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The commodification of Islamic antiques intensified in the late Ottoman Empire, an age of domestic reform and increased European interference following the Tanzimat (reorganisation) of 1839. Mercedes Volait examines the social life of typical objects moving from Cairo and Damascus to Paris, London, and beyond, uncovers the range of agencies and subjectivities involved in the trade of architectural salvage and historic handicraft, and traces impacts on private interiors, through creative reuse and Revival design, in Egypt, Europe and America. By devoting attention to both local and global engagements with Middle Eastern tangible heritage, the present volume invites to look anew at Orientalism in art and interior design, the canon of Islamic architecture and the translocation of historic works of art.
Reprint of the original, first published in 1842.
Early shows and sales of Islamic antiques in Paris -- Expanding trades in late Ottoman Cairo and Damascus -- Conflicted commodification in Cairo -- Fashioning immersive displays in Egypt and beyond -- Guise and disguise before and during the Tanzimat.

Catalogue de la riche & nombreuse collection de porcelaines anciennes de Chine et de Japon d'objets d'art et de curiosité; Faïences anciennes. Cristaux de roche. Orfévrerie. Matières précieuses. Emaux. Verroterie. Vitraux. Miniatures. Armes. Bronzes. Cuivres. Grès. Terre cuite. Meubles de Boule. Ameublements sculptés. Dentelles anciennes. Costumes. Cuirs dorés. Ivoires. Eventails. Verres de Venise. Objets byzantins. Faïences italiennes dites majoliques, etc. Le tout garnissant les magasins de M. Debeukelaer...

Published: 1869

Total Pages: 44


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The present volume offers a collection of essays that examines the mechanisms and strategies of collecting, displaying and appropriating Islamic art in the nineteenth and early twentieth centuries. Many studies in this book concentrate on lesser known collections of Islamic art, situated in Central and Eastern Europe that until now have received little attention from scholars. Special attention is given to the figure of the Swiss collector Henri Moser Charlottenfels, whose important, still largely unstudied collection of Islamic art is now preserved in the Bernisches Historisches Museum, Switzerland. Contributors to the volume include young researchers and established scholars from Western and Eastern Europe and beyond: Roger Nicholas Balsiger, Moya Carey, Valentina Colonna, Francine Giese, Hélène Guérin, Barbara Karl, Katrin Kaufmann, Sarah Keller, Agnieszka Kluczewska Wójcik, Inessa Kouteinikova, Axel Langer, Maria Medvedeva, Ágnes Sebestyén, Alban von Stockhausen, Ariane Varela Braga, Mercedes Volait. Les contributions de l’ouvrage examinent le mécanisme et les stratégies relatifs à la collection, la présentation et l’appropriation des arts de l’Islam au XIXe siècle et début du XXe siècle. Elles mettent l’accent sur des collections situées en Europe centrale et orientale, lesquelles ont été peu étudiées jusqu’à présent. Une attention particulière est dédiée à la figure du collectionneur Suisse Henri Moser Charlottenfels, dont les objets se trouvent aujourd’hui au Bernisches Historisches Museum (Suisse) et qui ont été de même peu étudiés. Les textes émanent de jeunes chercheurs comme de chercheurs confirmés, basés en Europe occidentale et orientale, et au-delà.
Based on the personal journals of Robert Grenville Gayer-Anderson (1881-1945), Egyptologist, poet, surgeon, soldier, psychic, and noted collector, this candid and charming historical biography tells of Gayer-Anderson's strange and eclectic life in the final days of the British empire. As a child, he crossed an unforgiving America with his entrepreneurial and eccentric Irish parents. As a man, he immersed himself in the Arab way of life as colonials seldom did; he saw ghosts and witches, sailed the Nile, wrestled Turks and crocodiles, fought at Gallipoli, smoked opium, performed surgery in the desert, gathered and cared for artefacts and boys in his Cairene home, survived an assassination attempt and, in the name of science and Henry Wellcome, in flowery glades he boiled the flesh from the skulls of Nuba warriors. His personal journals are filled with frank accounts of his exploits and of the illustrious and colorful people who wandered by: Lawrence of Arabia, Gordon, Kitchener, Conan-Doyle, Eric Gill, and Stephen Spender, among others. Drugs, race, class, family, sex, and selfhood are vividly mixed in this tale of two wars, colonial life, medicine, anthropology, and psychic phenomena. The stiff-upper-lipped ritual of a very British upbringing vied with his Romantic and consuming love of beauty, vividly embodied in the Gayer-Anderson Museum in Cairo, which to this day houses his vast collection of carpets, furniture, glassware, and other curios.
During the nineteenth century, Cairo witnessed once of its most dramatic periods of transformation. Well on its way to becoming a modern and cosmopolitan city, by the end of the century, a 'medieval' Cairo had somehow come into being. While many Europeans in the nineteenth century viewed Cairo as a fundamentally dual city—physically and psychically split between East/West and modern/medieval—the contributors to the provocative collection demonstrate that, in fact, this process of inscription was the result of restoration practices, museology, and tourism initiated by colonial occupiers. The first edited volume to address nineteenth-century Cairo both in terms of its history and the perception of its achievements, this book will be an essential text for courses in architectural and art history dealing with the Islamic world.