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This historic resource survey documents the career and buildings of Rochester, New York's most innovative mid-twentieth century architect, James H. Johnson (1932-2016). In a career spanning nearly 60 years, Johnson designed hundreds of buildings in the greater Rochester area. He is known locally as the designer of the Antell-Whitman House (better known as the "Mushroom House"), Liberty Pole, and Temple Sinai, but his other works are not generally well known, nor is the sheer number of buildings he designed appreciated either by the general public or the architectural community.Johnson's lengthy and prolific career has left the Rochester region with a tremendous legacy of innovative, unusual buildings. Having developed an early fascination with construction, Johnson always retained his interest in participating in the fabrication of his buildings, and was often found on building sites, particularly when he supervised and took a hands-on role in the construction of his series of earth-formed buildings in the late 1960s. Inspired by nature, geometry, history, and certain architectural predecessors, notably Bruce Goff, Johnson quietly demonstrated his determination to pursue novel approaches to design and construction in both highly visible public projects and in private, personal projects for clients who wanted a house intimately tied to nature, often away from public view. From his earliest projects to some of his last, he thought expansively about integrating architecture with other art forms, and regularly collaborated with artists working in other fields, incorporating their artistic visions into his own. While his expertise with large-scale construction brought him around the world on a few occasions, he spent almost all of his long career working in the Rochester area, where his daring, expressive designs remain some of the boldest and most creative contributions to the region's architectural heritage.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Selected by the Modern Library as one of the 100 best novels of all time Published in 1975, Ragtime changed our very concept of what a novel could be. An extraordinary tapestry, Ragtime captures the spirit of America in the era between the turn of the century and the First World War. The story opens in 1906 in New Rochelle, New York, at the home of an affluent American family. One lazy Sunday afternoon, the famous escape artist Harry Houdini swerves his car into a telephone pole outside their house. And almost magically, the line between fantasy and historical fact, between real and imaginary characters, disappears. Henry Ford, Emma Goldman, J. P. Morgan, Evelyn Nesbit, Sigmund Freud, and Emiliano Zapata slip in and out of the tale, crossing paths with Doctorow's imagined family and other fictional characters, including an immigrant peddler and a ragtime musician from Harlem whose insistence on a point of justice drives him to revolutionary violence.