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After three decades of investigation, and after traveling hundreds of thousands of miles across the globe-from Melbourne to Moscow, Boston to Beijing-Gingerich has written an utterly original book built on his experience and the remarkable insights gleaned from examining some 600 copies of De revolutionibus. He found the books owned and annotated by Galileo, Kepler and many other lesser-known astronomers whom he brings back to life, which illuminate the long, reluctant process of accepting the Sun-centered cosmos and highlight the historic tensions between science and the Catholic Church. He traced the ownership of individual copies through the hands of saints, heretics, scalawags, and bibliomaniacs. He was called as the expert witness in the theft of one copy, witnessed the dramatic auction of another, and proves conclusively that De revolutionibus was as inspirational as it was revolutionary. Part biography of a book, part scientific exploration, part bibliographic detective story, The Book Nobody Read recolors the history of cosmology and offers new appreciation of the enduring power of an extraordinary book and its ideas.
This outstanding and highly original study examines the history of collecting in early modern Europe, and describes the myriad treasures, from paintings and antiques to religious relics, that found their way into the private collections and public museums of the time. The author looks at the types of people who formed collections, from the harmless eccentrics to the wily speculators, and examines what they collected and why. He develops a historical anthropology of collecting and sheds new light upon the genesis of the modern museum. Pomian charts the changes in fashion which characterised the world of collecting, arguing that such shifts can be seen as a sign of wider and more profound changes in mentality and can be analysed in terms of a conflict between aesthetic and historical sensibilities.
The Malagasy revival movement, which started in 1894 and operates within the structure of the historical churches, continues to have a profound impact on Protestant church life. This book focuses on exorcism as practised and understood by the so-called shepherds (lay, unsalaried, consecrated church workers) and defines «exorcism» as the expulsion of demons and prayer with the laying on of hands. This study, with Malagasy actors at its centre, argues that exorcism constitutes a synthesis between the biblical message and the traditional Malagasy culture. The shepherds, who vehemently oppose traditional religion, understand exorcism as a practice appropriate for people with a wide variety of problems, and they assert that the purpose of exorcism is to create a living faith in Jesus. The shepherds consider the battle with demons absolutely decisive because it concerns nothing less than salvation or condemnation.

(251e) Catalogue d'estampes anciennes & modernes, livres à figures, vignettes pour illustration d'après Desenne, Gravelot, Johannot, Lefèvre, Marillier, Moreau le jeune, etc.; planches de cuivre, tirages de vignettes d'après Moreau et portraits gravés par Saint-Aubin provenant du fonds de Renouard, portraits, oeuvres de Ficquet, Savart, etc., tableaux, dessins de Graville, Gravelot & autres ; objets de curiosité, composant la collection de feu M. Capé, ancien relieur. Dont la vente aura lieu Hotel des Commissaires-Priseurs, Rue Drouot, n° 5, salle n° 4, au premier étage, les Mercredi 25, Jeudi 26, Vendredi 27 & Samedi 28 Mars 1868 [...].

Published: 1868

Total Pages: 36


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