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Thirty-three girlhood memoirs by a diverse group of Catholic women, including Sarah Bernhardt and Simone de Beauvoir, are the focus of this pioneering study.
Thirty-three girlhood memoirs by a diverse group of Catholic women, including Sarah Bernhardt and Simone de Beauvoir, are the focus of this pioneering study.
DIVDIVTracing her moral struggles to the day she accidentally took a sip of water before her Communion—a mortal sin—Mary McCarthy gives us eight funny and heartrending essays about the illusive and redemptive nature of memory/divDIV “During the course of writing this, I’ve often wished that I were writing fiction.”/divDIV Originally published in large part as standalone essays in the New Yorker and Harper’s Bazaar, Mary McCarthy’s acclaimed memoir begins with her recollections of a happy childhood cut tragically short by the death of her parents during the influenza epidemic of 1918./divDIV Tempering memory with invention, McCarthy describes how, orphaned at six, she spent much of her childhood shuttled between two sets of grandparents and three religions—Catholic, Protestant, and Jewish. One of four children, she suffered abuse at the hands of her great-aunt and uncle until she moved to Seattle to be raised by her maternal grandparents. Early on, McCarthy lets the reader in on her secret: The chapter you just read may not be wholly reliable—facts have been distilled through the hazy lens of time and distance./divDIV In Memories of a Catholic Girlhood, McCarthy pays homage to the past and creates hope for the future. Reminiscent of Nabokov’s Speak, Memory, this is a funny, honest, and unsparing account blessed with the holy sacraments of forgiveness, love, and redemption./divDIV This ebook features an illustrated biography of Mary McCarthy including rare images from the author’s estate./div/div
Writing Catholic Women examines the interplay of gender, race, ethnicity, nationality, and sexuality through the lens of Catholicism in a wide range of works by women writers, forging interdisciplinary connections among women's studies, religion, and late twentieth-century literature. Discussing a diverse group of authors, Jeana DelRosso posits that the girlhood narratives of such writers constitute highly charged sites of their differing gestures toward Catholicism and argues that an understanding of the ways in which women write about religion from different cultural and racial contexts offers a crucial contribution to current discussions in gender, ethnic, and cultural studies.
This collection attends to western women's struggles within Roman Catholicism by examining how women throughout the centuries have attempted to reconcile their unruliness with their Catholic backgrounds or conversions.
The personal narratives of nine 20th-century Catholic female authors -- Monica Baldwin, Antonia White, Mary McCarthy, Mary Gordon, Mary Daly, Barbara Ferraro, Patricia Hussey, Karen Armstrong, and Patricia Hampl -- speak eloquently about the process of departure from the church and its institutions. This study explores each author's breaking of the taboo associated with women leaving their "proper place." It locates five themes at the heart of all of their narratives: reversal, boundary crossing, diaspora, renaming, and recycling. Debra Campbell grapples with the spirituality of departure depicted by all nine women, for whom the very process of leaving Catholic institutions is a Catholic enterprise. These narratives support the popular maxim that no one ever really leaves the church. In the final chapter, Campbell examines narratives of return, confirming the book's overarching theme that neither departure nor return is ever finished.
DIVDIVThe author of The Group, the groundbreaking bestseller and 1964 National Book Award finalist that shaped a generation of women, brings reminiscences of her girlhood to this intimate and illuminating memoir/divDIV How I Grew is Mary McCarthy’s intensely personal autobiography of her life from age thirteen to twenty-one./divDIV Orphaned at six, McCarthy was raised by her maternal grandparents in Seattle, Washington. Although her official birthdate is in 1912, it wasn’t until she turned thirteen that, in McCarthy’s own words, she was “born as a mind.” With detail driven by an almost astonishing memory recall, McCarthy gives us a masterful account of these formative years. From her wild adolescence—including losing her virginity at fourteen—through her eventual escape to Vassar, the bestselling novelist, essayist, and critic chronicles her relationships with family, friends, lovers, and the teachers who would influence her writing career./divDIV Filled with McCarthy’s penetrating insights and trenchant wit, this is an unblinkingly honest and fearless self-portrait of a young woman coming of age—and the perfect companion to McCarthy’s Memories of a Catholic Girlhood./divDIV This ebook features an illustrated biography of Mary McCarthy including rare images from the author’s estate./divDIV/div/div
Unruly Catholic Nuns explores the voices of current and former Catholic nuns and, by doing so, contributes to the global conversation about the role of women in the Catholic Church today. Through autobiography, fiction, poetry, and prose, Sisters and former nuns write about their lived experiences with Catholicism, both in accordance and in conflict with the institutional Church. Through their stories we learn how these women act out their missions of social justice, challenge cultural and governmental policies, and attempt to reconcile their unruliness with their religious orders and the strictures of the church hierarchy. At a time when questions of gender, religion, race, and sexuality are provoking intense debate within Catholicism and other Christian traditions, and when religion is frequently invoked in political rhetoric, these stories provide a vital corrective to our contemporary understanding of the role of women and nuns in the Roman Catholic Church.
Celebrating one of the most important Italian American female authors of our time, Personal Effects offers a lucid view of Louise DeSalvo as a writer who has produced a vast and provocative body of memoir writing, a scholar who has enriched our understanding of Virginia Woolf, and a teacher who has transformed countless lives. More than an anthology, Personal Effects represents an author case study and an example for modern Italian American interdisciplinary scholarship. Personal Effects examines DeSalvo’s memoirs as works that push the boundaries of the most controversial genre of the past few decades. In these works, the author fearlessly explores issues such as immigration, domesticity, war, adultery, illness, mental health, sexuality, the environment, and trauma through the lens of gender, ethnic, and working-class identity. Alongside her groundbreaking scholarship, DeSalvo’s memoirs attest to the power and influence of this feminist Italian American writer.
Women have been writing in the Catholic tradition since early medieval times, yet no single volume has brought together critical evaluations of their works until now. The first reference of its kind, Catholic Women Writers provides entries on 64 Catholic women writers from around the world and across the centuries. Each of the entries is written by an expert contributor and includes a biography of the author; a critical discussion of her works, especially her Catholic and women's themes; an overview of her critical reception; and a bibliography of primary and secondary sources. Authors writing in all genres, including fiction, autobiography, poetry, children's literature, and essays, are represented. The entries give special attention to the authors' use of Catholic themes, structures, traditions, culture, and spirituality. The writers surveyed range from Doctors of the Church to mystics and visionaries, to those who employ Catholic themes primarily in historical and cultural contexts, to those who critique the tradition. An introductory essay places the writers within the historical and literary contexts of women's writing in the Catholic tradition, and the volume closes with a selected, general bibliography.