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Over 5,000 entries arranged in four parts. Part I comprises reference and general works to provide a guide to information on Southeast Asia. Part II provides the setting of space and time. Part III features the people and Part IV the many facets of culture and society — language; ideas, beliefs, values; institutions; creative expression; and social and cultural change. Within each section, the arrangement is geographical, beginning with Southeast Asia as a whole followed by the various countries in alphabetical order.
In these four volumes, published in paperback in 2000, twenty-two scholars of international reputation consider the whole of mainland and island Southeast Asia from Burma to Indonesia. Each volume has a new preface which points to the relationships with the other volumes. The prefaces also comment on some of the research into and thinking about the subject undertaken since the original contributions were completed for the first edition. Volume 2, Part 2 covers the period from World War II to the present and examines the end of European colonial empires, the emergence of political structures of the independent states, economic and social change, religious change in contemporary Southeast Asia, Southeast Asia's role and identity in decolonisation, and the ongoing weakening of links with the West.
This book offers an integrated study of the texts and images of illustrated Malay manuscripts on magic and divination from private and public collections in Malaysia, the UK and Indonesia. Containing some of the rare examples of Malay painting, these manuscripts provide direct evidence for the intercultural connections between the Malay region, other parts of Southeast Asia and the rest of the world. In this richly illustrated volume many images and texts are gathered for the first time, making this book essential reading for all those interested in the practice of magic and divination, and the history of Malay, Southeast Asian and Islamic manuscript art.
This paper was written by one of the leaders of a new trend in the field of Malay historical writing. It reflects the trend of scholars both foreign and local, using Malay as a major tool in research, and their turning away from the colonial record to indigenous sources in order to write a more authentic history of the Malay peoples and institutions.