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Latino folklore comprises a kaleidoscope of cultural traditions. This compelling three-volume work showcases its richness, complexity, and beauty. Latino folklore is a fun and fascinating subject to many Americans, regardless of ethnicity. Interest in—and celebration of—Latin traditions such as Día de los Muertos in the United States is becoming more common outside of Latino populations. Celebrating Latino Folklore: An Encyclopedia of Cultural Traditions provides a broad and comprehensive collection of descriptive information regarding all the genres of Latino folklore in the United States, covering the traditions of Americans who trace their ancestry to Mexico, Spain, or Latin America. The encyclopedia surveys all manner of topics and subject matter related to Latino folklore, covering the oral traditions and cultural heritage of Latin Americans from riddles and dance to food and clothing. It covers the folklore of 21 Latin American countries as these traditions have been transmitted to the United States, documenting how cultures interweave to enrich each other and create a unique tapestry within the melting pot of the United States.
Called variously the ’Byzantine epic’, the ’epic of Modern Greece’, an ’epic-romance’ and ’romance’, the poem of Digenes Akrites has, since its rediscovery towards the end of the nineteenth century, exerted a tenacious hold on the imagination of scholars from a wide range of disciplines and from many countries of the world, as well as of writers and public figures in Greece. There are many reasons for this, not least among them the prestige accorded to ’national epics’ in the nineteenth century and for some time afterwards. Another reason must surely be the work’s uniqueness: there is nothing quite like Digenes Akrites in either Byzantine or Modern Greek literature. However, this uniqueness is not confined to its problematic place in the literary ’canon’ and literary history. As historical testimony, and in its complex relationship to later oral song and to older myth and story-telling, Digenes Akrites again has no close parallels of comparable length in Byzantine or Modern Greek culture. Whether as a literary text, a historical source, or a manifestation of an oral popular culture, Digenes Akrites remains, more than a century after its rediscovery, persistently enigmatic. This Byzantine ’epic’ or ’romance’ has now become the focus of new research across a range of disciplines since the publication in 1985 of a radically revised edition based on the Escorial text of the poem, by Stylianos Alexiou. The papers in this volume, derived from a conference held in May 1992 at King’s College London, seeks to present and discuss the results of this new research. Digenes Akrites: New Approaches to Byzantine Heroic Poetry is the second in the series published by Variorum for the Centre for Hellenic Studies, King’s College London.
Poetry. "Manuel Iris reclaims the poetic space as a radical exploration and celebration of paternal love and tenderness. If language is a vector of truth and transformation, if 'the poem opens its wound' to the spaces in which we examine ourselves and love begets love, the poems in this bilingual collection offer the magnitude and direction to do exactly what poetry aims to do: say in words what can never be expressed in words. Iris' poems reveal the silences of our most vulnerable selves, and 'the silence/ toward which we migrate,/ from which we came.'"--Tara Skurtu
Charting the expansion of the Rum Seljuqs from rulers of a small principality to a fully- fledged sultanate ruling over almost the whole of Anatolia, this book demonstrates how ideology, rather than military success, was crucial in this development. The Rum Seljuqs examines four distinct phases of development, beginning with the rule of Sulaymān (473-478/1081-1086) and ending with the rule of Kay Khusraw II (634-644/ 1237-1246). Firstly, Songül Mecit examines the Great Seljuq ideology as a pre-cursor to the ideology of the Rum Seljuqs. Continuing to explore the foundation of the Seljuq principality in Nicaea, the book then examines the third phase and the period of decline for the Great Seljuqs. Finally, the book turns to the apogee of the Rum Seljuq state and questions whether these sultans can, at this stage, be considered truly Perso-Islamic rulers? Employing the few available Rum Seljuq primary sources in Arabic and Persian, and drawing on the evidence of coins and monumental inscriptions, this book will be of use to scholars and students of History and Middle East Studies.
There is hardly a person alive today that has not heard of the battle of the Alamo and its famous defenders. Davy Crockett, Jim Bowie, and William Travis, have all been glorified in book and film. The fourteen-day battle is known throughout the world and is often highlighted to show to what degree men are willing to sacrifice for what they believe in. But, why and how did this final incomprehensible calamity come about? How accurate are these versions that we have been told? Not till recently have other controversial accounts surfaced. Accounts in the form of affidavits, claims, letters, and diaries of Tejanos living in San Antonio de Bexar at the time, including Mexican Army participants, who were eyewitnesses to the event that unfolded in 1836. This new information details some very different and surprising events. Many feel that there were other underling circumstances and certain theories even point to possible conspiracies. I have used a fictitious family and known historical events to give the side of the people living in Bexar at the time and how events unfolded on a day by day basis in this Mexican town we all know as San Antonio. I try and detail what took place behind the scenes. Although this book is fictional it’s based on true events. The main character , a 12-year-old boy named Temo. Although fictional, could have very well been have lived in Bexar during this time, but by a different name, who knows.
The inspiring story of activist and poet Ian Manuel, who at the age of fourteen was sentenced to life in prison. He survived eighteen years in solitary confinement—through his own determination and dedication to art—until he was freed as part of an incredible crusade by the Equal Justice Initiative. “Ian is magic. His story is difficult and heartbreaking, but he takes us places we need to go to understand why we must do better. He survives by relying on a poetic spirit, an unrelenting desire to succeed, to recover, and to love. Ian’s story says something hopeful about our future.” —Bryan Stevenson, author of Just Mercy The United States is the only country in the world that sentences thirteen- and fourteen-year-old offenders, mostly youth of color, to life in prison without parole. In 1991, Ian Manuel, then fourteen, was sentenced to life without parole for a non-homicide crime. In a botched mugging attempt with some older boys, he shot a young white mother of two in the face. But as Bryan Stevenson, attorney and executive director of the Equal Justice Initiative, has insisted, none of us should be judged by only the worst thing we have ever done. Capturing the fullness of his humanity, here is Manuel’s powerful testimony of growing up homeless in a neighborhood riddled with poverty, gang violence, and drug abuse—and of his efforts to rise above his circumstances, only to find himself, partly through his own actions, imprisoned for two-thirds of his life, eighteen years of which were spent in solitary confinement. Here is the story of how he endured the savagery of the United States prison system, and how his victim, an extraordinary woman, forgave him and bravely advocated for his freedom, which was achieved by an Equal Justice Initiative push to address the barbarism of our judicial system and bring about “just mercy.” Full of unexpected twists and turns as it describes a struggle for redemption, My Time Will Come is a paean to the capacity of the human will to transcend adversity through determination and art—in Ian Manuel’s case, through his dedication to writing poetry.