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This book consists of three celebrated short story collections and an early novel, each reflecting Lim’s prowess as a storyteller chronicling a society in transit, where multiethnic characters struggle with their identities as the past and the present intersect, mingle and clash. The Serpent’s Tooth (1982) Within each family lie the proverbial skeletons better left untouched, lest the truths uncovered become to horrifying. The Serpent’s Tooth is fraught with dashed hopes and wasted efforts, where characters grope around desperately in the murky depths of self delusion, where hands reach beyond the grave and resurface to haunt. They Do Return…but gently lead them back (1983) 15 tales of the paranormal. Unlike the bloodthirsty, melodramatic tales favoured at gatherings, the substance of these are commonplace, stories behind the ghost stories: of relationships that death cannot sever; of personalities so forceful they invade the land of the living after death; of rituals and customs, the unexplained and the unexpected. Characters so close to home that you start believing…O Singapore!: Stories in Celebration (1988) From the playfully satirical pen of Catherine Lim comes the wild, weird and wacky world of O Singapore! This is ’90s Singapore where the campaigns and the directives of the unremittingly competent leadership come face to face with the undeniably human fads, foibles and follies of the Singaporean people. The Woman’s Book of Superlatives (1993) Catherine Lim beguiles the reader with a startling contrast: the deification of women in ancient myths, against the degradation of women at the hands of their men. Time and again, an unwonted bond of sisterhood appears, and is affirmed in a final fateful collision.
From the playfully satirical pen of Catherine Lim comes the wild, weird and wacky world of O Singapore! This is modern-day Singapore where the campaigns and directives of the unremittingly competent leadership come face to face with the undeniably human fads, foibles and follies of the local people. Using uniquely Singaporean traits as focal points, Lim takes us through the dizzying whirl of these merry collisions with consummate wit and comic inventiveness. The Series This title is being reissued under the new Marshall Cavendish Classics: Literary Fiction series, which seeks to introduce some of the best works of Singapore literature to a new generation of readers. Some have been evergreen titles over the years, others have been unjustly neglected. Authors in the series include: Catherine Lim, Claire Tham, Colin Cheong, Michael Chiang, Minfong Ho, Ovidia Yu and Philip Jeyaretnam.
A little girl - Han - is sold, aged four, as a bondmaid or slave into the House of Wu, where she grows up and falls in love with the young heir. But the idyll of childhood attachment turns into a nightmare as Han, beautiful, proud and uncompromisingly loyal, struggles against the forces of tradition and tyranny in a large household where patriarchs and matriarchs wield inexorable power, lustful male relatives watch young bondmaids to claim their rightful share of pleasure, visiting monks devise ingenious schemes to combine holy public duty with unbridled private indulgence, and gods and goddesses smile to see the human drama unfold.
A wonderful new novel from Catherine Lim - a modern love story of east meets west set in the author's native Singapore. Never before has Yin Ling appeared in such splendour. Perched in the bridal car with her mother-in-law to be, in layers of unaccustomed make-up, bedecked with the jewels of her fiance's family, she is about to marry into one of the richest and most influential clans in Singapore. But on the way to the ceremony the car passes through a destitute area of the city and Ling catches sight of a scene of death - a terrible omen for a bride. Instead of looking away, Ling stops the car and goes to look. It is a dead baby, abandoned. Despite her finery Ling picks it up. So begins Catherine Lim's new novel. Ling - poor, beautiful, an outstanding student and a poet - is to marry Vincent Chee, a rich PhD student from a very traditional, upper-class family. She will become a dutiful wife, not the existence of her dreams, but the Chees' money and influence is essential, for her mother has cancer and they cannot abandon a faithful old servant, Ah Heng Cheh. However, the mapping out of Ling's future doesn't proceed smoothly. Almost against her will, and through her poetry, she meets outspoken American professor, Ben Gallagher, who threatens to overturn everything. Ling must make her choice: east or west, head or heart. The birth of a son makes her moral predicament even more agonizing.
This collection of eight short stories combines Catherine Lim’s sharp powers of observation with her insightful comments on the conflicts, both internal and external, brought about by love in the lives of men and women in modern-day Singapore. The result is a vibrant assortment of stories and voices brimming with courage, deep introspection and heartfelt emotion. Powerful and riveting, this collection is sure to captivate your mind and tug at your heartstrings and with its relentless prose and evocative charm.
The living and the dead – there is something that binds them. For the living are endlessly fascinated by tales of the dead, whether they are about an old ancestor whose ghost reputedly haunts an old ancestral home about to be torn down; a child never allowed to be born, whose little frightened call "Mummy! Mummy!" fills his mother's dreams at night; an airline pilot whose ghost is forever condemned to roam the earth with that of his mistress for an unspeakably cruel suicide pact that plunges a hundred others to their deaths. In this collection of 14 short stories set in Singapore, Catherine Lim tells tales of the dead and their return, bringing readers on a journey of unease, excitement, trepidation and, above all, awe for the mystery that surrounds death.
A story set in 50's Malaya at the height of the communist guerilla activity. This is a backdrop for a story of love, passion, desire and duty as a beautiful married chinese women, Mei Kwei, falls in love with a priest who saves the woman caught with Mei's husband from public embarrassment.