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Discover the captivating tale of self-discovery and resilience in "Catherine Herself" by James Hilton, a poignant novel that explores the depths of the human spirit and the power of personal growth. Follow Catherine as she embarks on a journey of introspection and transformation, navigating the complexities of love, loss, and identity in a world fraught with challenges. As the story unfolds, readers will be drawn into Catherine's innermost thoughts and emotions, rooting for her every step of the way. With James Hilton's masterful storytelling, "Catherine Herself" offers a profound exploration of the human experience, delving into themes of resilience, courage, and the pursuit of truth. Through Catherine's journey, readers will find themselves reflecting on their own lives and relationships, gaining new insights and perspectives along the way. As Catherine confronts her past and confronts her fears, she discovers the strength within herself to forge a new path forward, embracing life's uncertainties with grace and determination. Her journey serves as a powerful reminder of the resilience of the human spirit and the transformative power of self-discovery. Whether you're a fan of character-driven narratives or simply looking for a compelling story that speaks to the heart, "Catherine Herself" is sure to resonate. With its richly drawn characters, evocative prose, and poignant themes, this novel is an unforgettable exploration of love, loss, and the search for meaning. Don't miss your chance to embark on this unforgettable journey with Catherine. Pick up your copy of "Catherine Herself" today and immerse yourself in a story that will stay with you long after you've turned the final page.
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Winner of the Best Graphic Novel in Quebec 2018! Catherine Ocelot wonders about her place as an artist, digging into the layers of what it means to live this Art Life. In her search for answers, she talks with seven artists from different disciplines who express their doubts, their struggles, their ambitions and their sometimes-wise and sometimes-funny observations. The author stages these encounters with finesse and wit, and echoes them with scenes from her own life. Art Life is a tragicomic tale tinged with fantasy that explores the impact of others on oneself, led by an artist who slowly comes to understand herself.
RA great thumping triumph of a bookS ("London Telegraph"), this is the first comprehensive modern biography of Catherine the Great to explore her both as a woman and empress.
By delving into the life of Catherine the Great, this acclaimed biographer reveals the rich tapestry of Russia’s past, giving insight into the paradoxical character of its people and their stunning evolution from feudalism to communism to their present-day struggle for a free-market democracy. This is history as it is rarely written today—elegant, witty, dramatic, and with an intimate knowledge of its characters. And what better subject for a biography than one of history's most powerful women, the German-born Russian empress whose adopted language and culture were French, and whose most loyal correspondents were Voltaire and Diderot? Troyat details the various lives of Catherine II: the ambitious child, the acquiescent yet firm grand duchess, the forceful politician and patron of the arts, the belligerent war maker, and the doting grandparent. “A remarkable woman . . . A riveting book.”—Mary Renault “Brilliantly captures one of the most colorful figures of all time.”—Doubleday Book Club News
Princess Sophia of Anhalt-Zerbst became Empress Catherine II of Russia, an indomitable, feisty ruler who was very complex and became an infamous historical figure.
THE ANNE CATHERINE EMMERICH COLLECTION [10 BOOKS] CATHOLIC WAY PUBLISHING — 10 Books: 7 By the Author. 3 About the Author — Over 1.5 Million Words. Over 500 Active Linked Footnotes — Includes Linked Headings, Index and Table of Contents for 10 Books — Includes Life and Biography of Anne Catherine Emmerich — Includes 24 Original Religious Woodcut Figure Illustrations — Includes Illustrations by Gustave Dore Blessed Anne Catherine Emmerich was a Roman Catholic Augustinian Canoness Regular of Windesheim, mystic, Marian visionary, ecstatic and stigmatist. Emmerich is notable for her visions on the life and passion of Jesus Christ, reputed to be revealed to her by the Blessed Virgin Mary under religious ecstasy. From 1819 until Emmerich’s death in 1824, Brentano filled many notebooks with accounts of her visions involving scenes from the New Testament and the life of the Virgin Mary. Emmerich was beatified on 3 October 2004, by Pope John Paul II. BOOKS BY AUTHOR The Life of Jesus Christ and Biblical Revelations: Volume 1 The Life of Jesus Christ and Biblical Revelations: Volume 2 The Life of Jesus Christ and Biblical Revelations: Volume 3 The Life of Jesus Christ and Biblical Revelations: Volume 4 The Life of the Blessed Virgin Mary The Dolorous Passion of Our Lord Jesus Christ The Nativity of Our Lord Jesus Christ BOOKS ABOUT AUTHOR The Life and Revelations of Anne Catherine Emmerich: Volume 1 by Reverend Carl E. Schmoger The Life and Revelations of Anne Catherine Emmerich: Volume 2 by Reverend Carl E. Schmoger The Life of Anne Catharine Emmerich by Helen Ram ARTICLES Anne Catherine Emmerich - Encyclopedia Anne Catherine Emmerich - Biography PUBLISHER: CATHOLIC WAY PUBLISHING
In this newly-translated excerpt from his five-volume "Course", Kliuchevsky (1841-1911) provides a colourful description of Russian court life in the 18th century, a dramatic narrative of the coup d'etat that brought Catherine II to power, a portrait of the empress herself, and an analysis of her foreign conquests and her major internal initiatives. While Kliuchevsky is critical of Catherine, he draws upon her memoirs and other writings and the accounts of her contemporaries to achieve a well-rounded and deeply human analysis of her character and personality. It is an extraordinary act of historical re-creation of the sort that brought Kliuchevsky such renown in his own time, and it remains so lifelike that it fairly leaps off the page. Kliuchevsky's examination of Western influence in Catherine's reign leads him to questions that were of urgent significance for Russia's development in his own day, and have remained so ever since: how to use Western ideas and practices to improve and enrich Russian life, without turning them into idle fashions or political bludgeons, and where to find the social leadership capable of performing such a delicate task.
The first in-depth study of Catherine the Great's plays and opera libretti, this book provides analysis and critical interpretation of the dramatic works by this eighteenth-century Russian Empress. These works are shown to be remarkable for their diversity, frank satire, topical subject matter, and stylistic innovations. O'Malley reveals comparisons to and influences from European traditions, including Shakespeare and Molière, and sets Catherine in the larger field of Russian literature in the period, further illuminating her relationship to the aesthetic debates of the period. The study investigates how Catherine expressed her social ideas throughout her drama and exploited the stage's power to promote political ideals and ideology. O'Malley sets close textual analysis within an historical framework, analyzing the major plays according to content, style, themes, characters, and relation to Catherine's life and political aims.
Saint Catherine of Siena (1347–1380) has become a defining figure in the history of medieval religion and one of the main exemplars of the "feminine turn" in late medieval religious culture. Despite a hagiographical tradition and historiography that has placed Catherine at a mystic remove from the politics of her day, Catherine's public authority was shaped by politics, both locally in Siena and broadly within late-fourteenth-century contests between the papacy and the Republic of Florence for hegemony in central Italy. In The Saintly Politics of Catherine of Siena, F. Thomas Luongo combines literary-critical readings of Catherine's letters—she was the author of one of the largest collections of medieval letters—with political and social analysis. Drawing on a wide range of archival sources, Luongo investigates how Catherine's spiritual authority and sanctity were linked with contemporary political and cultural developments. He shows how the political situation of the church in Italy and a culture that privileged female spirituality and prophetic speech facilitated Catherine's emergence into a public role. The Catherine who emerges from Luongo's well-written pages is a splendid example of what can result when a historian asks fresh questions about a familiar figure's life and brings new materials and methods to bear in formulating answers. The Saintly Politics of Catherine of Siena offers a woman more complex and interesting than the figure portrayed in most contemporary scholarship.