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Dick Popkin and James Force have attended a number of recent conferences where it was apparent that much new and important research was being done in the fields of interpreting Newton's and Spinoza's contributions as biblical scholars and of the relationship between their biblical scholarship and other aspects of their particular philosophies. This collection represents the best current research in this area. It stands alone as the only work to bring together the best current work on these topics. Its primary audience is specialised scholars of the thought of Newton and Spinoza as well as historians of the philosophical ideas of the late seventeenth and early eighteenth centuries.
This book examines, for the first time, the history of the social, cultural, political and economic presence of the French in London, and explores the multiple ways in which this presence has contributed to the life of the city. The capital has often provided a place of refuge, from the Huguenots in the 17th century, through the period of the French Revolution, to various exile communities during the 19th century, and on to the Free French in the Second World War.It also considers the generation of French citizens who settled in post-war London, and goes on to provide insights into the contemporary French presence by assessing the motives and lives of French people seeking new opportunities in the late 20th and early 21st centuries. It analyses the impact that the French have had historically, and continue to have, on London life in the arts, gastronomy, business, industry and education, manifest in diverse places and institutions from the religious to the political via the educational, to the commercial and creative industries.
"Caught between the Theatricality of the Baroque and the acute sensibility of Romanticism, art in Rome in the eighteenth century has long been a neglected area of study." "The grand scale and spectacular diversity of the period are comprehensively captured for the first time in this definitive history of the period, produced to accompany a major U.S. exhibition organized by the Philadelphia Museum of Art and The Museum of Fine Arts, Houston, and documenting the work of over 150 artists. With over 450 illustrations, and texts by an outstanding array of experts from around the world, Art in Rome in the Eighteenth Century provides a massively authoritative survey of a fascinating era."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This catalogue was compiled to compliment one of Patrimonju's most prestigious exhibitions, Silver of Malta. The nine hundred and ninety-five entries consist of silver items created by Maltese and foreign silversmiths that settled in Malta, ranging from mid 16th Century till the 19th Century. These objets d'art commissioned by the Maltese, the Knights and also by the British residents, became highly collectable items of exceptional craftsmanship of an international standard. The wide variety of exhibits included silver for banqueting and tea tables, the famous oil lamps (lampieri), glove trays (guantieri), salvers (sootocoppe), scent flasks (Balsamini), snuff-boxes, jewelry and several others. Religious silver was also exhibited but restricted to items used in the house or house chapel. The catalogue is forwarded by a synoptic essay on the Influence of European Silver on the Maltese Art of Silversmithing, and includes an exhaustive Glossary and an illustrated section to the Makers' Marks of all the recorded silversmiths producing silver in Malta. Alaine Apap Bologna is an art historian and connoisseur, who specialised in silver and objets d'art at Christie's Geneva becoming the head of the silver and watch departments.