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Catalogue de dessins anciens et de quelques modernes estampes anciennes, lithographies provenant de la Collection de feu M. Desperet dont la vente ... aura lieu par suite de son décès Hotel des Commissaire-priseurs Rue Drouot, no 5 Salle no 3 dessins les mercredi 7, jeudi 8, vendredi 9 & samedi 10 juin 1865 ... Salle no 6 gravures & lithographies les lundi 12 & mardi 13 juin 1865 ... Me Delbergue-Cormont, commissaire-priseur ... assisté de M. Clément ...

Published: 1865

Total Pages: 0


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In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.
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With this widely acclaimed work, Michael Fried revised the way in which eighteenth-century French painting and criticism are viewed and understood. Analyzing paintings produced between 1753 and 1781 and the comments of a number of critics who wrote about them, especially Dennis Diderot, Fried discovers a new emphasis in the art of the time, based not on subject matter or style but on values and effects.