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Austrian writer Ingeborg Bachmann is widely regarded as one of the most important 20th century authors writing in German. This book examines her poetry and prose in historical context, arguing that the feminist interpretations of her writings are the result of shifts in theoretical emphases over a period of three decades.
It takes a graveyard to raise a child. Nobody Owens, known as Bod, is a normal boy. He would be completely normal if he didn't live in a graveyard, being raised by ghosts, with a guardian who belongs to neither the world of the living nor the dead. There are adventures in the graveyard for a boy—an ancient Indigo Man, a gateway to the abandoned city of ghouls, the strange and terrible Sleer. But if Bod leaves the graveyard, he will be in danger from the man Jack—who has already killed Bod's family.
A debut author unearths the long-buried secrets of a small New England town in the 1850s in this richly atmospheric Gothic tale of murder, guilt, redemption, and finding love where it's least expected.
Elfriede Jelinek, winner of the Nobel Prize for Literature in 2004, is the important living German-speaking author. She has influenced the German and European literary scene for almost four decades. This volume provides an introduction to this important prose writer, dramatist, and essayist of postwar German literature.
In 1954, two college students were hiking along a creek outside of Boulder, Colorado, when they stumbled upon the body of a murdered young woman. Who was this woman? What had happened to her? The initial investigation turned up nothing, and the girl was buried in a local cemetery with a gravestone that read, "Jane Doe, April 1954, Age About 20 Years." Decades later, historian Silvia Pettem formed a partnership with law enforcement and forensic experts and set in motion the events that led to Jane Doe's exhumation and eventual identification, as well as the identity of her probable killer. The 2023 paperback edition includes an epilogue with updated information on how the mystery finally was solved.
When Debra Moerke and her husband decided to become foster parents, they never imagined how their lives would change. Debra became especially close to one little girl: four-year-old Hannah. She loved her and did everything she could to help Hannah learn to trust and teach her to feel safe. But when Hannah went back to her birth mother, Karen, it wasn't long before one of Debra's worst fears came true. Overwhelmed with horror and grief, Debra didn't think she could take anymore, but then she received a phone call from prison. Karen, facing a life sentence, was pregnant, and she had a shocking question to ask ...
Through a discussion of Walter Benjamin, Sigmund Freud, Mieke Bal and others, author Michaela Grobbel focuses on the work three women authors as types of performance which lead to re-presentations of memory. These women writers foreground the present but also critically demonstrate the complex relationship of the present to the past. Grobbel's work is a critical addition to any discussion of feminism, memory and literary modernism.
A wave of fear sweeps across the barren prairies of central North Dakota in April of 1920 with the tragic news that seven members of a farm family and their hired boy have been brutally murdered at their home just north of Turtle Lake in McLean County. A massive search for the killers begins immediately in the midst of an intense statewide election campaign. Three weeks later, eager investigators encouraged by nervous politicians get a signed confession from one of the prime suspects in the case. He is sentenced that same day to life in the the state penitentiary in what the New York Times referred to then as “the most rapid administration of justice in the country.” . From the beginning, the man denies his guilt and says his confession was obtained under duress, intimidation and fear. In November, his lawyers file a motion in district court asking that his plea of guilty be withdrawn and for a trial upon the merits. Their motion is strengthened when some new evidence is discovered on the Wolf family farm only days before the motion is filed.Some ninety years later, people in the area still recall the words the convicted man was supposed to have said: “My eyes have seen but my hands are clean!”
To friends and neighbours, Theresa Knorr was a devoted, loving mother struggling to bring up five children on her own. Little did they know that, behind closed doors, the same woman was driven by religious extremism, terrible paranoia and an all-consuming jealousy of her daughters' beauty that led to one of the worst cases of serial abuse in history. For years Theresa subjected her offspring to a barbaric variety of physical and mental torture, culminating in her ordering her two sons to drug, torture and then burn alive one of their sisters before starving another to death. Terrified that she would be next, a third sister had to take action. When the police found her story too far-fetched, she was left with no choice but to escape the house of horrors and fight for justice. It was years before the full, shocking truth came out. This is the true story of a family unit twisted out of all recognition by a mother who perpetrated the most evil of crimes.
Intertextual Weaving in the Work of Linda Lê: Imagining the Ideal Reader uncovers the primary textual relationship that Linda Lê (1963– ), the most prolific Francophone author of the Vietnamese diaspora, fosters with a literary precursor of Austrian descent: the feminist writer-in-exile, Ingeborg Bachmann (1926–1973). This study offers an overdue exploration of the notably European roots of Lê’s writerly formation. It traces an unexamined feminist import in her work to a sixteen-year inter- and intra-textual engagement with Bachmann and positions the latter as an imagined ideal reader of Lê’s oeuvre. Intertextual analyses of Bachmann’s post-war novel, Malina, with Lê’s literary essays, early fiction, and trilogy, reveal that to overcome the challenges of writing in exile Lê adopts an alternative literary fore-bear of the European tradition.