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This book discuss different types of engraved gems in the collection of the Rijksmuseum van Oudheden Leiden, their makers, users and re-users, combining archaeological, culture historical and geological perspectives.
In the last two decades we have had many books and proceedings of conferences on the history, formulas and incantations of magic in antiquity, both in East and West, but this is the first book of its kind that focuses on the material aspects of magic, such as gems, rings, drawings, grimoires, amulets and figurines. In recent years scholars have focused not only on the discourse and practices of magic in antiquity, but also on its practitioners, literary stereotypes and historical shifts. Much less attention, however, has been paid to the material that was used by the magicians for their curses and incantations. Yet there is no magic without materiality. The practice of magic required a specialist expertise that knew how to handle material such as lead, gold, stones, papyrus, figurines or voodoo dolls. That is why we present new insights on the materiality of magic by studying both the materials used for magic as well as the books in which the expertise was preserved.--Publisher.
The Czech king and Roman Emperor Charles IV met with the French king Charles V in Paris in 1378. The author describes with intelectual brilliance and narrative talent the journey from Prague to Paris as a step by step journey reportage using contemporary French chronicles and vast medievistic literature as well as many beautiful illustrations. The result is an appealing account on medieval life, everyday and intelectual, mentality, grand European politics of the time or even medieval cuisine. The first part of the book presents the well-known facts of Charles IV life (brought up in Paris, his father’s John Luxemberg’s political and representational activities, his international goals, etc.). The middle part of the book brings a transcription of richly illustrated French chronicles. The third part analyses the importance of the meeting of the two most powerful European rulers of the time. Final and most original part consists of individual studies concerning practical organisation of medieval festivities, its logistic, transport, or culinary details, the court manners, relationships and symbolics. Šmahel draws from latest knowledge and methods from archeology and microhistory to cultural anthropology or iconography. This as a highly readable account of medieval time inspiring in its originality for expert historians as well as appealing to the general public.
Contains 17 papers on the history of engraved gems (including both intaglios and cameos) from ancient Greece through the nineteenth century. They address the influence of Greek and Roman gems on postclassical painters, sculptors and gem engravers as well as the collecting of gems in the Middle Ages, Renaissance and later periods.
Diliana Angelova argues that from the time of Augustus through early Byzantium, a discourse of “sacred founders”—articulated in artwork, literature, imperial honors, and the built environment—helped legitimize the authority of the emperor and his family. The discourse coalesced around the central idea, bound to a myth of origins, that imperial men and women were sacred founders of the land, mirror images of the empire’s divine founders. When Constantine and his formidable mother Helena established a new capital for the Roman Empire, they initiated the Christian transformation of this discourse by brilliantly reformulating the founding myth. Over time, this transformation empowered imperial women, strengthened the cult of the Virgin Mary, fueled contests between church and state, and provoked an arresting synthesis of imperial and Christian art. Sacred Founders presents a bold interpretive framework that unearths deep continuities between the ancient and medieval worlds, recovers a forgotten transformation in female imperial power, and offers a striking reinterpretation of early Christian art.