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Catalogue d'une belle collection d'aquarelles et dessins par Daumier, Grandville, H. Monnier, Prud'hon, Charlet, Gavarni, etc. [provenant de la famille de Grandville], dont la vente... aura lieu Hotel des commissaires-priseurs, rue Drouot... le lundi 13 fevrier 1882... / Me Maurice Delestre, commissaire-priseur; [expert] M. Clement, marchand d'estampes de la Bibliotheque nationale Date de l'edition originale: 1882 [Vente. Art. 1882-02-13. Paris][Collection. Art. Grandville, famille de. 1882]Reference bibliographique: Lugt, 41655Appartient a l'ensemble documentaire: VenteEST2 Ce livre est la reproduction fidele d'une oeuvre publiee avant 1920 et fait partie d'une collection de livres reimprimes a la demande editee par Hachette Livre, dans le cadre d'un partenariat avec la Bibliotheque nationale de France, offrant l'opportunite d'acceder a des ouvrages anciens et souvent rares issus des fonds patrimoniaux de la BnF. Les oeuvres faisant partie de cette collection ont ete numerisees par la BnF et sont presentes sur Gallica, sa bibliotheque numerique. En entreprenant de redonner vie a ces ouvrages au travers d'une collection de livres reimprimes a la demande, nous leur donnons la possibilite de rencontrer un public elargi et participons a la transmission de connaissances et de savoirs parfois difficilement accessibles. Nous avons cherche a concilier la reproduction fidele d'un livre ancien a partir de sa version numerisee avec le souci d'un confort de lecture optimal. Nous esperons que les ouvrages de cette nouvelle collection vous apporteront entiere satisfaction. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr
Presents 100 color plates and 180 comparative illustrations, with bibliography, index, and biographies of the 66 artists represented in the exhibition. Explores three centuries (1615-1900) of French drawing beginning with the late mannerist style and continuing through the triumph of Impressionism. The collection was assembled by Louis-Antoine and Ve?ronique Prat of Paris. Works by Poussin, Lorrain, Watteau, Boucher, Fragonard, David, Ingres, Daumier, Manet, Degas, Ce?zanne, and Seurat are presented. This work also includes a selection of French school drawing -- landscapes, portraits, as well as mythological, literary, and biblical subjects -- executed in a variety of media, including red and black chalk, graphite, and pen and ink. Eighteenth-century sketches, known as "pense?es" or ?first thoughts? are featured along with celebrated drawings, such as Nicolas Poussin s masterpiece of the 1640s, The Abduction of Proserpine by Pluto, and Magdalene in the Desert by Claude Lorrain.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book articulates a new research program, called “Ur-Illuminism,” which consists in an integrated and systematic study of humanity’s quest for “illumination,” namely, for the highest and noblest possible mode of being. Thus, it takes on the challenge of revising widely accepted ways of understanding and interpreting the ontological underpinnings of civilization and the ontological potential of humanity. It allows the reader to delve into a creative “rediscovery” of Platonism, medieval Christian mystics’ and scholars’ writings, and various “illuminist” systems, from the Orphic mystical cult to the European Enlightenment and thence to the eighteenth-century Illuminati fraternities and beyond. Moreover, the book studies major issues in the history of philosophy, politology, and esoteric systems (such as Hermeticism, the Kabbalah, alchemy, the Rosicrucian movement, Freemasonry, and the Bavarian Illuminati). It maintains that a postmodern “rediscovery” of premodern metaphysics, specifically, a postmodern esoteric theocracy (as distinct from old sacerdotalism and religious formalism), is the best bulwark against oppression and the ontological degradation of humanity, as well as the best path to the attainment of that wisdom and spiritual self-knowledge which constitute the existential integration and completion of the human being. In this context, it proposes a peculiar and intellectually fecund synthesis between Tory Anarchism, Libertarianism, Platonism, and Byzantine Hesychasm, as they are elucidated here.
This newest volume in Hudson Hills Press's acclaimed series about leading collections of master drawings presents sixty-eight great sheets, all reproduced in full-color, including many versos, from one of the finest college museums in America.
Admired by Marx and Engels, the Surrealists, the Situationists, Walter Benjamin and Roland Barthes, the great utopian socialist Charles Fourier (1772-1837) has been many things to many people: a proto-feminist, a Surrealist ancestor, a cantankerous cosmologist, a social critic and humorist and to this day one of France's truest visionary thinkers. He was also, as this volume demonstrates, a maniacal taxonomist. In this zoological guidebook to cuckoldry and commerce, Fourier offers a caustic critique of the bankruptcy of marriage and the prostitution of the economy, and the hypocrisies of a civilization that over-regulates sexual congress while allowing the financial sector to screw over the public. Gathered together here for the first time are Fourier's two "Hierarchies" --humorously regimented parades of civilization's cheaters and cheated-on in the domestic sphere of sex and the economic sphere of buying and selling commodities. "The Hierarchy of Cuckoldry" --translated into English for the first time--presents 72 species of the male cuckold, ranging from such "common class" cases as the Health-Conscious Cuckolds, to the short-horned Sympathetic, Optimist and Mystical Cuckolds, and the Long-horned varieties of the Irate, Disgraced and Posthumous Cuckolds. For Fourier, these amount to 72 manifestations of women's "secret insurrection" against the institution of marriage. "The Hierarchy of Bankruptcy" presents 36 species of the fraudulent bankrupt: a range of Light, Grandiose, and Contemptible shades of financial manipulators who force creditors, cities and even nations to bail them out of ultimately profitable bankruptcies. In these attacks on the morality of monogamy and the perils of laissez-faire capitalism, Fourier's "Hierarchies" resonate uncannily with our contemporary world.