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2,373 entries relating to British and North American wares, decorative techniques, styles, leading disigners and makers, principally from c. 1500 to the present.
Rather than the customary focus on the activities of individual collectors, The Emergence of the Antique and Curiosity Dealer in Britain 1815–1850: The Commodification of Historical Objects illuminates the less-studied roles played by dealers in the nineteenthcentury antique and curiosity markets. Set against the recent ‘art market turn’ in scholarly literature, this volume examines the role, activities, agency and influence of antique and curiosity dealers as they emerged in the opening decades of the nineteenth century. This study begins at the end of the Napoleonic Wars, when dealers began their wholesale importations of historical objects; it closes during the 1850s, after which the trade became increasingly specialised, reflecting the rise of historical museums such as the South Kensington Museum (V&A). Focusing on the archive of the early nineteenth-century London dealer John Coleman Isaac (c.1803–1887), as well as drawing on a wide range of other archival and contextual material, Mark Westgarth considers the emergence of the dealer in relation to a broad historical and cultural landscape. The emergence of the antique and curiosity dealer was part of the rapid economic, social, political and cultural change of early nineteenth-century Britain, centred around ideas of antiquarianism, the commercialisation of culture and a distinctive and evolving interest in historical objects. This book will be of interest to scholars in art history, histories of collecting, museum and heritage studies and nineteenth-century culture.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Chinese Snuff Bottles is invaluable document for all interested in the history of Chinese art. It is also a lucid and fascinating guidebook for the collector or would be collector, both of snuff bottles and other products of Chinese craftsmanship. All the skills and ingenuity of the Chinese artisans were lavished upon the production of these tiny bottles, making them pre-eminent representatives of the best in Chinese craftsmanship. This classic art history book is the first full account in any language of this facet of Chinese art. It includes a comprehensive treatment of the origins and development of the snuff bottle in China as well as over 150 actual-size reproductions, the majority in full color. It is a fascinating story by an enthusiastic collector, who captivated by the beauty and ingenuity found in these bottles, had the interest to delve into the historical background techniques of manufacture, kind and quality of materials, classification and organization of types, and the like, as well as a delightfully informal style with which to communicate her wide knowledge and enthusiasm to the reader.
-Compiled with full access to Bulgari's archives A jewel is more than an arrangement of precious stones - it is a story. This is the principle on which Vincent Meylan, author of Christie's: The Jewellery Archives Revealed, Boucheron: The Secret Archives, Van Cleef & Arpels: Treasures and Legends, and Mellerio: Jewellers to the Queens of Europe, has written his latest book. Now, with unparalleled access to the Bulgari archives, Meylan guides us on an intimate journey through the lives of the clients, both famous and infamous, who have given this pre-eminent Mediterranean jeweler their patronage. Paris may be the traditional home of the jeweller elite, but Bulgari embraces its Roman origins. From their early creations, inspired by Byzantine and Islamic architecture, to designs like the Trombino ring and Serpenti bracelets, which are still relevant today, Bulgari gracefully navigates the line between contemporary and timeless. Their client roster reflects their prestige. Nobility and celebrity intermingle; the Countess di Frasso shopped at Bulgari with her Hollywood superstar-beau, Gary Cooper, as did the Infanta Beatriz of Spain and Princess Maria José of Belgium. Richard Burton wooed Elizabeth Taylor with glittering Bulgari jewels, while the decadent marriage of Tyrone Power and Linda Christian featured Bulgari wedding rings. But these jewels tell tales of many genres, not just romance: from exiled Iranian Shahs to Count Cini of Monselice, held for ransom by the SS and released in exchange for Bulgari jewels. Each story is retold with Vincent Meylan's characteristic verve, embellished with original pictures from the archives. Chapters are dedicated to wealthy customers, but also to the stones themselves, tracing the evolution of this iconic Roman company through history, and the development of their jewelry from mine, to workshop, to model.