has a continuing history of more than 3,500 years. The Encyclopedia of Greece and the HellenicTradition contains approximately 900 entries devoted to people, places, periods, events, and themes, examining every aspect of that culture from the Bronze Age to the present day. The focus throughout is on the Greeks themselves, and the continuities within their own cultural tradition. Language and religion are perhaps the most obvious vehicles of continuity; but there have been many others--law, taxation, gardens, music, magic, education, shipping, and countless other elements have all played their part in maintaining this unique culture. Today, Greek arts have blossomed again; Greece has taken its place in the European Union; Greeks control a substantial proportion of the world's merchant marine; and Greek communities in the United States, Australia, and South Africa have carried the Hellenic tradition throughout the world. This is the first reference work to embrace all aspects of that tradition in every period of its existence.
The life and work of the late poet Manolis Anagnostakis (1925-2005) casts a long shadow over the literary, social, and political landscape of post-war Greece. The essays in this volume essays as well as the presentation of hitherto untranslated material from his oeuvre finally places this towering figure in the company of other more well-known Greek poets of the twentieth century.
In 1945, the modern country and people of Greece were unknown to many Britons. This book explores the transformation and varying fortunes of Anglo-Greek relations since that time. The focus is on the perceptions and attitudes shown by British and Greek writers, audiences, and organisations. Greece and Britain Since 1945 contains chapters from leading academics, journalists, novelists, and public servants and covers subjects including literature by Greek writers in English translation; the work of the British Council and international aid agencies; and television series set in Greece. The second edition has been substantially updated to reflect the financial, economic and social effects of the recent “Greek Crisis”. Four specially-commissioned new chapters discuss how Greece has been portrayed in the British media and the responses of cultural organisations to the present needs of the Greek people.
The Parthenon. Plato, Socrates, and Aristotle. Homer's epic poems. Gods and goddesses lounging around, indulging in pleasures on Mount Olympus. All of these images bring to mind the traditional icons of Greece, the cradle of Western Civilization. But what do we know of modern Greece? The answer to that question and more can be found in this comprehensive look at contemporary Greek culture. This one-stop reference source is packed with illustrative descriptions of daily life in Greece in the 21st century. Ideal for high school students and even undergraduates interested in studying abroad, this extensive volume examines topics such as religion, social customs, leisure life, festivals, language, literature, performing arts, media, and modern art and architecture, among many other topics. Woven into the text are beautiful and accurate vignettes of Greek life, helping to illustrate how it is people live. A crossroads between Europe, Africa, and the Middle East, Greece is fighting to hold on to the culture of yesterday, while still looking toward modernity. Culture and Customs of Greece is a must-have volume for all high school and public library shelves.
In this study of contemporary Greek poetry, the author investigates modernist and postmodernist poetics at the edge of Europe. She traces the influential role of Greek women writers back to the sexual politics of censorship under the dictatorship (1967-1974). Through responses to censorship - including those of the dictator, the Nobel Laureate poet George Seferis, and the younger generation of poets - she shows how women poets use strategies which, although initiated in response to the dictator's press law, prove useful in articulating a feminist critique. In poetry by Rhea Galanaki, Jenny Mastoraki and Maria Laina, among others, she analyzes how the censors' tactics for stabilizing signification are redeployed to disrupt fixed meanings and gender roles.
Ancient Greek literature, Athenian civic ideology, and modern classical scholarship have all worked together to reinforce the idea that there were three neatly defined status groups in classical Athens--citizens, slaves, and resident foreigners. But this book--the first comprehensive account of status in ancient democratic Athens--clearly lays out the evidence for a much broader and more complex spectrum of statuses, one that has important implications for understanding Greek social and cultural history. By revealing a social and legal reality otherwise masked by Athenian ideology, Deborah Kamen illuminates the complexity of Athenian social structure, uncovers tensions between democratic ideology and practice, and contributes to larger questions about the relationship between citizenship and democracy. Each chapter is devoted to one of ten distinct status groups in classical Athens (451/0-323 BCE): chattel slaves, privileged chattel slaves, conditionally freed slaves, resident foreigners (metics), privileged metics, bastards, disenfranchised citizens, naturalized citizens, female citizens, and male citizens. Examining a wide range of literary, epigraphic, and legal evidence, as well as factors not generally considered together, such as property ownership, corporal inviolability, and religious rights, the book demonstrates the important legal and social distinctions that were drawn between various groups of individuals in Athens. At the same time, it reveals that the boundaries between these groups were less fixed and more permeable than Athenians themselves acknowledged. The book concludes by trying to explain why ancient Greek literature maintains the fiction of three status groups despite a far more complex reality.