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One of my friends tells me that you, little reader, will not like these old, old tales; another says they are too sad for you, and yet another asks what the stories are meant to teach. Now I, for my part, think you will like these Celtic Tales very much indeed. It is true they are sad, but you do not always want to be amused. And I have not told the stories for the sake of anything they may teach, but because of their sheer beauty, and I expect you to enjoy them as hundreds and hundreds of Irish and Scottish children have already enjoyed them--without knowing or wondering why.
I have to express my indebtedness first of all to the executors of Henrietta MacOubrey, George Borrow's stepdaughter, who kindly placed Borrow's letters and manuscripts at my disposal. To the survivor of these executors, a lady who resides in an English provincial town, I would particularly wish to render fullest acknowledgment did she not desire to escape all publicity and forbid me to give her name in print. I am indebted to Sir William Robertson Nicoll without whose kindly and active intervention I should never have taken active steps to obtain the material to which this biography owes its principal value.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
The contest between Arthur Phillip and Jean-Francois Laperouse to get to Botany Bay first and to claim rights to sovereignty of either Britain or France over the Australian continent
"The Morrigan is Pagan Ireland's dark goddess. Her name is translated as "phantom queen" or "great queen." The Morrigan is a goddess of war and sexuality, witchcraft and death, protection and retribution. This goddess of justice is classified among the Sidhe-Ireland's fairies-but she may have a mermaid incarnation, as well. The Morrigan dates back at least to Ireland's Iron Age, but she is as modern as she is ancient. With the possible exception of the witch goddess Hekate, the Morrigan is currently the most popular Pagan goddess. This book provides a guide to this complex, mysterious goddess that encompasses practical veneration with modern devotionals, entwined with traditional lore and Irish-Celtic history"--
Chronicles the adventures of the King of Ireland's eldest and wildest son, describing how he encounters an enchanter's daughter, the king of the cats, Gilly of the goat-skin, and numerous others.
Here are 125 magnificent folktales collected from anthologies and journals published from the mid-nineteenth century to the present day. Beginning with tales of the ancient times and continuing through the arrival of the saints in Ireland in the fifth century, the periods of war and family, the Literary Revival championed by William Butler Yeats, and the contemporary era, these robust and funny, sorrowful and heroic stories of kings, ghosts, fairies, treasures, enchanted nature, and witchcraft are set in cities, villages, fields, and forests from the wild western coast to the modern streets of Dublin and Belfast. Edited by Henry Glassie With black-and-white illustrations throughout Part of the Pantheon Fairy Tale and Folklore Library