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Traces the craft of pottery making among the Catawba Indians of North Carolina from the late 18th century to the present When Europeans encountered them, the Catawba Indians were living along the river and throughout the valley that carries their name near the present North Carolina-South Carolina border. Archaeologists later collected and identified categories of pottery types belonging to the historic Catawba and extrapolated an association with their protohistoric and prehistoric predecessors. In this volume, Thomas Blumer traces the construction techniques of those documented ceramics to the lineage of their probable present-day master potters or, in other words, he traces the Catawba pottery traditions. By mining data from archives and the oral traditions of contemporary potters, Blumer reconstructs sales circuits regularly traveled by Catawba peddlers and thereby illuminates unresolved questions regarding trade routes in the protohistoric period. In addition, the author details particular techniques of the representative potters—factors such as clay selection, tool use, decoration, and firing techniques—which influence their styles.
Traces the craft of pottery making among the Catawba Indians of North Carolina from the late 18th century to the present When Europeans encountered them, the Catawba Indians were living along the river and throughout the valley that carries their name near the present North Carolina-South Carolina border. Archaeologists later collected and identified categories of pottery types belonging to the historic Catawba and extrapolated an association with their protohistoric and prehistoric predecessors. In this volume, Thomas Blumer traces the construction techniques of those documented ceramics to the lineage of their probable present-day master potters or, in other words, he traces the Catawba pottery traditions. By mining data from archives and the oral traditions of contemporary potters, Blumer reconstructs sales circuits regularly traveled by Catawba peddlers and thereby illuminates unresolved questions regarding trade routes in the protohistoric period. In addition, the author details particular techniques of the representative potters—factors such as clay selection, tool use, decoration, and firing techniques—which influence their styles.
The Catawba Indians are aboriginal to South Carolina, and their pottery tradition may be traced to 2,400 B.C. When Hernando de Soto visited the Catawba Nation (then Cofitachique) in 1540, he found a sophisticated Mississippian Culture. After the founding of Charleston in 1670, the Catawba population declined. Throughout subsequent demographic stress, the Catawba supported themselves by making and peddling pottery. They have the only surviving Native American pottery tradition east of the Mississippi. Without pottery, there would be no Catawba Indian Nation today.
The Catawba Indians are aboriginal to South Carolina, and their pottery tradition may be traced to 2,400 B.C. When Hernando de Soto visited the Catawba Nation (then Cofitachique) in 1540, he found a sophisticated Mississippian Culture. After the founding of Charleston in 1670, the Catawba population declined. Throughout subsequent demographic stress, the Catawba supported themselves by making and peddling pottery. They have the only surviving Native American pottery tradition east of the Mississippi. Without pottery, there would be no Catawba Indian Nation today.
An excellent example of ethnohistory and archaeology working together, this model study reveals the origins of the Catawba Indians of North Carolina By the 18th century, the modern Catawba Indians were living along the river and throughout the valley that bears their name near the present North Carolina-South Carolina border, but little was known of their history and origins. With this elegant study, David Moore proposes a model that bridges the archaeological record of the protohistoric Catawba Valley with written accounts of the Catawba Indians from the 17th, 18th, and 19th centuries, thus providing an ethnogenesis theory for these Native Americans. Because the Catawba Confederacy had a long tradition of pottery making, dating ceramics and using them for temporal control was central to establishing a regional cultural chronology. Moore accomplishes this with a careful, thorough review and analysis of disparate data from the whole valley. His archaeological discoveries support documentary evidence of 16th century Spaniards in the region interacting with the resident Indians. By tracking the Spanish routes through the Catawba River valley and comparing their reported interactions with the native population with known archaeological sites and artifacts, he provides a firm chronological and spatial framework for Catawba Indian prehistory. With excellent artifact photographs and data-rich appendixes, this book is a model study that induces us to contemplate a Catawba genesis and homeland more significant than traditionally supposed. It will appeal to professional archaeologists concerned with many topics—Mississippian, Lamar, early historic Indians, de Soto, Pardo, and chiefdom studies—as well as to the broader public interested in the archaeology of the Carolinas.
Undated pamphlet printed by the Charlotte Nature Museum (photocopy) with a brief history of the Catawba Indian Nation and a description of the pottery produced by its members.
The story of one of the few original Native American communities of the Carolinas, whose rich and fascinating history can be dated back to 2400 BC. While the Catawba once inhabited a large swath of land that covered parts of North and South Carolina, and managed to remain in the Carolinas during the notorious Trail of Tears, most Catawba now live on a reservation in York County, South Carolina. In Catawba Nation, longtime tribal historian Thomas J. Blumer seeks to preserve and present the history of this resilient people. Blumer chronicles Catawba history, such as Hernando de Soto’s meeting with the Lady of Cofitachique, the leadership of Chief James Harris, and the fame of potter Georgia Harris, who won the National Heritage Award for her art. Using an engaging mix of folklore, oral history, and historical records, Blumer weaves an accessible history of the tribe, preserving their story of suffering and survival for future generations.