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"A fascinating and disturbing look at a very dark chapter in the annals of the American West."—C.J. BOX, New York Times bestselling author Cattle Kate is the only woman ever lynched as a cattle rustler. History called it "range land justice" when she was strung up in Wyoming Territory on July 20, 1889, tarring her as a dirty thief and a filthy whore. But history was wrong. It was all a lie. Her real name was Ella Watson. She wasn't a rustler. She wasn't a whore. And she'd never been called Cattle Kate until she was dead and they needed an excuse. She was really a 29-year-old immigrant homesteader, lynched with her husband by her rich and powerful cattle-baron neighbors who wanted her land and its precious water rights. Some people knew the truth from the start. Their voices were drowned out by the all-powerful Wyoming Stock Growers Association. And those who dared speak out—including the eyewitnesses to the hangings—either disappeared or mysteriously died. There was no one left to testify against the vigilantes when the case eventually came to trial. Her six killers walked away scot-free. But the legend was stronger than the truth. For over a century, newspapers, magazines, books—movies, too—spread her ugly legacy. Now, on the 125th anniversary of her murder, the real Ella comes alive in Cattle Kate to tell her heartbreaking story. Jana Bommersbach's debut novel bares a legend central to the western experience.
Tells the true story of why Cattle Kate (Ellen Watson) and Jim Averell were lynched by six Wyoming cattlemen in 1889.
Author Lou Dean and her riding buddy Jeanne saddled their faithful steeds Jesse James, a donkey, and Tut, an Arabian. They began a month long ride that took them across northern Colorado, to promote non-violence in schools. As they encounter unforeseen challenges along the trail, Lou Dean wrestles with the brokenness of her past and seeks the courage to stay in the saddle.
In Kate Hoefler’s realistic and poetic picture book debut about the wide open West, the myth of rowdy, rough-riding cowboys and cowgirls is remade. A timely and multifaceted portrayal reveals a lifestyle that is as diverse as it contrary to what we've come to expect.
The remarkable story of Sandra Day O’Connor’s family and early life, her journey to adulthood in the American Southwest that helped make her the woman she is today: the first female justice of the U.S. Supreme Court and one of the most powerful women in America. “A charming memoir about growing up as sturdy cowboys and cowgirls in a time now past.”—USA Today In this illuminating and unusual book, Sandra Day O’Connor tells, with her brother, Alan, the story of the Day family, and of growing up on the harsh yet beautiful land of the Lazy B ranch in Arizona. Laced throughout these stories about three generations of the Day family, and everyday life on the Lazy B, are the lessons Sandra and Alan learned about the world, self-reliance, and survival, and how the land, people, and values of the Lazy B shaped them. This fascinating glimpse of life in the Southwest in the last century recounts an important time in American history, and provides an enduring portrait of an independent young woman on the brink of becoming one of the most prominent figures in America.
What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.
The independent-minded western woman was often eclipsed in popular literature by sensations like Calamity Jane and Belle Starr. Starting with Sacajawea, the Shoshone guide for Lewis and Clark, WOMEN OF THE WEST gives a historical overview of various pioneer women who made their own way out west. 8 photos.
Tells the stories of sixteen women who drove cattle up the trail from Texas during the last half of the nineteenth century.
This cultural journey down memory lane showcases how major Western figures, events, and places have been portrayed in folk legends, art, literature, and popular culture. Ever since the days of the 49ers and George Armstrong Custer, the Old West has been America's most potent source of legend. But it is sometimes hard to separate fact from fiction. Did you know, for example, that Annie Oakley was a talented marksman who shot an estimated 40,000 rounds per year while practicing and performing for Buffalo Bill Cody's Wild West Show in the late l800s? Or that many interpreters believe that The Wonderful Wizard of Oz is not just a fairy tale, but also a Populist allegory? These are just two of the folk legends dissected and examined in this veritable cultural geography. The volume covers everything from billionaire Howard Hughes and composer Aaron Copeland to Aztlan (the legendary first city of the Aztecs) and Area 51, the top-secret U.S. Air Force base at Groom Lake, Nevada, that has fascinated UFO and conspiracy buffs.