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Originally published in French in 1935, the author's formula Byzantium after Byzantium defines several centuries of world history. Iorga points out the great contributions of Byzantine civilization to the Western world, especially during the Renaissance. He demonstrates that Byzantium survived through its people and local autonomies, as well as through its exiles--clerics, scholars, merchants, and political officials. One of the most important expressions of this was found in the Romanian principalities where Greeks from the Phanar district of Istanbul played a major role in Romanian political life, defining an entire period of Romanian history--the Phanariot Period. They continued the Byzantine ideas, aspirations, education, and way of life. All of this allows us to speak of a Byzantium after Byzantium.
In 1978 the Lord called a priest, Clark Butterfield, out of the Roman Catholic system. God gave him a mission to write this autobiography before he went home to be with his Saviour. Butterfield graciously reveals to both Roman Catholics and Christians the teachings of the Vatican and how they differ from God's holy word. NIGHT JOURNEY FROM ROME is tactful, compassionate, and candid. Any honest reader will be touched and enlightened by its contents. This is a beautifully written book for your library, and one you could put into the hands of Roman Catholics or Christians. The contrast between scripture and the teachings of Rome is very clearly explained. - Jack T. Chick
The Dutch history painter Joachim Wtewael is widely admired for his astonishing small paintings on copper. The Getty Museum's Mars and Venus Surprised by Vulcan is one of his finest works in this unusually demanding medium. Though only eight inches high, this Mannerist painting contains eleven figures in three different spaces, captured in a dramatically charged moment from the famous story told by Ovid in his Metamorphoses. The author's detailed analysis of Wtewael's painting also serves as a fine introduction to Dutch art of the Golden Age. Illustrated with seventy reproductions of paintings, drawings, etchings, and decorative objects, Anne W. Lowenthal's study ranges over the broad historical and cultural context in which Mars and Venus was created.