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Candrakrti, who lived in India in the 7th century CE, is a major Mahayana Buddhist scholar whose works are studied in modern western universities and traditional Tibetan Buddhist monasteries. This is a translation of the first four chapters of Candrakrti's commentary on Aryadeva's 400 Stanzas.
A cross-cultural encyclopedia of the most significant holy people in history, examining why people in a wide range of religious traditions throughout the world have been regarded as divinely inspired. The first reference on the subject to span all the world's major religions, Holy People of the World: A Cross-Cultural Encyclopedia examines the impact of individuals who, through personal charisma and inspirational deeds, served both as glorious examples of human potential and as envoys for the divine. Holy People of the World contains nearly 1,100 biographical sketches of venerated men and women. Written by religious studies experts and historians, each article focuses on the basic question: How did this person come to be regarded as holy? In addition, the encyclopedia features 20 survey articles on views of holy people in the major religious traditions such as Islam, Buddhism, and African religions, as well as 64 comparative articles on aspects of holiness and veneration across cultures such as awakening and conversion experiences, heredity, gender, asceticism, and persecution. Whether exploring by religion, culture, or historic period, this extensively cross-referenced resource offers a wealth of insights into one of the most revealing—and least explored—common denominators of spiritual traditions.
The selection of essays in this volume aims to present Indian philosophy as an autonomous intellectual tradition, with its own internal dynamics, rhythms, techniques, problematics and approaches, and to show how the richness of this tradition has a vital role in a newly emerging global and international discipline of philosophy, one in which a diversity of traditions exchange ideas and grow through their interaction with one another. This new volume is an abridgement of the four-volume set, Indian Philosophy, published by Routledge in 2016. The selection of chapters was made in collaboration with the editors at Routledge. The purpose of this volume is to reintroduce the heritage of ‘Indian Philosophy’ to a contemporary readership by acquainting the reader with some of the core themes of Indian philosophy, such as the concept of philosophy, philosophy as a search for the self, Buddhist philosophy of mind, metaphysics, epistemology, language and logic.
This book is an annotated translation of one of the great Tibetan classics of Mahayana Buddhist thought, mKhas grub rje's sTong thun chen mo. The text is a detailed critical exposition of the theory and practice of emptiness as expounded in the three major schools of Mahayana Buddhist philosophy: the Yogacara, Svatantrika, and Prasangika. Used as a supplement to the scholastic debating manuals in some of the greatest monasteries of Tibet, the sTong thun chen mo is a veritable encyclopedia of Mahayana Buddhist philosophy, dealing with such topics as hermeneutics, the theory of non-duality, the linguistic interpretation of emptiness, the typology of ignorance, logic, the nature of time, and the perception of matter across world spheres. This book is an indispensable source for understanding the Tibetan dGe lugs pa school's synthesis of the Middle Way (Madhyamaka) and Epistemological (Pramanika) traditions of Indian Buddhism. In addition, it is an unprecedented source for the philosophical polemics of fifteenth century Tibet.
The most lucid and penetrating survey of classical Indian philosophy in the Tibetan language. Beautiful Adornment of Mount Meru by Changkya Rölpai Dorjé (1717–86) is a work of doxography, presenting the distinctive philosophical tenets of the Indian Buddhist and non-Buddhist schools in a systematic manner that ascends through increasingly more subtle views. It is a Tibetan corollary to contemporary histories of philosophy. The “Mount Meru” of the title is the Buddha’s teachings, and Changkya’s work excels in particular in its treatment of the two Mahayana Buddhist schools, the Yogacara (here called the Vijñaptimatra) and the Madhyamaka. Unlike Jamyang Shepa’s (1648–1722) much longer Great Exposition of Tenets, which was one of the key sources and inspirations for Changkya, Beautiful Adornment is often praised for the clarity of its prose and its economical use of citations from Indian texts. At the same time, like Jamyang Shepa’s work, Changkya’s text is not simply a catalog of assertions; it skillfully examines core philosophical issues, including a number of intriguing ancillary discussions. Also like Jamyang Shepa’s text, Changkya’s is very much a Geluk work, drawing heavily on the works of Tsongkhapa and his disciples. The manageable size of Beautiful Adornment and, more importantly, its lucid literary style, made this work the classic source for the study of Indian thought, used by students the across Tibetan cultural sphere. In contemporary academic circles, it has also been a central source for studying the Tibetan interpretation of the classical Indian philosophical systems.