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The stylish and extravagant world of the "Bright Young Things" of 1920s and '30s London, seen through the eye of renowned British photographer Cecil Beaton In 1920s and '30s Britain, Cecil Beaton used his camera and his larger-than-life personality to mingle with that flamboyant and rebellious group of artists, writers, socialites and partygoers who became known as the "Bright Young Things." Famously fictionalized by the likes of Evelyn Waugh (in Vile Bodies), Anthony Powell and Henry Green, these men and women cut a dramatic swathe through the epoch and embodied its roaring spirit. In a series of themed chapters, covering Beaton's first self-portraits and earliest sitters to his time at Cambridge and as principle society photographer for Vogue and Vanity Fair, over 50 leading figures who sat for Beaton are profiled and the dazzling parties, pageants and balls of the period are brought to life. Among this glittering cast are Beaton's socialite sisters Baba and Nancy Beaton, Stephen Tennant, Siegfried Sassoon, Evelyn Waugh and Daphne du Maurier. Beaton's photographs are complemented by a wide range of letters, drawings, book jackets and ephemera, and contextualised by artworks created by those in his circle, including Christopher Wood, Rex Whistler and Henry Lamb. Cecil Beaton (1904-80) is one of the most celebrated British portrait photographers of the 20th century and is renowned for his images of elegance, glamour and style. Beaton quickly developed a reputation for his striking and fantastic photographs, which culminated in his portraits of Queen Elizabeth in 1939. Also well known as a diarist, Beaton became a society fixture in his own right. His influence on portrait photography was profound and lives on today in the work of many contemporary photographers.
Drink like one of the Bright Young Things with Cecil Beaton's Cocktail Book Cecil Beaton (1904-80) was one of the most celebrated British portrait photographers of the 20th century, so renowned for his images of celebrities and high society that his own name has become synonymous with elegance, glamour and style. In the 1920s and '30s, Beaton used his camera, his ambition and his larger-than-life personality to mingle with a flamboyant and rebellious group of artists and writers, socialites and partygoers whose spirit and style cut a dramatic swathe through the epoch. Canonizing the era's "Bright Young Things" in his distinctive brand of opulent studio portraiture, Beaton worked his way up from middle-class suburban schoolboy to glittering society figure. This miniature cocktail book features a delightful array of recipes inspired by the decadent drinks of Beaton's youth, and the fabulous friends and celebrities whom he photographed. Period classics such as the Hanky Panky, Manhatten, Negroni and Sidecar are given contemporary twists by the Head Bartender and Mixologist of the world famous Claridge's Hotel in London, which played host to some of the most extravagant Bright Young gatherings. It is illustrated with the artist's own photographs and the witty and distinctive drawings he produced throughout his life, recording people, travels and experiences, which were featured in Vogue magazine. A must-have for every well-appointed bar cart, Cecil Beaton's Cocktail Book brings to life a deliriously eccentric, glamorous and creative era.
Sketches of various contemporary women of note, with portraits.
A private view of the genius of Cecil Beaton, reflected through the lens of his town and country idylls, and his passion for interior design, gardening, and entertaining a circle of Bright Young Things. Cecil Beaton (1904–1980) was one of twentieth-century Britain’s Renaissance men: photographer, costume designer, set designer, playwright, creator of fashion fabrics, and writer on raffiné interiors and the personalities who inhabited them. He also happened to be a fine interior decorator. Cecil Beaton at Home focuses on two homes dear to Beaton’s heart—Ashcombe House, near the Wiltshire village of Tollard Royal, and Reddish House, located in Broad Chalke, another village in the same county—as well as London's Pelham Place and Beaton’s New York hotel suites. Simultaneously a retreat, an inspiration, a photographer’s studio, and a stage for impressive entertaining, Beaton’s country homes also fueled his passion for art, gardening, and delight in village life. Against his often-extravagant interiors, Beaton’s private life unfolds—his unique talent for self-promotion, desire for theatricality, and uncertain pursuit of love. This lavishly illustrated visual biography brings together original photographs, artworks, and possessions from his interiors to present an intimate picture of Beaton’s extraordinary life.
Brooke de Ocampo invites us back into the homes of Bright Young Things, only this time she opens the doors to London's most stylish and enterprising trend-setters. Bright Young Things London is the highly anticipated follow-up to the successful New York edition. This lush, elegant book is an enthralling journey through the homes of the most envied and emulated residents of one of the world's most exciting cities. Step inside the fabulous lives of 40 architects, artists, designers, and writers to discover why they embody everything London is known for: wit, cutting-edge style, and glamour. Along with elegant photographs by Vanity Fair photographer Jonathan Becker are intimate anecdotes written by the people who know these bright young things best: Claus von Bulow writes about his daughter Cosima; Ewan and Eve MacGregor rave about the home David Adjaye designed for them; Michael Kors fawns over his muse, Kim Hersov; and Paul Smith writes about Robert Violette. Bright Young Things London captures the spirit of the city while paying tribute to its international influences. It is just as addictive in London as it was in New York.
The witty and perceptive diaries kept by Cecil Beaton's authorized biographer during his many fascinating encounters with extraordinary—often legendary—characters in his search for the real Cecil Beaton. Hugo Vickers's life took a dramatic turn in 1979 when the legendary Sir Cecil Beaton invited him to be his authorised biographer. The excitement of working with the famous photographer was dashed only days later when Cecil Beaton died. But the journey had begun - Vickers was entrusted with Beaton's papers, diaries and, most importantly, access to his friends and contemporaries. In Malice in Wonderland, Vickers shares excerpts from his personal diaries kept during this period. For five years, Vickers travelled the world and talked to some of the most fascinating and important social and cultural figures of the time, including royalty such as the Queen Mother and Princess Margaret, film stars such as Grace Kelly, Audrey Hepburn and Julie Andrews, writers such as Truman Capote, and photographers such as Irving Penn and Horst. And not only Beaton's friends - Vickers sought out the enemies too, notably Irene Selznick. He was taken under the wings of Lady Diana Cooper, Clarissa Avon and Diana Vreeland. Drawn into Beaton's world and accepted by its members, Vickers the emerging biographer also began his own personal adventure. The outsider became the insider - Beaton's friends became his friends. Malice in Wonderland is a fascinating portrait of a now disappeared world, and vividly and sensitively portrays some of its most fascinating characters as we travel with Vickers on his quest.
Presents a catalog to accompany the exhibition of Cecil Beaton's portraits.
Cecil Beaton was one of Britain's greatest cultural icons - not just as a photographer capturing some of the most celebrated portraits of the 20th century but also as designer of the iconic sets and costumes for the films My Fair Lady and Gigi. In 1980, Beaton personally chose Hugo Vickers to be his biographer, entrusting him with his diaries and the entire body of letters he had written - both personally and professionally - over the course of his life. Drawing on five years of intensive research and interviews with the likes of Audrey Hepburn, Truman Capote, Princess Grace of Monaco and Sir John Gielgud, Vickers' biography was an instant bestseller upon its publication in 1985. Exploring Beaton's metamorphosis from being the child of a staid middle-class family to an international figure mingling with the glittering stars of his age, the biography also details his great love for Greta Garbo and reveals his private sense of failure that the success he always wanted - as a playwright - eluded him. Republished in a new paperback edition in time for Bright Young Things, a major exhibition at the National Portrait Gallery in 2020, Cecil Beaton is the definitive and authorised biography of one of the world's most fascinating, famous and admired photographers.
Cecil Beaton was a fashion, portrait, and war photographer, a diarist, painter, interior designer and an Academy Award-winning stage and costume designer. He is one of the most celebrated portrait photographers of the twentieth century and is renowned for his images of elegance, glamour and style. Cecil Beaton combines Beaton's photographic and pen portraits. Ordered chronologically, these portraits offer insight, beauty, witty observations, and a fascinating glimpse into his world. Featured portraits include: Fred Astaire, Mick Jagger, Marlon Brando, Coco Chanel, Audrey Hepburn, Salvador Dali, Pablo Picasso, Andy Warhol, Marilyn Monroe, Queen Elizabeth, Winston Churchill, and many others Cecil Beaton's life spanned many worlds and these are captured here through his fabulous photographs and incisive pen portraits.
Bright Young People/ Making the most of our youth/ They talk in the Press of our social success/ But quite the reverse is the truth. [Noel Coward] The Bright Young People were one of the most extraordinary youth cults in British history. A pleasure-seeking band of bohemian party-givers and blue-blooded socialites, they romped through the 1920s gossip columns. Evelyn Waugh dramatised their antics in Vile Bodies and many of them, such as Anthony Powell, Nancy Mitford,Cecil Beaton and John Betjeman, later became household names. Their dealings with the media foreshadowed our modern celebrity culture and even today,we can detect their influence in our cultural life. But the quest for pleasure came at a price. Beneath the parties and practical jokes was a tormented generation, brought up in the shadow of war, whose relationships - with their parents and with each other - were prone to fracture. For many, their progress through the 'serious' Thirties, when the age of parties was over and another war hung over the horizon, led only to drink, drugs and disappointment, and in the case of Elizabeth Ponsonby - whose story forms a central strand of this book - to a family torn apart by tragedy. Moving from the Great War to the Blitz, Bright Young People is both a chronicle of England's 'lost generation' of the Jazz Age, and a panoramic portrait of a world that could accommodate both dizzying success and paralysing failure. Drawing on the writings and reminiscences of the Bright Young People themselves, D.J. Taylor has produced an enthralling social and cultural history, a definitive portrait of a vanished age.