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From the mythological harp of the Dagda to Riverdance, this concise history of Irish traditional music and dance explores a rich spectrum of historical sources and folklore. It uncovers the contribution of the Normans to Irish dancing, the rote of the music maker in Penal Ireland, and the popularity of dance tunes and set dancing from the end of the eighteenth century to the present. It also follows the music of the Irish diaspora from the music halls of vaudeville to the musical tapestry of Irish America today.
The Sons of Mil long held the dream of the Island of Destiny close to their hearts. A dream perhaps, but to these restless, adventuring people it was a shining emerald prize to be won by those who were brave or foolhardy enough to sail to the very ends of the known world. For the Bard Amergin and his people that dream comes true. When they land safely on the shores of this enchanted isle, they know that they have won the favor of their gods. In joy, they begin to build their settlement. Soon it is clear that they are not alone in this green and pleasant land; their fellow inhabitants are the secretive Danu, a people who resonate power and mystery in abundance. As Amergin negotiates with the Danu so that both peoples may peacefully share the island's wealth, he sees their beauty, their wisdom, and their love for the land. And one more thing. Amergin's second sight shows him that the Danu are not human. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
From Medieval Wexford to Midtown Manhattan Larry Kirwan tells the story of Irish music to a backdrop of war, social upheaval and revolution. From Viking invader to Sean O'Riada, Oliver Cromwell to Rory Gallagher, James Connolly to Van Morrison in a clash of uilleann pipes, armalites and electric guitars. The story moves with the Diaspora to The Pogues' London, Dropkick Murphys' Boston and Black 47's New York City. Pulsing, passionate, occasionally tragic - through the eyes of an insider.
Cassidy presents a history of the Irish influence on American slang in a colourful romp through the slums, the gangs of New York and the elaborate scams of grifters and con men, their secret language owing much to the Irish Gaelic imported with many thousands of immigrants. With chapters on How the Irish Invented Poker and How the Irish Invented Jazz, Cassidy stakes a claim for the Irishness of American English. Includes a preface by Peter Quinn and an Irish - American Vernacular Dictionary.
"More than forty million Americans claim Irish ancestry. This lively book explains how and why they got to the U.S. and shows how their history made them who they are. From prehistoric Ireland to Irish schools in America, this well-illustrated book provides an essential overview of the ties between the Emerald Isle and the New World."--
"The Companion to Irish Traditional Music is not just the ideal reference for the interested enthusiast and session player, it also provides a unique resource for every library, school and home with an interest in the distinctive rituals, qualities and history of Irish traditional music and song."--BOOK JACKET.
Music and Irish Identity represents the latest stage in a life-long project for Gerry Smyth, focusing here on the ways in which music engages with particular aspects of Irish identity. The nature of popular music and the Irish identity it supposedly articulates have both undergone profound change in recent years: the first as a result of technological and wider industrial changes in the organisation and dissemination of music as seen, for example, with digital platforms such as YouTube, Spotify and iTunes. A second factor has been Ireland’s spectacular fall from economic grace after the demise of the "Celtic Tiger", and the ensuing crisis of national identity. Smyth argues that if, as the stereotypical association would have it, the Irish have always been a musical race, then that association needs re-examination in the light of developments in relation to both cultural practice and political identity. This book contributes to that process through a series of related case studies that are both scholarly and accessible. Some of the principal ideas broached in the text include the (re-)establishment of music as a key object of Irish cultural studies; the theoretical limitations of traditional musicology; the development of new methodologies specifically designed to address the demands of Irish music in all its aspects; and the impact of economic austerity on musical negotiations of Irish identity. The book will be of seminal importance to all those interested in popular music, cultural studies and the wider fate of Ireland in the twenty-first century.