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Axel Boethius's account begins about 1400 B.C. with the primitive villages of the Italic tribes. The scene was transformed by the arrival of the Greeks and by the Etruscans who by about 600 had Rome and Central Italy under their cultural spell.
This book provides a window into the world of Islam. It covers the whole spectrum of its beliefs, values, social principles, cultural institutions, and contemporary problems. Edited by Khurshid Ahmad, this book brings together leading Muslim scholarship and covers ideology, culture, the concept of worship, social justice, women in Islam, political theory in Islam, and the objectives of the Islamic economic order. It also discusses what Islam gave to humanity, the Western world and its challenges to Islam, and Islam and the crisis of the modern world.
"First published on the occasion of the exhibition ... Royal Academy of Arts, London, 11 September-3 December 1999"--Title page verso.
"There are 112 color plates in this ... book which depict some of the most important work of such architects as Frank Lloyd Wright, Le Corbusier, Tange, Mies van der Rohe and Nervi. Each plate is accompanied by a commentary written by Kultermann which indicates the varied architectural solutions to industrial age problems. The plates are prefaced by a detailed introduction by Hofmann in which he examines a number of themes, including "the apparent conflict between the beautiful and the useful in architectural ideas through the ages" and the "connections between modern architecture and other art forms." He traces the development of modem architecture from three stylistic prototypes: a cast-iron factory (1848) by James Bogardus; the Crystal Palace (1851) by Joseph Paxton, and the Red House (1859) by Philip Webb"--Review in AJA Journal, March 1971.
In this noted survey of Hellenic architecture and town-planning, R.E. Wycherley seeks to define the form of the ancient Greek city and the nature of a number of characteristic building types.
Présente les ouvrages dominants d'architectes européens contemporains, ainsi que les projets d'une avant-garde qui influencera, très certainement, les manifestations architecturales de ces prochaines années.