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A guide to the popular craft offers beadmakers instructions for how to torch, wind, and cool beads; directions for creating various designs, including barrels, cones, and discs; and strategies for achieving a variety of colors and patterns.
Originally published in French in 1935, the author's formula Byzantium after Byzantium defines several centuries of world history. Iorga points out the great contributions of Byzantine civilization to the Western world, especially during the Renaissance. He demonstrates that Byzantium survived through its people and local autonomies, as well as through its exiles--clerics, scholars, merchants, and political officials. One of the most important expressions of this was found in the Romanian principalities where Greeks from the Phanar district of Istanbul played a major role in Romanian political life, defining an entire period of Romanian history--the Phanariot Period. They continued the Byzantine ideas, aspirations, education, and way of life. All of this allows us to speak of a Byzantium after Byzantium.
A Guide to Czech & Slovak Glass is the first resource book ever written on a nation's glass industry. In 208 pages it outlines the artists, factories, associations, museums, schools, shops, and history of Bohemian glass. -- Amazon.
Showcases the work of the Art Nouveau glass craftsman and jewelry designer.
Michael Glancy is widely recognised as a prominent innovator in the field of studio glass. After studying with the critically acclaimed glass artist Dale Chihuly, he found his own artistic personality by combining different techniques: Glancy works with
This is the first book devoted to Tiffany lamps in more than 20 years. Experts in the field have made a selection of exceptional lamps-many of which have rarely been seen or published-and each one has been newly photographed with the latest photographic techniques to reveal in extraordinary detail the artistic quality and high craftsmanship of these masterpieces of decorative art. Martin Eidelberg and Alice Cooney Frelinghuysen have contributed essays on the history of the lamps, enlarging our understanding of Louis Comfort Tiffany's achievement. They have also drawn upon a host of previously unpublished photographs, paintings, and watercolors by Tiffany and other artists in his employ, as well as on working drawings and studio photographs, to evoke the lost gardens and interiors of Tiffany's country estate, Laurelton Hall, that so inspired him. They outline the development and manufacture of the Tiffany lamp from freehand sketch to the finished form, as well as the chief decorative themes in Tiffany's glass masterpieces and their relation to the work of other fin de sihcle glassmakers. In this book, light, color, and the inspiration of nature co-mingle to produce a deliciously sensuous experience.