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Fear State aftermath! A “new” Poison Ivy now walks the Earth, one who seems more familiar to Harley Quinn and Catwoman than she ever has been before. And as the dust of Fear State settles in Alleytown, Selina comes to the heartbreaking conclusion that it may be time to surrender her crown and leave her kingdom. She has brought too much damage, too much horror, to her adoptive city. But are the Strays ready to take on the responsibility of defending their homes without the help and guidance of the Catwoman? And what is to become of Catwoman’s protégé herself, Cheshire Cat?
Catwoman is on the look out for jewels or priceless artwork, but when she steals from the wrong man, he wants answers and he wants blood.
Catwoman's addiction to danger leads her to steal from the wrong people.
After being robbed time and time again by Catwoman, Gotham City crime lord the Penguin has decided to wage war against the thieving anti-hero. However, he isn't the only one after her. Someone named the Joker's Daughter is after Catwoman. Who is she, and why has she come to Gotham City? Writer Ann Nocenti continues her run on the title with CATWOMAN VOL. 4, collecting issues #19-24, 26, Catwoman Annual 1, Batman The Dark Knight 23.4: Joker's Daughter
Everything's all right in Selina Kyle's world. As the fabled Catbird of Gotham City, she fights alongside Batman to keep the city safe. So why does it all feel so wrong? Who is behind this twisted--and yet untwisted--version of Gotham City? Find out in Gothtopia! Also featuring an untold tale of Catwoman in this tie-in to BATMAN: ZERO YEAR! Journey back to Selina's early days as a thief, and find out why she's always worked alone! Collects issues #25, #27-34.
Batman is one of the most compelling and enduring characters to come from the Golden Age of Comics, and interest in his story has only increased through countless incarnations since his first appearance in Detective Comics #27 in 1939. Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante, including: Does Batman have PTSD? Why does he fight crime? Why as a vigilante? Why the mask, the bat, and the underage partner? Why are his most intimate relationships with “bad girls” he ought to lock up? And why won't he kill that homicidal, green-haired clown? Combining psychological theory with the latest in psychological research, Batman and Psychology takes you on an unprecedented journey behind the mask and into the dark mind of your favorite Caped Crusader and his never-ending war on crime.
Pulled apart and torn together! Setting new boundaries in their relationship leads to conflict at home and on the mean streets of Gotham for Batman and Catwoman. With opportunists like the Penguin waiting in the wings to strike, our hero becomes more vulnerable than ever. Meanwhile, Phantasm locates her target-The Joker!
For more than 75 years, Catwoman has forged her own path in a clear-cut world of stalwart heroes, diabolical villains, and damsels in distress. Her relentless independence across comic books, television, and film set her apart from the rest of the superhero world. When female-led comics were few and far between, Catwoman headlined her own series for over 20 years. But her unique path had its downsides as well. Her existence on the periphery of the superhero world made her expendable, and she was prone to lengthy absences. Her villainous origins also made her susceptible to sexualized and degrading depictions from her primarily male creators in ways that most conventional heroines didn't face. For good and ill, Catwoman serves as a stark counterpart to the typical evolution of the history of women in comics, and in popular culture generally. Her adventures have charted an inimitably varied journey of empowerment and exploitation. Exploring the many incarnations of this cultural icon offers a new perspective on the superhero genre and showcases the fierce resiliency that has made Catwoman a fan favorite for decades.