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"For many decades, Marion Davies's story has been a source of fascination to the public. From her humble days in Brooklyn to her rise to fame alongside press baron William Randolph Hearst, her story seems like a modern fairy tale. Gossip columnists and fan magazines have tried to capture her unique story for over one hundred years, and biopics and documentaries have tried to incorporate her story into countless screenplays. Amid the interest, the real Marion Davies has been largely hidden. Due to her wariness of strangers and the press, she shied away from interviews and trusted very few with the details of her own unusual life story. Captain of Her Soul: The Life of Marion Davies lifts that veil to explore the life of this remarkable woman in detail. Through meticulous archival research, letters, notes, tapes, and interviews with family and friends, a woman emerges of enormous strength and resolve. Faced with many challenges in her life, Davies weathered the storms with her head held high. She was a woman who remained in control of her own destiny, and who aptly referred to herself as 'captain of my soul.'"--
There is never a shortage of priest characters on our screens. Even Spencer Tracy, Bing Crosby and Barry Fitzgerald won Oscars for playing priests. Robert de Niro has been ordained four times (including a bishop). Many stars have been eager to play priests, as have numerous supporting actors. The question arises: how have been priests portrayed over the decades? There have been kindly priests with their advice, stern priests who laid down the law, heroic priests on mission, in more recent years, priests who have been abusers. And there have been priests who were part of the scenery, especially at funerals. This is something of a comprehensive look at priests on screen, looking at portrayals from the late 19th century, over the decades, for 120 years. The films considered are mainly English-language but quite there are a number from other cultures. The book offers some Church background and developments, the range of films, a highlighting of a key film representing each decade. It also has separate chapters on Irish priests, Australian priests, exorcism priests and a chapter on films and abuse. There also Appendices on historical films, saint priests and popes. While one could read the book from cover to cover, it is mainly a book for reference. There are some detailed appreciations. There are some shorter considerations. Not everyone can see every film, not for want of trying! There are Indexes for exploring: film titles, directors, and actors who have played priests. Screen Priests is a fascinating historical look at films about Roman Catholic priests from the first until Martin Scorseses 2016 religious and cinematic masterpiece Silence. With the scope spanning decades and the breadth embracing films mostly from the United States, Britain, Ireland, Canada and Australia, the researcher will find a treasure trove and the film aficionado will relish Peter Malones encyclopedia knowledge and sometimes trivia of the world of priests on the silver screen.
Hollywood celebrities feared her. William Randolph Hearst adored her. Between 1915 and 1960, Louella Parsons was America's premier movie gossip columnist and in her heyday commanded a following of more than forty million readers. This first full-length biography of Parsons tells the story of her reign over Hollywood during the studio era, her lifelong alliance with her employer, William Randolph Hearst, and her complex and turbulent relationships with such noted stars, directors, and studio executives as Orson Welles, Joan Crawford, Louis B. Mayer, Ronald Reagan, and Frank Sinatra—as well as her rival columnists Hedda Hopper and Walter Winchell. Loved by fans for her "just folks," small-town image, Parsons became notorious within the film industry for her involvement in the suppression of the 1941 film Citizen Kane and her use of blackmail in the service of Hearst's political and personal agendas. As she traces Parsons's life and career, Samantha Barbas situates Parsons's experiences in the broader trajectory of Hollywood history, charting the rise of the star system and the complex interactions of publicity, journalism, and movie-making. Engagingly written and thoroughly researched, The First Lady of Hollywood is both an engrossing chronicle of one of the most powerful women in American journalism and film and a penetrating analysis of celebrity culture and Hollywood power politics.
"A warm and intimate account of many of the world's greatest love stories-- captivating tales of grand passions, charismatic personalities, and extraordinary exploits. Some of these affairs shocked the world, others altered the course of history. Included in the book are the stories of Lord Byron and Lady Caroline Lamb, Humphrey Bogart and Lauren Bacall, John Lennon and Yoko Ono, Elizabeth Taylor and Richard Burton, Edward VIII and Mrs. Simpson, Napoleon and Josephine, Aristotle Onassis and Maria Callas, Victoria and Albert, Spencer Tracy and Katharine Hepburn, and many more"--Page 4 of cover.
“Another day finished,gracias a Dios.” Seventeen-year-old Marisa’s mother has been saying this for as long as Marisa can remember. Her parents came to Houston from Mexico. They work hard, and they expect Marisa to help her familia. An ordinary life—marrying a neighborhood guy, working, having babies—ought to be good enough for her. Marisa hears something else from her calc teacher. She should study harder, ace the AP test, and get into engineering school in Austin. Some days, it all seems possible. On others, she’s not even sure what she wants. When her life at home becomes unbearable, Marisa seeks comfort elsewhere—and suddenly neither her best friend nor boyfriend can get through to her. Caught between the expectations of two different worlds, Marisa isn’t sure what she wants—other than a life where she doesn’t end each day thanking God it’s over. But some things just can’t wait...
Baltimore native Henry Louis Mencken (1880-1956) was an essayist, literary critic, magazine editor, novelist, and journalist. Starting as a reporter for the Baltimore Morning Herald at the turn of the century, Mencken eventually became associated with the Baltimore Sun and his work for the newspaper spanned five decades. In H.L. Mencken: An Annotated Bibliography, S.T. Joshi provides the most exhaustive and comprehensive bibliography of the writings of H. L. Mencken ever assembled. It presents detailed information on his book publications from 1903 to the present, with a full list of editions and reprints. Most significantly, it presents for the first time a comprehensive annotated listing of his magazine and newspaper work (including more than 1,500 anonymous editorials for the Baltimore Sun, Baltimore Evening Sun, and other papers, which have never been listed in any previous bibliographies), a thorough index to his book reviews, and a full list of interviews Mencken gave during his lifetime. Word counts of nearly every item in the bibliography have been supplied, and the book has been thoroughly indexed by name, title, and periodical. Because every item has been annotated, scholars and students can, for the first time, gain an idea of the subject-matter of all Mencken's writings, especially his magazine and newspaper work. The indexes will allow users to locate any given item with ease. The chronological arrangement of each section allows users to understand the growth and development of Mencken's work, making this volume an invaluable resource.