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True love endures. This love story has taken over fifty-seven years to tell. It began with the hot fiery passion of youth, the separation of our lovers because of time and space, and then the rekindling of that love from the embers found in the ashes of that fire.The story starts in the coastal town of Watsonville, California, where these lovers met at Watsonville High School in 1960. Anyone who was alive in the fifties and early sixties really miss those good old days. We did not realize at that time how great they were. We enjoyed simple pleasures. Cruising on a Saturday night, drive-in movies, and many nights sitting at the beach listening to the radio. We were innocent but not prudish, mischievous but not mean, respectful to our parents, the elderly, and those in authority. We were not angels, but neither were we devils.So from those days, which have taken on an idealistic perspective, we progress to real life as grown-ups in the eighties and nineties. This double autobiography follows the lives of Cecil and Lois through marriages, divorces, births, deaths, and all the myriad of unexpected events that came along the way.And at last we reach retirement after all those years of employment. What we hoped for does not turn out exactly like we thought. Again, unexpected events and surprises await us. But true love endures.
True love endures. This love story has taken over fifty-seven years to tell. It began with the hot fiery passion of youth, the separation of our lovers because of time and space, and then the rekindling of that love from the embers found in the ashes of that fire. The story starts in the coastal town of Watsonville, California, where these lovers met at Watsonville High School in 1960. Anyone who was alive in the fifties and early sixties really miss those good old days. We did not realize at that time how great they were. We enjoyed simple pleasures. Cruising on a Saturday night, drive-in movies, and many nights sitting at the beach listening to the radio. We were innocent but not prudish, mischievous but not mean, respectful to our parents, the elderly, and those in authority. We were not angels, but neither were we devils. So from those days, which have taken on an idealistic perspective, we progress to real life as grown-ups in the eighties and nineties. This double autobiography follows the lives of Cecil and Lois through marriages, divorces, births, deaths, and all the myriad of unexpected events that came along the way. And at last we reach retirement after all those years of employment. What we hoped for does not turn out exactly like we thought. Again, unexpected events and surprises await us. But true love endures.
Sometimes love can make you feel like youÕre from another planet...but what if you actually were? Join Superman, The New Gods, Green Lantern, Starro, Hawkgirl and even the Teen TitansÕ new sensation Crush for eight tales of romance that will whisk you to the moon and back!
Edward Curtis was charismatic, handsome, a passionate mountaineer, and a famous photographer, the Annie Leibovitz of his time. He moved in rarefied circles, a friend to presidents, vaudevill stars, leading thinkers. And he was thirty-two years old in 1900 when he gave it all up to pursue his Great Idea: to capture on film the continent's original inhabitants before the old ways disappeared.
The stylish and extravagant world of the "Bright Young Things" of 1920s and '30s London, seen through the eye of renowned British photographer Cecil Beaton In 1920s and '30s Britain, Cecil Beaton used his camera and his larger-than-life personality to mingle with that flamboyant and rebellious group of artists, writers, socialites and partygoers who became known as the "Bright Young Things." Famously fictionalized by the likes of Evelyn Waugh (in Vile Bodies), Anthony Powell and Henry Green, these men and women cut a dramatic swathe through the epoch and embodied its roaring spirit. In a series of themed chapters, covering Beaton's first self-portraits and earliest sitters to his time at Cambridge and as principle society photographer for Vogue and Vanity Fair, over 50 leading figures who sat for Beaton are profiled and the dazzling parties, pageants and balls of the period are brought to life. Among this glittering cast are Beaton's socialite sisters Baba and Nancy Beaton, Stephen Tennant, Siegfried Sassoon, Evelyn Waugh and Daphne du Maurier. Beaton's photographs are complemented by a wide range of letters, drawings, book jackets and ephemera, and contextualised by artworks created by those in his circle, including Christopher Wood, Rex Whistler and Henry Lamb. Cecil Beaton (1904-80) is one of the most celebrated British portrait photographers of the 20th century and is renowned for his images of elegance, glamour and style. Beaton quickly developed a reputation for his striking and fantastic photographs, which culminated in his portraits of Queen Elizabeth in 1939. Also well known as a diarist, Beaton became a society fixture in his own right. His influence on portrait photography was profound and lives on today in the work of many contemporary photographers.
Incorporating more than 3,000 illustrations, Kornwolf's work conveys the full range of the colonial encounter with the continent's geography, from the high forms of architecture through formal landscape design and town planning. From these pages emerge the fine arts of environmental design, an understanding of the political and economic events that helped to determine settlement in North America, an appreciation of the various architectural and landscape forms that the settlers created, and an awareness of the diversity of the continent's geography and its peoples. Considering the humblest buildings along with the mansions of the wealthy and powerful, public buildings, forts, and churches, Kornwolf captures the true dynamism and diversity of colonial communities - their rivalries and frictions, their outlooks and attitudes - as they extended their hold on the land.