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A guide to tracing one's Ukrainian ancestry in Europe.
"I want you to tell my real story... Use any talent you have to show me in my true light, not painted black with Tudor propaganda. My new army must be wordsmiths, not soldiers; artists, not knights; musicians, not warriors. We will lay siege to the towers of Tudor lies and bring them crashing down..." Who, for you, is the real Richard III?Is it the boy, exiled in fear to the Continent aged seven? The loyal warrior, brother to Edward IV? The young man struck by tragedy? The just and rightful king? Or Thomas More's and Shakespeare's infamous villain? You can meet them all within these pages ... or can you? This follow-up to the 2018 anthology "Grant Me the Carving of My Name" showcases short stories and poems by international authors inspired by all aspects of King Richard III. Sold in support of Scoliosis Association UK (SAUK) with a Foreword by Philippa Langley MBE and edited by Alex Marchant. With contributions from Rebecca Batley, Terri Beckett, Sue Grant-Mackie, Kim Harding, Wendy Johnson, Joanne R. Larner, Kit Mareska, Máire Martello, Liz Orwin, Elizabeth Ottosson, Nicola Slade, Richard Tearle, Brian Wainwright, Kathryn Wharton and Jennifer C. Wilson.
This practical volume focuses on the study of historic burial ground monuments but also covers some below ground archaeology, as some projects will involve the study of both. It will be an incomparable source for academic archaeologists, cultural resource and heritage management archaeologists, government heritage agencies, and upper-level undergraduate and graduate students of archaeology focused on the historic or post-medieval period, as well as forensic researchers and anthropologists.
In this ground-breaking work on the Ottoman town of Manastir (Bitola), Robert Mihajlovski, provides a detailed account of the development of Islamic, Christian and Sephardic religious architecture and culture as it manifested in the town and precincts.
A guide to managing data in the digital age. Winner of the ALCTS Outstanding Publication Award by the Association for Library Collections & Technical Services, Winner of the Waldo Gifford Leland Award by the Society of American Archivists Many people believe that what is on the Internet will be around forever. At the same time, warnings of an impending "digital dark age"—where records of the recent past become completely lost or inaccessible—appear with regular frequency in the popular press. It's as if we need a system to safeguard our digital records for future scholars and researchers. Digital preservation experts, however, suggest that this is an illusory dream not worth chasing. Ensuring long-term access to digital information is not that straightforward; it is a complex issue with a significant ethical dimension. It is a vocation. In The Theory and Craft of Digital Preservation, librarian Trevor Owens establishes a baseline for practice in this field. In the first section of the book, Owens synthesizes work on the history of preservation in a range of areas (archives, manuscripts, recorded sound, etc.) and sets that history in dialogue with work in new media studies, platform studies, and media archeology. In later chapters, Owens builds from this theoretical framework and maps out a more deliberate and intentional approach to digital preservation. A basic introduction to the issues and practices of digital preservation, the book is anchored in an understanding of the traditions of preservation and the nature of digital objects and media. Based on extensive reading, research, and writing on digital preservation, Owens's work will prove an invaluable reference for archivists, librarians, and museum professionals, as well as scholars and researchers in the digital humanities.
This book contains detailed explanations about each record group showing when and why they were created, where you will find them today and how and why you would want to access them. In addition, there are chapters or sections devoted to federal records such as immigration, military, naturalization and National Registration.
This 1959 book provides a detailed study of the Council of Florence (originally known as the Council of Basel).
A haunting tribute to the heroic pioneers who shaped the American Midwest This powerful novel by Willa Cather is considered to be one of her finest works and placed Cather in the forefront of women novelists. It tells the stories of several immigrant families who start new lives in America in rural Nebraska. This powerful tribute to the quiet heroism of those whose struggles and triumphs shaped the American Midwest highlights the role of women pioneers, in particular. Written in the style of a memoir penned by Antonia’s tutor and friend, the book depicts one of the most memorable heroines in American literature, the spirited eldest daughter of a Czech immigrant family, whose calm, quite strength and robust spirit helped her survive the hardships and loneliness of life on the Nebraska prairie. The two form an enduring bond and through his chronicle, we watch Antonia shape the land while dealing with poverty, treachery, and tragedy. “No romantic novel ever written in America...is one half so beautiful as My Ántonia.” -H. L. Mencken Willa Cather (1873–1947) was an American writer best known for her novels of the Plains and for One of Ours, a novel set in World War I, for which she was awarded the Pulitzer Prize in 1923. She was elected a fellow of the American Academy of Arts and Sciences in 1943 and received the gold medal for fiction from the National Institute of Arts and Letters in 1944, an award given once a decade for an author's total accomplishments. By the time of her death she had written twelve novels, five books of short stories, and a collection of poetry.