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At the dawn of the Cold War, the world’s most important intelligence agencies—the Soviet KGB, the American CIA, and the British MI6—appeared to have clear-cut roles and a sense of rising importance in their respective countries. But when Kim Philby, head of MI6’s Russian division and arguably the twenty-first century’s greatest spy, was revealed to be a Russian mole along with British government heavyweights Donald Maclean and Guy Burgess, everything in the Western intelligence world turned upside down. Here is the true story of how the American James Bond—the colorful, foulmouthed, pistol-packing, alcoholic ex-FBI agent William “King” Harvey—put the finger on Philby; how James Jesus Angleton, the chain-smoking poet of Yale University and the CIA’s supposed “master spy” in charge of counterintelligence, began his descent into a paranoid wilderness of mirrors upon learning of family friend Kim Philby’s ultimate betrayal; and the devastating consequences of the loss of MI6 prestige and the CIA’s subsequent self-defeating witch hunts. Every revelation, every stranger-than-fiction twist and turn is all the more intriguing as truths become lies and unlikely scenarios are revealed as reality. With impeccable sourcing and the use of thousands of pages of declassified research, David C. Martin’s Wilderness of Mirrors is widely recognized as a masterpiece of intelligence literature.
Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism.
A young woman finds herself caught up in international intrigue—and gets her heart stolen—in The Art of Deception from #1 New York Times bestselling author Nora Roberts, “the queen of romantic suspense” (The Columbus Dispatch). Adam Haines claims to be an admirer of Phillip Fairchild’s artistry, wishing to practice the craft as a student of the famous painter. Phillip’s daughter Kirby believes her father is blind to Adam’s flattery and suspects he’s hiding something. An attempt on Kirby’s life reveals the truth after Adam saves her. He’s an investigator seeking a missing Rembrandt painting and the trail leads to Phillip, who’s been known to traffic in forged and stolen art. Now, as Adam and Kirby risk their lives to protect her father and stop dangerous criminals, they also take a chance on the love that’s growing between them.
"The chapters on the exercises are a treasure chest of material to work with, covering a whole array of scenarios. . . . I think virtually every page and topic could spark robust and spirited classroom discussion starting with the text title itself." —Ronald W. Vardy, University of Houston "Most students have very little or no background [in this subject area], so Clark’s work is great to introduce students to intelligence and the analytical disciplines . . . a really excellent book that fills a gaping hole in the public literature and is of genuinely great value to both students and practitioners." —Carl A. Wege, Professor Emeritus, College of Coastal Georgia Bridging the divide between theory and practice, Deception: Counterdeception and Counterintelligence provides a thorough overview of the principles of deception and its uses in intelligence operations. This masterful guide focuses on practical training in deception for both operational planners and intelligence analysts using a case-based approach. Authors Robert M. Clark and William L. Mitchell draw from years of professional experience to offer a fresh approach to the roles played by information technologies such as social media. By reading and working through the exercises in this text, operations planners will learn how to build and conduct a deception campaign, and intelligence analysts will develop the ability to recognize deception and support deception campaigns. Key Features New channels for deception, such as social media, are explored to show readers how to conduct and detect deception activities through information technology. Multichannel deception across the political, military, economic, social, infrastructure, and information domains provides readers with insight into the variety of ways deception can be used as an instrument for gaining advantage in conflict. Contemporary and historical cases simulate real-world raw intelligence and provide readers with opportunities to use theory to create a successful deception operation. A series of practical exercises encourages students to think critically about each situation. The exercises have several possible answers, and conflicting raw material is designed to lead readers to different answers depending on how the reader evaluates the material. Individual and team assignments offer instructors the flexibility to proceed through the exercises in any order and assign exercises based on what works best for the classroom setup.
The history of radar and the crucial role it played in Britain's air defences during World War II from an expert in warfare technology.
In ""Soulforged Mirrors,"" readers are transported to a world where memories take tangible form through reflective surfaces. Zara, a gifted artisan from a remote village, discovers her extraordinary ability to craft mirrors that unveil hidden truths. As her unique creations gain popularity, she finds herself entangled in a dangerous web of political intrigue and self-discovery. Set in a richly imagined realm blending magical realism with advanced biotechnology, this novel explores profound themes of identity, perception, and the malleability of truth. The lyrical prose paints a vivid picture of a society obsessed with appearances, while the innovative narrative structure—each chapter beginning from a mirror's perspective—adds layers of mystery and depth. As Zara delves deeper into her craft, she uncovers a reality-altering conspiracy that threatens to shatter more than just mirrors. This thought-provoking urban fantasy challenges readers to reflect on the nature of memory and the unexpected consequences of seeing ourselves too clearly.
'Dealing with Differences' is a pervasive issue everyone is faced with, yet our responses are not always just and mutually enriching. This book argues that our ability for empathy can become an internal lens to overcome the fear of differences. Dealing with Differences begins with the reader’s experience, introspection and problem solving, and the book often includes references to current events. Within each chapter readers develop their own stories on dealing with difference. This includes journaling about changing feelings and thoughts, and applying chapter information to everyday experience. Readers use empathy to address privilege, race, gender/sexuality, violence and other realities. The pursuit of justice is encouraged. Every reader can do something, sometime, somewhere to effectively deal with differences.
Finally, the Colombian Fernando Vallejo’s masterpiece, The Abyss, is available in English in a stunning translation by Yvette Siegert Winner of the Rómulo Gallego Prize, The Abyss is a caustic masterwork of incredible power and force, an unforgettable autobiographical work of queer fiction. The novel tells about the demise of a crumbling house in Medellín, Colombia. Fernando, a writer, visits his brother Darío, who is dying of AIDS. Recounting their wild philandering and trying to come to terms with his beloved brother’s inevitable death, Fernando rants against the political forces that cause so much suffering. Vallejo is the heir to Céline, Thomas Paine, and Machado de Assis. He hurls vitriolic, savagely funny insults at his country (“I wipe my ass with the new Constitution of Colombia”) and at his mother (“the Crazy Bitch”) who has given birth to him and his many siblings. Within this firestorm of pain, Fernando manages to get across much beauty and truth: that all love is painful and washed in pure sorrow. He loves his sick brother and the family’s Santa Anita farm (the lost paradise of his childhood where azaleas bloomed); and he even loves his country, now torn to shreds. Always, in this savage masterpiece about loss—as if in the eye of Vallejo’s hurricane of talent—we are in the curiously comforting workings of memory and of the writing process itself, as, recollecting time, it offers immortality.
A young woman is found one evening on a residential street in critical condition. Her subsequent death remains a mystery; the only key to what happened is an assistive device found on her. Mara McEdwards, a third generation detective, is assigned to the case. In no time, she is swept into a new world she has never heard of. A world where communication is silent and challenges await her. At the same time Mara struggles to search for clues, an explosive campaign of terror grips the heart of the cochlear implant industry. Mara McEdwards finds herself in a desperate race against time to catch the suspects, a ruthless psychopath and a sinister terrorist. Her mission comes to a climactic and shocking conclusion.