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In the world of globalized media, provocative images trigger culture wars between traditionalists and cosmopolitans, between censors and defenders of free expression. But are images censored because of what they mean, what they do, or what they might become? And must audiences be protected because of what they understand, what they feel, or what they might imagine? At the intersection of anthropology, media studies, and critical theory, Censorium is a pathbreaking analysis of Indian film censorship. The book encompasses two moments of moral panic: the consolidation of the cinema in the 1910s and 1920s, and the global avalanche of images unleashed by liberalization since the early 1990s. Exploring breaks and continuities in film censorship across colonial and postcolonial moments, William Mazzarella argues that the censors' obsessive focus on the unacceptable content of certain images and the unruly behavior of particular audiences displaces a problem that they constantly confront yet cannot directly acknowledge: the volatile relation between mass affect and collective meaning. Grounded in a close analysis of cinema regulation in the world's largest democracy, Censorium ultimately brings light to the elusive foundations of political and cultural sovereignty in mass-mediated societies.
This book explores ancient Rome under the impact of monarchy and as one of the structures which shaped the monarchy itself.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1952.
When in his "Epistle to Dr. Arbuthnot" Pope referred to “this long disease, my life,” his statement was quite literally true, since Pope, in addition to being a dwarf and a hunchback, suffered from many diseases during his lifetime. With technical advice from several physicians, the authors present the first medical case history of the poet. Drawing heavily upon the Correspondence for information about Pope's symptoms, they discuss the effect ill health had on his writings and the prevalence of medical themes in his works. The authors also explore Pope’s interests in astronomy (second only to his obsession with medicine), microscopy, geology, and physics and how they relate to his writings. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In 1713, soon after publication of the Spectator had come to an end, its place on breakfast tables of Queen Anne's London was taken by the Guardian. Richard Steele, continuing in the new paper the blend of learning, wit, and moral instruction that had proved so attractive in the Tatler and Spectator, was the editor and principal writer; in the 175 numbers of the Guardian he included 53 essays by Joseph Addison, as well as contributions by Alexander Pope, George Berkeley, and several others, some of whom doubtless transmitted their papers through the famous lion's head letterbox that Addison had erected in Button's coffeehouse. "These papers," as John C. Stephens writes in the introduction to his edition of the Guardian, "helped to form and to shape the morals and manners of countless generations in Britain and abroad." This first modern edition of the Guardian was prepared from the original printing of the papers, is fully annotated and indexed, and includes a comprehensive introduction discussing especially the authorship of the individual essays.
The most comprehensive book on Roman burial practices—now available in paperback Never before available in paperback, J. M. C. Toynbee's study is the most comprehensive book on Roman burial practices. Ranging throughout the Roman world from Rome to Pompeii, Britain to Jerusalem—Toynbee's book examines funeral practices from a wide variety of perspectives. First, Toynbee examines Roman beliefs about death and the afterlife, revealing that few Romans believed in the Elysian Fields of poetic invention. She then describes the rituals associated with burial and mourning: commemorative meals at the gravesite were common, with some tombs having built-in kitchens and rooms where family could stay overnight. Toynbee also includes descriptions of the layout and finances of cemeteries, the tomb types of both the rich and poor, and the types of grave markers and monuments as well as tomb furnishings.
Richard Steele is famous as an early writer of sentimental drama and as half of the writing team, Addison and Steele. He is notable both for the indirect propaganda he developed with Addison and for the open partisanship of his own periodicals. He wrote extensively about responsible economics but was famously irresponsible in his own affairs.
Cambridge University's Lucasian Professorship of Mathematics is one of the world's most celebrated academic positions. Since its foundation in 1663, the chair has been held by seventeen men who represent some of the most influential minds in science and technology. Principally a social history of mathematics and physics, the story of these great natural philosophers and mathematical physicists is told here by some of the finest historians of science. This informative work offers new perspectives on world famous scientists including Isaac Newton, Charles Babbage, Paul Dirac, and Stephen Hawking.