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Reprint of the original, first published in 1881.
The collection of objects from Predynastic Egypt in the Ashmolean Museum, Oxford, is widely regarded as the most representative of its kind anywhere in the world. This is the first catalogue of the collection, the fruit of Joan Crowfoot Payne's unique knowledge gained from over thirty years' work with this material. In addition to the basic documentation and illustration of over two thousand objects, she has provided a commentary and up-to-date review of their chronological and cultural importance. The book thus offers both a major study, and an invaluable reference work for anyone interested in the development of civilization in ancient Egypt. The Ashmolean collection is distinguished by the large amount of material from controlled excavations directed by Flinders Petrie and his associates - notably from the great cemetery site of Naqada, which has given its name to the cultural phase which initiates the Predynastic period as defined in this catalogue. It was from the evidence provided by these objects that Petrie was able to begin tracing the evolution of Egyptian society and the emergence of the Pharaonic state. As his primary conclusions have stood the test of time, the collection remains central to any study of prehistoric Egypt, so this catalogue will be an indispensable aid to current research. This reprint includes a small section of addenda to the original (1993) edition.
Tells the story of the tomb of Tutankhamun, placing the discoveries in their historical context and includes many historical documents that are being published here for the first time Includes painstaking recreations, in color, of a number of key contemporary photographs taken at the time by Harry Burton Published to accompany an exhibition at The Ashmoleam Museum, Oxford, UK from July 24th to October 26th 2014 Howard Carter's excavation of the tomb of Tutankhamun in 1922 was one of the most significant archaeological discoveries of the 20th century. The name of Egypt's 'boy king' is now synonymous with the glories of this ancient civilization, and the spectacular contents of his tomb continue to capture the public's imagination. This book tells the story of the search for Tutankhamun's tomb and its discovery using Howard Carter's original excavation records that were deposited in the archives of the Griffith Institute at the University of Oxford. The meticulous recording process and conservation work on the thousands of objects took Carter and his team an astonishing 10 years and for its time the entire enterprise was a model of archaeological investigation. Against this backdrop of painstaking scholarship, the book also explores the phenomenon of 'Tut-mania', when the world was gripped by all things Tutankhamun, from jewelry and clothing to dance music and curses. In the final section, the authors re-evaluate what the tomb's contents can tell us about the king and his time, and explore various projects that have in recent years sought to ensure the preservation of Tutankhamun's tomb and its contents for future generations. For all of these projects, the Howard Carter archive in the Griffith Institute remains an invaluable resource.
This publication presents fascinating new findings on ancient Romano-Egyptian funerary portraits preserved in international collections. Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago. Until recently, few of these paintings had undergone in-depth study to determine by whom they were made and how. An international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and to gather scientific and historical findings into a shared database. The first phase of the project was marked with a two-day conference at the Getty Villa. Conservators, scientists, and curators presented new research on topics such as provenance and collecting, comparisons of works across institutions, and scientific studies of pigments, binders, and supports. The papers and posters from the conference are collected in this publication, which offers the most up-to-date information available about these fascinating remnants of the ancient world. The free online edition of this open-access publication is available at www.getty.edu/publications/mummyportraits/ and includes zoomable illustrations and graphs. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
A fascinating look at the artistically productive reign of Hatshepsut, a female pharaoh in ancient Egypt
The move to a new capital, Akhenaten/Amarna, brought essential changes in the depictions of royal women. It was in their female imagery, above all, that the artists of Amarna departed from the traditional iconic representations to emphasize the individual, the natural, in a way unprecedented in Egyptian art.
Between the 1880s and 1980s, British excavations at locations across Egypt resulted in the discovery of hundreds of thousands of ancient objects that were subsequently sent to some 350 institutions worldwide. These finds included unique discoveries at iconic sites such as the tombs of ancient Egypt's first rulers at Abydos, Akhenaten and Nefertiti’s city of Tell el-Amarna and rich Roman Era burials in the Fayum. Scattered Finds explores the politics, personalities and social histories that linked fieldwork in Egypt with the varied organizations around the world that received finds. Case studies range from Victorian municipal museums and women’s suffrage campaigns in the UK, to the development of some of the USA’s largest institutions, and from university museums in Japan to new institutions in post-independence Ghana. By juxtaposing a diversity of sites for the reception of Egyptian cultural heritage over the period of a century, Alice Stevenson presents new ideas about the development of archaeology, museums and the construction of Egyptian heritage. She also addresses the legacy of these practices, raises questions about the nature of the authority over such heritage today, and argues for a stronger ethical commitment to its stewardship. Praise for Scattered Finds 'Scattered Finds is a remarkable achievement. In charting how British excavations in Egypt dispersed artefacts around the globe, at an unprecedented scale, Alice Stevenson shows us how ancient objects created knowledge about the past while firmly anchored in the present. No one who reads this timely book will be able to look at an Egyptian antiquity in the same way again.' Professor Christina Riggs, UEA
The hypocephalus is an element of Late Period and Ptolemaic funerary equipment—an amuletic disc placed under the head of mummies. Its shape emulates the sun’s disc, and its form is planar (although it is occasionally concave). This volume analyses the written records and iconography of these objects.
Ancient finds from the Maltese islands are rare, and those held in the British Museum form an important collection. Represented is a wide cultural range, spanning the Early and Late Neolithic, the Bronze Age, Roman and more recent historic periods.
"These are some of the remarkable Jewish objects in the Ashmolean Museum in Oxford, brought together here for the first time to tell the history of the Jewish people from Ancient Mesopotamia to the present day. Spanning 4000 years and fourteen countries, they document the astonishing diversity and adaptability of Jewish life over the centuries, and the long history of close interaction with other cultures and religions of the world."--Publisher's description.