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This book is based on the findings, conclusions and recommendations of the Global Space Governance study commissioned by the 2014 Montreal Declaration that called upon civil society, academics, governments, the private sector, and other stakeholders to undertake an international interdisciplinary study. The study took three years to complete. It examines the drivers of space regulations and standards, key regulatory problems, and especially addresses possible improvements in global space governance. The world's leading experts led the drafting of chapters, with input from academics and knowledgeable professionals in the public and private sectors, intergovernmental organizations, and nongovernmental organizations from all the regions of the world with over 80 total participants. This book and areas identified for priority action are to be presented to the UN Committee on the Peaceful Uses of Outer Space and it is hoped will be considered directly or indirectly at the UNISPACE+50 event in Vienna, Austria, in 2018. The report, a collective work of all the contributors, includes objective analysis and frank statements expressed without pressure of political, national, and occupational concerns or interest. It is peer-reviewed and carefully edited to ensure its accuracy, preciseness, and readability. It is expected that the study and derivative recommendations will form the basis for deliberations and decisions at international conferences and meetings around the world on the theme of global space governance. This will hopefully include future discussion at the UN Committee on the Peaceful Uses of Outer Space.
A controversial account of the Churchill years by a bestselling historian. 'The best sort of history - revealing, gossipy and acidulous' OBSERVER This highly praised book by the Wolfson History Prize-winning author of SALISBURY tackles six aspects of Churchilliana and uncovers a plethora of disturbing facts about wartime and post-war Britain. His revelations include: - The case for the impeachment of Lord Mountbatten - The Nazi sympathies of Sir Arthur Bryant, hitherto considered a 'patriotic historian' - The British establishment's doubt about Churchill's role after Dunkirk - The appeasement of the trade unions in Churchill's Indian summer - The inside story of black immigration in the early 1950s - The anti-Churchill stance adopted by the Royal Family in 1940
Annotation Identifies the major designers and retailers who have impacted 19th- and 20th-century American fashion and culture.
Penetrating . . . beautifully rounds out and humanizes the character of the greatest statesman of the twentieth century. —San Francisco Chronicle "A multifaceted gem, sparkling with anecdotes and insights about the nature of biography, the challenges and rewards of historical research, and of course Winston Churchill." —Richmond Times-Dispatch "Everything about Winston Churchill is extraordinary. During his excavation of his subject, Martin Gilbert has discovered many gems. In this book he holds some of the most gorgeous jewels up to the light for us to admire." —The Spectator "Gilbert here gives us Churchill's vast humanity with the politics largely left out. Readers daunted by the 8,000-odd pages of the official life should start here. They will love it." —The Times (London) "The portrait of Winston Churchill is . . . vivid and painted with an affection and humour that rarely appear in the official biography." —London Daily Telegraph. "The work [Gilbert] has done puts all historians of the twentieth century, and all students of Churchill, incalculably in his debt." —London Sunday Telegraph
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.
This visually stunning book will be a revelation to admirers of Northwest visionary artist Morris Graves (b. 1910) who know him chiefly through his profoundly original, metaphysically charged paintings of chalices, birds, snakes, and other small creatures. Graves’s national reputation began with the Museum of Modern Art’s exhibitions "Americans 1942--18 Artists from 9 States." Throughout his long career as one of America’s most highly regarded painters of the transcendental, Graves has been less well known for his later flower paintings, represented here in more than fifty full-page color plates encompassing selected works from 1938 through 1992. A number of these paintings first captures public attention in 1983-84, during the course of a retrospective, " Morris Graves, Vision of the Inner Eye," organized by the Phillips Collection, Washington, D.C., which travelled to six major American museums. In the past decade, Graves’s flower paintings have continued to command increasing critical and public acclaim. In the view of noted art critic Theodore Wolff, whose superb analysis informs this presentation, Graves has created several dozen of the finest American flower paintings of the century. A product of Graves’s later years, these serene and radiantly beautiful paintings show distinct compositional parallels with a significant number of his early symbolic and metaphoric works. At the same time, they incorporate the dramatic shift in emphasis that took place in his art during the 1970s, when flowers and light began to embody his evolving sense of what color could be and could do. To a very real degree, notes Wolff, the flower paintings are Graves’s culminating work, epitomizing and summarizing his lifelong attempts to translate the spiritually ineffableinto pictorial form. In addition to Theodore F. Wolff’s inspired and insightful essay, Morris Graves: Flower Paintings features an excellent introduction by John Yau, art critic and author of recent book on A.R. Penck and Andy Warhol. The book will be of significant interest to collectors as well as to art historians.
A study of the art of wooden duck decoys and the lives of their Massachusetts carvers.