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A pack of paints, a set of pens, and unlimited creativity throw two friends into an enchanted, fast-paced adventure. ZuZu's first summer without her best friend is looking pretty grim, until she meets new kid Andrew at a visit to the historic Mapleton Mansion. Together they stumble upon some enchanted art supplies and discover that the shapes they draw and paint can come to life. Their creations are harmless—but ZuZu and Andrew aren't the only ones with access to magic. Soon, nightmarish half-machine, half-living creatures begin appearing around town, controlled by a power-hungry "caster" with a sinister mission. It's up to ZuZu and Andrew to use their newfound abilities to protect their community. "There are deliciously chilling descriptions of scuttling, otherworldly creations and resurrections gone awry, but there is also delight to be found in enchanted artwork and blossoming friendships. A thrilling introduction to a newfangled magic."—Booklist "A satisfying, compelling adventure with an original magical construct and bright, appealing protagonists."—Kirkus Reviews "The magical rules created by Voskuil feel exciting . . . . This creative fantasy will move well with fans of Tae Keller's When You Trap a Tiger."—School Library Journal
Finalist for the PEN Open Book Award Longlisted for the PEN/Jean Stein Award A TIME, NPR, New York Public Library, Lit Hub, Book Riot, and Entropy Best Book of the Year "Beguiling and haunting. . . . Washuta's voice sears itself onto the skin." —The New York Times Book Review Bracingly honest and powerfully affecting, White Magic establishes Elissa Washuta as one of our best living essayists. Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning. In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.
During the late thirteenth and early fourteenth centuries a group of monks with occult interests donated what became a remarkable collection of more than thirty magic texts to the library of the Benedictine abbey of St. Augustine’s in Canterbury. The monks collected texts that provided positive justifications for the practice of magic and books in which works of magic were copied side by side with works of more licit genres. In Magic in the Cloister, Sophie Page uses this collection to explore the gradual shift toward more positive attitudes to magical texts and ideas in medieval Europe. She examines what attracted monks to magic texts, in spite of the dangers involved in studying condemned works, and how the monks combined magic with their intellectual interests and monastic life. By showing how it was possible for religious insiders to integrate magical studies with their orthodox worldview, Magic in the Cloister contributes to a broader understanding of the role of magical texts and ideas and their acceptance in the late Middle Ages.
"Explores two principal genres of illicit learned magic in late Medieval manuscripts: image magic, which could be interpreted and justified in scholastic terms, and ritual magic, which could not"--Provided by publisher.
Inside "Sleightly Out of Order" (a much anticipated second volume of the "Out of Order" series), you'll discover card plots, both classic and new. The magic routines range from spellers to triumphs. Tricks that tell stories to mentalism that messes with the audience's minds. You'll discover gambling demonstrations and even worthwhile approaches to the Sellers Diary effect. You'll also find creative versions of the Tommy Wonder Elizabeth series along side interesting applications of principles both Gilbreath and Kruskal. The routines in this volume explore the iconic Si-Stebbins system (which the Redford stack effortlessly transforms into with a quick overhand shuffle sequence), memorized deck orders, the Power/Parallel Stack, Heinlein Hold'em Stack, and more! All arrangements that this book explores are quickly accessible when using from the Redford stack! You'll also read a mix of routines that may be performed with any memorized stack order along side card miracles that wont require any sort of learned memorization. Of course, no Redford stack book would be complete without unlocking more of the built in features specific to the Redford Stack! Whether you're a seasoned stack worker or your first adventure exploring the wonderful world of a stack deck, this book is a must have.
This collection of essays has been written by magicians who really care about magic. Having discovered magic at a young age, they have allowed it to mature alongside their intellectual and practical formation. They contemplate different dimensions of magic and how they relate to it. Their stories and reflections reveal remarkable similarities in the themes that they address: Magic as power. Magic as escape. Magic as protection. Magic as play. Magic as medium. Magic as unknowable. Magic as symbol. Magic as language. Magic as incomplete. The book will touch anyone who has imagined a magical world and who has a sense of wonder, either as a child or as an adult. Broad in its approach, specific in its intent, 'The Magiculum' offers much to contemplate.
“This excellent book is a painfully honest account of successive unwinnable wars. It is the text book Mr. Obama and others will need if Afghanistan is ever to be left to find its own peace and prosperity.” —Jon Snow, Channel 4 News (UK) Jonathan Steele, an award-winning journalist and commentator, has covered the country since his first visit there as a reporter in 1981. He tracked the Soviet occupation and the communist regime of Najibullah, which held the Western-backed resistance at bay for three years after the Soviets left. He covered the arrival of the Taliban to power in Kabul in 1996, and their retreat from Kandahar under the weight of U.S. bombing in 2001. Most recently Steele has reported from the epicenter of the Taliban resurgence in Helmand. Ghosts of Afghanistan turns a spotlight on the numerous myths about Afghanistan that have bedeviled foreign policy-makers and driven them to repeat earlier mistakes. Steele has conducted numerous interviews with ordinary Afghans, two of the country's Communist presidents, senior Soviet occupation officials, as well as Taliban leaders, Western diplomats, NATO advisers, and United Nations negotiators. Comparing the challenges facing the Obama administration as it seeks to find an exit strategy with those the Kremlin faced in the 1980s, Steele cautions that military victory will elude the West just as it eluded the Kremlin. Showing how and why Soviet efforts to negotiate an end to the war came to nothing, he explains how negotiations today could put a stop to the tragedies of civil war and foreign intervention that have afflicted Afghanistan for three decades.
Instructions are given for the performance of fourteen astonishing tricks.