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An International Bestseller "An absolute gem of a book." --The Observer Just before one of its darkest moments came the twentieth century's most exciting year . . . It was the year Henry Ford first put a conveyer belt in his car factory, and the year Louis Armstrong first picked up a trumpet. It was the year Charlie Chaplin signed his first movie contract, and Coco Chanel and Prada opened their first dress shops. It was the year Proust began his opus, Stravinsky wrote The Rite of Spring, and the first Armory Show in New York introduced the world to Picasso and the world of abstract art. It was the year the recreational drug now known as ecstasy was invented. It was 1913, the year before the world plunged into the catastrophic darkness of World War I. In a witty yet moving narrative that progresses month by month through the year, and is interspersed with numerous photos and documentary artifacts (such as Kafka's love letters), Florian Illies ignores the conventions of the stodgy tome so common in "one year" histories. Forefronting cultural matters as much as politics, he delivers a charming and riveting tale of a world full of hope and unlimited possibility, peopled with amazing characters and radical politics, bristling with new art and new technology . . . even as ominous storm clouds began to gather.
In the course of his political career Gordon Coates (1878&–1943) experienced the extremes of popular adulation and contempt. Handsome, young and debonair, with the common touch, he was a successful minister in the early 1920s and seemed full of promise when he became Prime Minister in 1925 on the death of W.F. Massey. Ten years later, after serving as Minister of Finance in the coalition government during the Depression, his reputation had sunk to its lowest ebb. He went on to serve with distinction in the War Cabinet, winning the confidence and respect of former Labour opponents. Dying suddenly in 1943, he left many friends and supporters, who to this day regard him as one of New Zealand's political giants. Michael Bassett follows his successful biography of Sir Joseph Ward with an equally readable life of this younger Prime Minister. It is one of the few scholarly biographies of a figure on the right of New Zealand politics. With full access to the Coates family papers and to material gathered by other researchers, Bassett is able to offer a thoughtful reassessment of the achievements and failures of Coates's political career. He provides clear explanations of the sometimes complex issues, drawing once again on his own familiarity with the pressures and pleasures of political life. The study of the politician is combined with a fascinating account of the private man including his Northland origins, his farming background, his gallant military service in the First World War, his personal and family life, and his character.
This engaging, deeply researched study provides the richest and most nuanced picture we have to date of cinema—both movies and movie-going—in the early 1910s. At the same time, it makes clear the profound relationship between early cinema and the construction of a national identity in this important transitional period in the United States. Richard Abel looks closely at sensational melodramas, including westerns (cowboy, cowboy-girl, and Indian pictures), Civil War films (especially girl-spy films), detective films, and animal pictures—all popular genres of the day that have received little critical attention. He simultaneously analyzes film distribution and exhibition practices in order to reconstruct a context for understanding moviegoing at a time when American cities were coming to grips with new groups of immigrants and women working outside the home. Drawing from a wealth of research in archive prints, the trade press, fan magazines, newspaper advertising, reviews, and syndicated columns—the latter of which highlight the importance of the emerging star system—Abel sheds new light on the history of the film industry, on working-class and immigrant culture at the turn of the century, and on the process of imaging a national community.
With intense passion and commitment, labor reformers and Communist Party activists Grace Hutchins and Anna Rochester dedicated themselves both to the cause of economic justice and to each other. Janet Lee traces Hutchins and Rochester's extraordinary ideological journey from Christianity to Communism in this engaging joint biography, regendering the history of the intellectual left at the same time that she shares the interwoven life stories of these remarkable women. This is a biography that explores the complex and multiple contexts that produced Hutchins and Rochester as political subjects and focuses on the tensions and contradictions of their public and private lives. Methodologically ground breaking, Comrades and Partners attempts to disrupt the realist frame of research and writing in relation to both subject and author: subject in terms of the myth of an unfolding, coherent self and author in terms of highlighting the boundaries between fact and fiction. Lee has produced an invaluable addition to the study of women's history, a volume which will prove indespensible to scholars of history, gender studies, and the postmodern approach.