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Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Child of materialism and positivism, Courbet was without a doubt one of the most complex painters of the nineteenth century. Symbolising the rejection of traditions, Courbet did not hesitate to confront the public with the truth by liberating painting of conventional rules. He became from then on the leader of pictorial realism.

Catalogue d'estampes anciennes & modernes eaux-fortes & lithographies par les meilleurs artistes, portraits école du XVIIIe Siècle & en couleur planches de cuivre gravées fac-simile de dessins & le Collier de la Reine tableau sur cuivre dessins anciens et modernes albums de dessins chinois dont la vente aura lieu Hotel des Commissaire-priseurs Rue Drouot, no 5 ... les vendredi 25 & samedi 26 mai 1866 ... Me Delbergue-Cormont, commissaire-priseur ... assisté de M. Vignères ...

Published: 1866

Total Pages: 0


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Catalogue d'une collection venant de l'étranger d'estampes anciennes & modernes, eaux-fortes, burin et manière noire, lithographies, photographies, portraits, dont plusieurs planches de cuivres gravées par Hollar, Livius, Vorsterman, etc., quelques dessins anciens, dont la vente aura lieu Hôtel des commissaires-priseurs, rue Drouot, n° 5, salle n° 7, les vendredi 25 et samedi 26 octobre 1867 [...] Me Delbergue-Cormont, commissaire-priseur [...] assisté de M. Vignères, marchand d'estampes

Published: 1867

Total Pages: 40


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A print can sometimes tell us more than a painting about the history of art. Michel Melot illustrates his thesis in this book, analysing relationships between artists, the art market, the critics, collectors and political institutions. This fresh approach reveals Impressionism not as a sort of miracle, but as a response to economic and social upheaval. This original view of a key movement in the history of art allows the reader to understand its decisive effect on all the subsequent generations who have contributed to maintaining the tradition of the belle epreuve.