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When the author's mother passes away, he had no way to share all the pent up emotions, inside of him. The loss he had suffered, years of time spent with the person he loved so dearly and long years of his pedagogical upbringing comes together in this amalgamation of life, experiences, emotions through a weirdly quirky pedagogical point of view.
The story revolves around the reminiscences of Katyayani Krishnan, an NRI girl from Singapore, who comes to IIM Kolkata on a student exchange program. She is born to a Bengali mother and a Tamil Iyer father. A sarcastic interactive session with two IIM officials needles her to start questioning her identity. Furthermore, when her maternal grandfather introduces her to the norms of a patriarchal society, she reminisces about several incidents where her parents pedantically make her understand that she is a cultural blend and unique. Her cathartic journey continues when she meets her gamophobic cousin, Thia. A series of conversations makes Katyayani to reveal the nitty-gritties of an intercultural family, her learning process to speak a multitude of languages, how God provided her a channel to start eating non-vegetarian food, and most importantly her fun-filled journey amidst the behavioral and cultural differences between her bloodlines. The story continues with her past chequered love life with a Bengali cultural bigot, Sudhanshu, marking an attendance in her present. Amidst the god-fearing family members, Katyayani reveals her open relationship with God and her concept of spirituality to Thia. Even after knowing the minutiae of her life when Thia still questions her identity, she finds her mind free from befuddlement. She defines the true meaning of culture to Thia, she declares her accomplishments as her virtue and she redefines her identity as an outcome of true love and a cultural blend. This book is an effort to bring about the monumental change in humanity to grow and survive as homo sapiens and not to cling on to a particular language or culture to define ourselves.
‘Divya writes of difficult times with candour and heart-rending simplicity’ Shabana Azmi Capturing the beauty of a mother–daughter relationship, Divya Dutta in this moving memoir celebrates her mother’s struggles to turn her into the woman she is today. Divya walks us through the most intimate memories of her life, those that strengthened her relationship with her mother. The incredible bond she forged with her mother helped her through tragedies and difficulties, discouragements and failures and led her to become an award-winning actor of stature, both in the Hindi as well as the Punjabi film industry. Me and Ma is a celebration of Divya’s exemplary achievements. It is also an honest, intimate and heartfelt tribute to the force behind her success—her mother.
The 1977 blockbuster Amar Akbar Anthony about the heroics of three Bombay brothers separated in childhood became a classic of Hindi cinema and a touchstone of Indian popular culture. Beyond its comedy and camp is a potent vision of social harmony, but one that invites critique, as the authors show.
This book critically engages with the study of theatre and performance in colonial India, and relates it with colonial (and postcolonial) discussions on experience, freedom, institution-building, modernity, nation/subject not only as concepts but also as philosophical queries. It opens up with the discourse around ‘Indian theatre’ that was started by the orientalists in the late 18th century, and which continued till much later. The study specifically focuses on the two major urban centres of colonial India: Bombay and Calcutta of the 19th and early 20th centuries. It discusses different cultural practices in colonial India, including the initiation of ‘Indian theatre’ practices, which resulted in many forms of colonial-native ‘theatre’ by the 19th century; the challenges to this dominant discourse from the ‘swadeshi jatra’ (national jatra/theatre) in Bengal, which drew upon earlier folk and religious traditions and was used as a tool by the nationalist movement; and the Indian People’s Theatre Association (IPTA) that functioned from Bombay around the 1940s, which focused on the creation of one national subject – that of the ‘Indian’. The author contextualizes the relevance of the concept of ‘Indian theatre’ in today’s political atmosphere. She also critically analyses the post-Independence Drama Seminar organized by the Sangeet Natak Akademi in 1956 and its relevance to the subsequent organization of ‘Indian theatre’. Many theatre personalities who emerged as faces of smaller theatre committees were part of the seminar which envisioned a national cultural body. This book is an important contribution to the field and is of interest to researchers and students of cultural studies, especially Theatre and Performance Studies, and South Asian Studies.
Can a disease, more importantly, cancer, be a potent tool of self-evolution for both, the person who suffers from it, and his/her caregivers, especially parents? The value of good health is realized when it no more remains with us. The journey to salvage the lost friend can still offer myriad opportunities of redemption and self-discovery. It is up to us how we decide to tread this formidable path leading to self-actualization. Time has made us realize that it is not fair to stereotype a person suffering from cancer from the point of view of cure or recovery. Many a time, such stereotyping comes from our own society, and sometimes, ironically, from the medical fraternity, for its inability to go beyond a point, after which you feel you are condemned and vegetative. All these negativities passively entrap the patients and their parents in the viciousness of the disease where they die many times before the actual death. This is the worst form of cancer which has plagued our mindset. In the case of Divyansh Atman, the authors' son, it was not so. Divyansh was the embodiment of courage and self-determination in the face of adversities. His life journey shows us how the path of opportunities can still be paved in the middle of adversities. He lived a big and a meaningful life that made a huge impact on the lives of people around him. Cancer can bring in self-evolution, both for the sufferer and his caregivers. An inspirational memoir. A soul stirring account of a young boy who suffered from cancer but lived a life which inspired many. A true story of grit and human strength. To be read by every parent who grieves the
The first book-length study to provide a detailed examination of a distinctive crossroads in the history of the left
On the planet Aqua, a world once known as Mars, Akari Mizunashi has just made her home in the town of Neo-Venezia, a futuristic imitation of the ancient city of Venice. In pursuit of her dream to become an Undine — a gondolier who leads high-end tours around the city — Akari joins as a trainee with the Aria Company, one of the three most prestigious water-guide companies in Neo-Venezia. There, she explores the beauty of the city and the world along with other trainees from Aria and rival companies, working hard for her dreams and making new friends along the way. Experience the world of Aqua like never before with Kozue Amano's gorgeously detailed illustrations and full-color spreads in this deluxe collector's edition! This is Volume 5 of this Masterpiece edition of the series.
This book explores the intersection between medicine and literature in medieval Iberian literature and culture. Its overarching argument is that thirteenth- and fourteenth-century Iberian authors revalorized the interconnection between the body, the mind, and the soul in light of the evolving epistemology of medicine. Prior to the reintroduction of classical medical treatises through Arab authors into European cultures, mental disorders and bodily diseases were primarily attributed to moral corruption, demonic influence, and superstition. The introduction of novel regimens of health as well as treatises on melancholia into academic institutions and into the cultural landscape provided the tools for newly minted authors to understand that psychosomatic illnesses stemmed from malfunctions of the body's biochemical composition. This book demonstrates that the earliest books written in the Iberian vernaculars contain the seeds that effect the shift from a theocentric worldview to a humanistic one. The volume features close readings of multiple texts, including medical treatises and religious writings, and King Alfonso X's Cantigas de Santa Maria, Juan Manuel's Conde Lucanor, and Juan Ruiz's Libro de buen amor. Even though these texts differ in literary genre, rhetorical strategy, and even purpose, this study argues that they collectively employ humoral pathology and melancholic discourses as a means of underscoring the frailty and transience of human life by showing how somatic conditions sicken the body, mind, and soul unto death.