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Report

Cooper Union for the Advancement of Science and Art

Published: 1910

Total Pages: 672


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A portrait miniature of a cherubic boy with a wig was discovered in Salzburg in 2018. It is mounted on a bonbonnière made of papier-mâché and tortoiseshell. The provenance of the box of sweets is Paris. Could this be a portrait of W. A. Mozart from Versailles? The detective trail leads to Salzburg, Munich, Paris, and Vienna. Laboratory testing authenticates the painting and the box. Stefaan Missinne discovers the "smoking gun" in the silver frame. The guilloche pattern is the linking orphic attribute. Facial biometrics of the boy confirm it is a ten-year-old. Mozart was ten while in Paris in 1766. The Belgian author endorses the bonbonnière as a unique Louis XV box of sweets, suggesting that it is a tribute to W. A. Mozart as an Austrian child prodigy. "An exceptional finding in a Salzburg antique shop leads, like an international research thriller, from the Mozarteum in Salzburg to the archives of the Gesellschaft der Musikfreunde in Vienna, from the Louvre and the Royal French Court in Paris to the Imperial collections of the Habsburgs. A small, expensive and specially heralded box – the Mozart portrait box – portrays a unique, royally uniformed boyish Mozart as a composer, musician and prodigy. A wonderful artifact that allows us to sense Wolfgang Amadeus Mozart as a young Austrian musical genius. Stefaan Missinne has made a significant discovery with international appeal and world interest." Sir James Constable, Harvard University Fellow "Just as in Greek mythology Orpheus was able to sweep his fellow human beings away with his beguiling song, so the author, Prof. Dr. Stefaan Missinne, succeeds in this compact, scientific treatise where he documents and presents striking evidence of a portrait of the youthful Mozart from Paris, dating from 1766. In so doing, he allows the striking traces and circumstances of a small, collectible, but otherwise inconspicuous artefact to speak to us and form a significant whole that addresses us today in a most meaningful way." Archduke Dr. Michael Salvator Habsburg Lothringen
Porcelain imported from China was the most highly coveted new medium in sixteenth- and early seventeenth-­century Europe. Its pure white color, translucency, and durability, as well as the delicacy of decoration, were impossible to achieve in European earthenware and stoneware. In response, European ceramic factories set out to discover the process of producing porcelain in the Chinese manner, with significant artistic, technical, and commercial ramifications for Britain and the Continent. Indeed, not only artisans, but kings, noble patrons, and entrepreneurs all joined in the quest, hoping to gain both prestige and profit from the enterprises they established. This beautifully illustrated volume showcases ninety works that span the late sixteenth to the mid-nineteenth century and reflect the major currents of European porcelain production. Each work is illustrated with glorious new photography, accompanied by analysis and interpretation by one of the leading experts in European decorative arts. Among the wide range of porcelains selected are rare blue-and-white wares and figures from Italy, superb examples from the Meissen factory in Germany and the Sèvres factory in France, and ceramics produced by leading British eighteenth-century artisans. Taken together, they reveal why the Metropolitan Museum’s holdings in this field are among the finest in the world. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}